+ MUSE Alert

In this Issue

Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/flm.2006.0016
  5. restricted access

Special Issue: War in Film (Part 1 of 2)

Articles

  1. Arms and the Man: The Curious Inaccuracy of Medieval Arms and Armor in Contemporary Film
  2. Carl James Grindley
  3. pp. 14-19
  4. DOI: https://doi.org/10.1353/flm.2006.0009
  5. restricted access
  1. Reprinting the Legend: The Alamo on Film
  2. Frank T. Thompson
  3. pp. 20-25
  4. DOI: https://doi.org/10.1353/flm.2006.0019
  5. restricted access
  1. The Burden of Historical Representation: Race, Freedom, and "Educational" Hollywood Film
  2. Jeremy D. Stoddard, Alan S. Marcus
  3. pp. 26-35
  4. DOI: https://doi.org/10.1353/flm.2006.0018
  5. restricted access
  1. Technology and "Reel Patriotism" in American Film Advertising of the World War I Era
  2. James Latham
  3. pp. 36-43
  4. DOI: https://doi.org/10.1353/flm.2006.0013
  5. restricted access
  1. The Movies and the Antiwar Debate in America, 1930-1941
  2. John Whiteclay Chambers
  3. pp. 44-57
  4. DOI: https://doi.org/10.1353/flm.2006.0001
  5. restricted access
  1. The "B" Movie Goes to War in Hitler, Beast of Berlin (1939)
  2. Cynthia J. Miller
  3. pp. 58-64
  4. DOI: https://doi.org/10.1353/flm.2006.0015
  5. restricted access
  1. Sands of Iwo Jima
  2. Millard Dunn
  3. p. 65
  4. DOI: https://doi.org/10.1353/flm.2006.0005
  5. restricted access

Film Reviews

  1. Night Moves (1975): America at Middle Age
  2. Jonathan Kirshner
  3. pp. 66-67
  4. DOI: https://doi.org/10.1353/flm.2006.0011
  5. restricted access
  1. Future's End: Steven Spielberg's War of the Worlds (2005)
  2. Jason Vest
  3. pp. 67-71
  4. DOI: https://doi.org/10.1353/flm.2006.0020
  5. restricted access
  1. Tokyo, the Day the War Ended (review)
  2. Raymond Fielding
  3. pp. 71-73
  4. DOI: https://doi.org/10.1353/flm.2006.0006
  5. restricted access

Book Reviews

  1. Film Voices: Interviews from Post Script (review)
  2. C. Jason Smith
  3. pp. 74-76
  4. DOI: https://doi.org/10.1353/flm.2006.0017
  5. restricted access
  1. Hollywood's West: The American Frontier in Film, Television, & History (review)
  2. Robert Fyne
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/flm.2006.0007
  5. restricted access
  1. The Queer Movie Poster Book (review)
  2. Robert J. Cirasa
  3. pp. 77-78
  4. DOI: https://doi.org/10.1353/flm.2006.0002
  5. restricted access
  1. Godzilla On My Mind: Fifty Years of the King of Monsters (review)
  2. Ronald W. Wilson
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/flm.2006.0021
  5. restricted access
  1. The Making of "Rebel Without a Cause" (review)
  2. Raymond J. Haberski
  3. pp. 79-80
  4. DOI: https://doi.org/10.1353/flm.2006.0010
  5. restricted access
  1. The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past (review)
  2. Nicholas John Cull
  3. pp. 80-81
  4. DOI: https://doi.org/10.1353/flm.2006.0003
  5. restricted access
  1. Projections 13: Women Film-makers on Film-making (review)
  2. Chad Dickens
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/flm.2006.0004
  5. restricted access
  1. Icons of Grief: Val Lewton's Home Front Pictures (review)
  2. Robert Fyne
  3. p. 82
  4. DOI: https://doi.org/10.1353/flm.2006.0008
  5. restricted access
  1. Hitchcock as Philosopher (review)
  2. Douglas MacLeod
  3. p. 83
  4. DOI: https://doi.org/10.1353/flm.2006.0014
  5. restricted access
  1. War in Film, Television, and History: Introduction
  2. James R. Knecht
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/flm.2006.0012
  5. restricted access