1. Feminizing National Memory: Mossadegh, Milani and The Hidden Half
  2. Rosemarie Scullion
  3. pp. 1-11
  4. DOI: 10.1353/scr.2006.0027
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  1. Ascenseur pour l'echafaud (Elevator to the Gallows, 1957): An Exclusive Interview with Louis Malle (1988)
  2. Marc Dambre, Louis Malle, Hugo Frey
  3. pp. 12-21
  4. DOI: 10.1353/scr.2006.0021
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  1. Louis Malle and the 1950s: Ambiguities, Friendships and Legacies
  2. Hugo Frey
  3. pp. 22-35
  4. DOI: 10.1353/scr.2006.0022
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  1. Post-war Iconographies: Wandering Women in Brecht, Duras, Kluge
  2. Caroline Rupprecht
  3. pp. 36-57
  4. DOI: 10.1353/scr.2006.0025
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  1. Creative Questers: Remedios Varo and the Narrator of Carpentier's Los pasos perdidos
  2. Elizabeth Doremus Sanchez
  3. pp. 58-79
  4. DOI: 10.1353/scr.2006.0026
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  1. Poetry and Metamorphosis in the OF Piramus et Tisbe
  2. Kathleen Sarah-Jane Murray
  3. pp. 80-98
  4. DOI: 10.1353/scr.2006.0024
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  1. Breeches of Decorum: The Figure of a Barbarian in Montaigne and Addison
  2. Scott R. Mackenzie
  3. pp. 99-127
  4. DOI: 10.1353/scr.2006.0023
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  1. A Holocaust Controversy: The Treblinka Affair in Postwar France (review)
  2. Nathan Bracher
  3. pp. 128-133
  4. DOI: 10.1353/scr.2006.0019
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  1. Notes on Contributors
  2. pp. 134-135
  3. DOI: 10.1353/scr.2006.0020
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  1. Books Received
  2. pp. 136-137
  3. DOI: 10.1353/scr.2006.0018
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