In this Issue

Table of Contents

The Editor's Reflections and Reports

Peter C. Rollins
pp. 1-11
DOI: https://doi.org/10.1353/flm.2006.0016
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Special Issue: War in Film (Part 1 of 2)

Articles

Arms and the Man: The Curious Inaccuracy of Medieval Arms and Armor in Contemporary Film

Carl James Grindley
pp. 14-19
DOI: https://doi.org/10.1353/flm.2006.0009
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Reprinting the Legend: The Alamo on Film

Frank T. Thompson
pp. 20-25
DOI: https://doi.org/10.1353/flm.2006.0019
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The Burden of Historical Representation: Race, Freedom, and "Educational" Hollywood Film

Jeremy D. Stoddard, Alan S. Marcus
pp. 26-35
DOI: https://doi.org/10.1353/flm.2006.0018
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Technology and "Reel Patriotism" in American Film Advertising of the World War I Era

James Latham
pp. 36-43
DOI: https://doi.org/10.1353/flm.2006.0013
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The Movies and the Antiwar Debate in America, 1930-1941

John Whiteclay Chambers
pp. 44-57
DOI: https://doi.org/10.1353/flm.2006.0001
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The "B" Movie Goes to War in Hitler, Beast of Berlin (1939)

Cynthia J. Miller
pp. 58-64
DOI: https://doi.org/10.1353/flm.2006.0015
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Sands of Iwo Jima

Millard Dunn
p. 65
DOI: https://doi.org/10.1353/flm.2006.0005
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Film Reviews

Night Moves (1975): America at Middle Age

Jonathan Kirshner
pp. 66-67
DOI: https://doi.org/10.1353/flm.2006.0011
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Future's End: Steven Spielberg's War of the Worlds (2005)

Jason Vest
pp. 67-71
DOI: https://doi.org/10.1353/flm.2006.0020
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Tokyo, the Day the War Ended (review)

Raymond Fielding
pp. 71-73
DOI: https://doi.org/10.1353/flm.2006.0006
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Book Reviews

Film Voices: Interviews from Post Script (review)

C. Jason Smith
pp. 74-76
DOI: https://doi.org/10.1353/flm.2006.0017
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Hollywood's West: The American Frontier in Film, Television, & History (review)

Robert Fyne
pp. 76-77
DOI: https://doi.org/10.1353/flm.2006.0007
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The Queer Movie Poster Book (review)

Robert J. Cirasa
pp. 77-78
DOI: https://doi.org/10.1353/flm.2006.0002
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Godzilla On My Mind: Fifty Years of the King of Monsters (review)

Ronald W. Wilson
pp. 78-79
DOI: https://doi.org/10.1353/flm.2006.0021
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The Making of "Rebel Without a Cause" (review)

Raymond J. Haberski
pp. 79-80
DOI: https://doi.org/10.1353/flm.2006.0010
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The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past (review)

Nicholas John Cull
pp. 80-81
DOI: https://doi.org/10.1353/flm.2006.0003
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Projections 13: Women Film-makers on Film-making (review)

Chad Dickens
pp. 81-82
DOI: https://doi.org/10.1353/flm.2006.0004
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Icons of Grief: Val Lewton's Home Front Pictures (review)

Robert Fyne
p. 82
DOI: https://doi.org/10.1353/flm.2006.0008
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Hitchcock as Philosopher (review)

Douglas MacLeod
p. 83
DOI: https://doi.org/10.1353/flm.2006.0014
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War in Film, Television, and History: Introduction

James R. Knecht
pp. 12-13
DOI: https://doi.org/10.1353/flm.2006.0012
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