1. The Operations of the Closet and the Discourse of Unspeakable Contents in Black Fauns and My Brother
  2. Jennifer Rahim
  3. pp. 1-18
  4. DOI: 10.1353/smx.2006.0024
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  1. Authority and the Occasion for Speaking in the Caribbean Literary Field: Martin Carter and George Lamming
  2. Raphael Dalleo
  3. pp. 19-39
  4. DOI: 10.1353/smx.2006.0016
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  1. “Join, Interchangeable Phantoms”: From Metaphor to Metonymy in Walcott's Omeros
  2. Nicole Matos
  3. pp. 40-60
  4. DOI: 10.1353/smx.2006.0020
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  1. Two Healing Narratives: Suffering, Reintegration, and the Struggle of Language
  2. Maria Cristina Fumagalli, Peter L. Patrick
  3. pp. 61-79
  4. DOI: 10.1353/smx.2006.0018
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  1. Caribbean Tabula Rasa: Textual Touristing as Carnival in Contemporary Caribbean Women's Writing
  2. Angeletta KM Gourdine
  3. pp. 80-96
  4. DOI: 10.1353/smx.2006.0019
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  1. “To be Liberated from the Obscurity of Themselves”: An Interview with Rex Nettleford
  2. David Scott, Rex Nettleford
  3. pp. 97-246
  4. DOI: 10.1353/smx.2006.0025
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  1. Kutiya Geometries
  2. Steve Ouditt
  3. pp. 247-255
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  1. From “The Museum of Love”
  2. Mark McWatt
  3. pp. 256-260
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  1. African American Manhood in the Making of Caribbean (Inter)Nationalism
  2. Belinda Edmondson
  3. pp. 261-268
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  1. At Sea: The Caribbean in Black Empire
  2. Harvey Neptune
  3. pp. 269-275
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  1. At the Borders Between: A Reply to Critics
  2. Michelle Stephens
  3. pp. 276-286
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  1. Contributors
  2. pp. 287-289
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