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Table of Contents

  1. Dislocating Shakespeare: Scene Locators and the Place of the Page
  2. Paul Menzer
  3. pp. 1-19
  4. DOI: https://doi.org/10.1353/shb.2006.0037
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  1. Face/Off: Some Speculations on Elizabethan Acting
  2. Peter Hyland
  3. pp. 21-29
  4. DOI: https://doi.org/10.1353/shb.2006.0028
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  1. Shakespeare, Performance, and Autobiographical Interventions
  2. Alexander C. Y. Huang
  3. pp. 31-47
  4. DOI: https://doi.org/10.1353/shb.2006.0027
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  1. Tamburlaine (review)
  2. Skip Shand
  3. pp. 49-54
  4. DOI: https://doi.org/10.1353/shb.2006.0041
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  1. The Convent of Pleasure (review)
  2. John D. Shanahan
  3. pp. 54-59
  4. DOI: https://doi.org/10.1353/shb.2006.0040
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  1. Twelfth Night (review)
  2. Susan L. Fischer
  3. pp. 59-63
  4. DOI: https://doi.org/10.1353/shb.2006.0025
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  1. The Merchant of Venice (review)
  2. Jay L. Halio
  3. pp. 63-68
  4. DOI: https://doi.org/10.1353/shb.2006.0026
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  1. Kuningas Lear [King Lear] (review)
  2. Nely Keinanen
  3. pp. 68-73
  4. DOI: https://doi.org/10.1353/shb.2006.0030
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  1. Othello in Estonia
  2. Maris Peters
  3. pp. 74-78
  4. DOI: https://doi.org/10.1353/shb.2006.0038
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  1. Othello (review)
  2. Freddi Lipstein
  3. pp. 78-81
  4. DOI: https://doi.org/10.1353/shb.2006.0032
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  1. Measure for Measure (review)
  2. Freddi Lipstein
  3. pp. 81-85
  4. DOI: https://doi.org/10.1353/shb.2006.0033
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  1. Measure for Measure (review)
  2. Matthew J. Bolton
  3. pp. 85-89
  4. DOI: https://doi.org/10.1353/shb.2006.0022
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  1. Much Ado About Nothing (review)
  2. Regina Buccola
  3. pp. 89-92
  4. DOI: https://doi.org/10.1353/shb.2006.0023
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  1. Much Ado About Nothing (review)
  2. Terry Reilly
  3. pp. 92-94
  4. DOI: https://doi.org/10.1353/shb.2006.0039
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  1. Much Ado About Nothing (review)
  2. Peter Kanelos
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/shb.2006.0029
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  1. The Tempest (review)
  2. Greg Maillet
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/shb.2006.0036
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  1. Richard II (review)
  2. Michael W. Shurgot
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/shb.2006.0042
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  1. Macbeth (review)
  2. Andrea Stevens
  3. pp. 103-107
  4. DOI: https://doi.org/10.1353/shb.2006.0043
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  1. Romeo & Juliet (review)
  2. Leah Lowe
  3. pp. 107-110
  4. DOI: https://doi.org/10.1353/shb.2006.0035
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  1. The Comedy of Errors (review)
  2. Freddi Lipstein
  3. pp. 110-113
  4. DOI: https://doi.org/10.1353/shb.2006.0034
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  1. All's Well That Ends Well (review)
  2. Robert Kole
  3. pp. 113-116
  4. DOI: https://doi.org/10.1353/shb.2006.0031
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  1. The Winter's Tale (review)
  2. Jane Collins
  3. pp. 116-120
  4. DOI: https://doi.org/10.1353/shb.2006.0024
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