1. Editorial Comment
  2. David Z. Saltz
  3. pp. ix-x
  4. DOI: 10.1353/tj.2006.0131
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  1. Many Bodies, Many Voices: Performing Androgyny in Fiona Shaw and Deborah Warner's Richard II
  2. Elizabeth Klett
  3. pp. 175-194
  4. DOI: 10.1353/tj.2006.0117
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  1. The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife
  2. Michael R. Schiavi
  3. pp. 195-220
  4. DOI: 10.1353/tj.2006.0132
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  1. A Genre for Early Mass Culture: French Vaudeville and the City, 1830-1848
  2. Jennifer L. Terni
  3. pp. 221-248
  4. DOI: 10.1353/tj.2006.0138
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  1. Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre of Harlem's Creole Giselle
  2. Carrie Gaiser
  3. pp. 269-289
  4. DOI: 10.1353/tj.2006.0111
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  1. Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation
  2. Scott Magelssen
  3. pp. 291-312
  4. DOI: 10.1353/tj.2006.0119
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Performance Reviews

Sonja Arsham Kuftinec, Editor

  1. Viol d'apres Titus Andronicus de William Shakespeare (review)
  2. Mechele Leon
  3. pp. 313-314
  4. DOI: 10.1353/tj.2006.0118
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  1. The Tempest (review)
  2. Ray Schultz
  3. pp. 314-316
  4. DOI: 10.1353/tj.2006.0134
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  1. Festival d'Avignon (review)
  2. Ehren Fordyce
  3. pp. 316-319
  4. DOI: 10.1353/tj.2006.0109
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  1. The Edinburgh International Festival, and: The Edinburgh Fringe Festival (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 320-324
  4. DOI: 10.1353/tj.2006.0136
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  1. Musical Theatre at the Ninth Annual New York International Fringe Festival
  2. Nathan R. Matthews
  3. pp. 325-327
  4. DOI: 10.1353/tj.2006.0121
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  1. New York Arab-American Comedy Festival (review)
  2. Dalia Basiouny
  3. pp. 327-331
  4. DOI: 10.1353/tj.2006.0098
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  1. Ko Festival of Performance (review)
  2. Kermit Dunkelberg
  3. pp. 331-333
  4. DOI: 10.1353/tj.2006.0106
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  1. Gyoye (review)
  2. Suk-Young Kim
  3. pp. 333-335
  4. DOI: 10.1353/tj.2006.0116
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  1. I La Galigo (review)
  2. Cordula Quint
  3. pp. 335-337
  4. DOI: 10.1353/tj.2006.0129
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  1. Seedbed (review)
  2. Theresa Smalec
  3. pp. 337-340
  4. DOI: 10.1353/tj.2006.0135
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  1. The Cabinet: A Spectacle in Miniature (review)
  2. Jennifer Schlueter
  3. pp. 340-342
  4. DOI: 10.1353/tj.2006.0133
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  1. Radio Golf (review)
  2. Margaret Booker
  3. pp. 342-345
  4. DOI: 10.1353/tj.2006.0101
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  1. Grandchildren of the Buffalo Soldiers (review)
  2. Robert J. Hubbard
  3. pp. 345-348
  4. DOI: 10.1353/tj.2006.0113
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  1. La Foret (review)
  2. David G. Muller
  3. pp. 348-350
  4. DOI: 10.1353/tj.2006.0125
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  1. Emilia Galotti (review)
  2. Neil Martin Blackadder
  3. pp. 350-351
  4. DOI: 10.1353/tj.2006.0100
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  1. The Learned Ladies of Park Avenue: A Riff on Moliere (review)
  2. Miriam M. Chirico
  3. pp. 352-355
  4. DOI: 10.1353/tj.2006.0104
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  1. Filles de guerres lasses (review)
  2. David J. Eshelman
  3. pp. 355-356
  4. DOI: 10.1353/tj.2006.0107
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  1. The Importance of Being Earnest, and: Travesties (review)
  2. Sara Freeman
  3. pp. 356-358
  4. DOI: 10.1353/tj.2006.0110
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  1. The Sandstorm: Stories from the Front (review)
  2. Kevin J. Wetmore
  3. pp. 358-359
  4. DOI: 10.1353/tj.2006.0139
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Book Reviews

James Peck, Editor

  1. Ritual Imports: Performing Medieval Drama in America (review)
  2. Sharon Aronson-Lehavi
  3. pp. 361-362
  4. DOI: 10.1353/tj.2006.0097
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  1. Beckett and Aesthetics (review)
  2. Linda Ben-Zvi
  3. pp. 362-363
  4. DOI: 10.1353/tj.2006.0099
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  1. Virtual Theatres: An Introduction (review)
  2. Jason Farman
  3. pp. 364-365
  4. DOI: 10.1353/tj.2006.0108
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  1. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)
  2. Jonathan L. Chambers
  3. pp. 365-366
  4. DOI: 10.1353/tj.2006.0103
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  1. Manga Discourse in Japanese Theater: The Location of Noda Hideki's Yume no Yuminsha (review)
  2. David Jortner
  3. pp. 366-367
  4. DOI: 10.1353/tj.2006.0114
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  1. Local Acts: Community-based Performance in the United States (review)
  2. Terry Brino-Dean
  3. pp. 367-369
  4. DOI: 10.1353/tj.2006.0102
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  1. The Theater Is in the Street: Politics and Public Performance in Sixties America (review)
  2. Nina Hein
  3. pp. 371-372
  4. DOI: 10.1353/tj.2006.0112
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  1. Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (review)
  2. Ramona Franziska Mosse
  3. pp. 372-373
  4. DOI: 10.1353/tj.2006.0124
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  1. Holy Terrors: Latin American Women Perform (review)
  2. Berta Jottar
  3. pp. 373-375
  4. DOI: 10.1353/tj.2006.0115
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  1. Puppetry: A World History (review)
  2. Claudia Orenstein
  3. pp. 375-376
  4. DOI: 10.1353/tj.2006.0126
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  1. Exploring Museum Theatre (review)
  2. Scott Magelssen
  3. pp. 376-378
  4. DOI: 10.1353/tj.2006.0120
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  1. Disability and Contemporary Performance: Bodies on Edge (review)
  2. Olivia Whitmer
  3. pp. 378-379
  4. DOI: 10.1353/tj.2006.0140
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  1. Imagining Shakespeare (review)
  2. Hope Davis
  3. pp. 379-380
  4. DOI: 10.1353/tj.2006.0105
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  1. Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915 (review)
  2. Monica Stufft
  3. pp. 380-381
  4. DOI: 10.1353/tj.2006.0137
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  1. Striptease: The Untold History of the Girlie Show (review)
  2. Kirsten Pullen
  3. pp. 381-383
  4. DOI: 10.1353/tj.2006.0128
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  1. Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947 (review)
  2. Jisha Menon
  3. pp. 383-384
  4. DOI: 10.1353/tj.2006.0123
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Doctoral Projects

  1. Doctoral Projects in Progress in Theatre Arts, 2006
  2. James McDermott, Sean P. Cooper
  3. pp. 385-389
  4. DOI: 10.1353/tj.2006.0122
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