In this Issue

Table of Contents

Nothing: A User's Manual

Paul Harris
pp. 3-16
DOI: https://doi.org/10.1353/sub.2006.0035
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Departing Landscapes: Morton Feldman's String Quartet II and Triadic Memories

Clark D. Lunberry
pp. 17-50
DOI: https://doi.org/10.1353/sub.2006.0037
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Seeing Nothing: Allegory and the Holocaust's Absent Dead

Daniel B. Listoe
pp. 51-70
DOI: https://doi.org/10.1353/sub.2006.0036
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Dividing Zero: Beholding Nothing

Samuel Frederick, Nilima Rabl
pp. 71-82
DOI: https://doi.org/10.1353/sub.2006.0032
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Staging Nothing: Hamlet and Cognitive Science

Amy Cook
pp. 83-99
DOI: https://doi.org/10.1353/sub.2006.0031
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The Return of Negation: The Doppelganger in Freud's "The 'Uncanny'"

Dimitris Vardoulakis
pp. 100-116
DOI: https://doi.org/10.1353/sub.2006.0038
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In Defense of Nothing

Peter Gizzi
p. 117
DOI: https://doi.org/10.1353/sub.2006.0033
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Comment on "The Story of O as Told by E"

Gail Friemuth Wronsky
p. 118
DOI: https://doi.org/10.1353/sub.2006.0039
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The Story of O as Told by E

Gail Friemuth Wronsky
p. 119
DOI: https://doi.org/10.1353/sub.2006.0040
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Plus:

Ruin, Archive and the Time of Cinema: Peter Delpeut's Lyrical Nitrate

Andre Habib
pp. 120-139
DOI: https://doi.org/10.1353/sub.2006.0034
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Jacques Derrida, The Last European

Ross Benjamin, Heesok Chang
pp. 140-171
DOI: https://doi.org/10.1353/sub.2006.0028
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Reviews

The Fragment: Towards a History and Poetics of a Performative Genre (review)

Gray Kochhar-Lindgren
pp. 172-178
DOI: https://doi.org/10.1353/sub.2006.0030
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Literary Culture in a World Transformed: A Future for the Humanities (review)

Michael Berube
pp. 178-182
DOI: https://doi.org/10.1353/sub.2006.0029
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Contributors

Contributors

pp. 183-185
DOI: https://doi.org/10.1353/sub.2006.0027
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