1. Performance Literature and the Written World: Lost in Transcription?
  2. Rosalind Thomas
  3. pp. 161-163
  4. DOI: 10.1353/ort.2006.0012
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  1. The How of Literature
  2. Ruth H. Finnegan
  3. pp. 164-187
  4. DOI: 10.1353/ort.2006.0004
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  1. The Culture of Play: Kabuki and the Production of Texts
  2. C. Andrew Gerstle
  3. pp. 188-216
  4. DOI: 10.1353/ort.2006.0006
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  1. Performance, Visuality, and Textuality: The Case of Japanese Poetry
  2. Haruo Shirane
  3. pp. 217-232
  4. DOI: 10.1353/ort.2006.0011
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  1. From Oral Performance to Paper-Text to Cyber-Edition
  2. John Miles Foley
  3. pp. 233-263
  4. DOI: 10.1353/ort.2006.0005
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  1. Text and Performance in Africa
  2. Karin Barber
  3. pp. 264-277
  4. DOI: 10.1353/ort.2006.0001
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  1. On the Concept of "Definitive Text" in Somali Poetry
  2. Martin Orwin
  3. pp. 278-299
  4. DOI: 10.1353/ort.2006.0010
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  1. My Mother Has A Television, Does Yours? Transformation and Secularization in an Ewe Funeral Drum Tradition
  2. James McDonald Burns
  3. pp. 300-319
  4. DOI: 10.1353/ort.2006.0002
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  1. The Many Shapes of Medieval Chinese Plays: How Texts Are Transformed to Meet the Needs of Actors, Spectators, Censors, and Readers
  2. W. L. Idema
  3. pp. 320-334
  4. DOI: 10.1353/ort.2006.0007
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  1. Textual Representations of the Sixteenth-Century Chinese Drama Yuzan ji (The Jade Hairpin)
  2. Andrew Lo
  3. pp. 335-361
  4. DOI: 10.1353/ort.2006.0009
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  1. About the Authors
  2. pp. 363-364
  3. DOI: 10.1353/ort.2006.0003
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  1. Index to Volume 20
  2. pp. 365-366
  3. DOI: 10.1353/ort.2006.0008
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