1. Writing in Multiple Genres
  2. Maxine Kumin
  3. pp. 5-8
  4. DOI: 10.1353/psg.2006.0021
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  1. Butterfly Effect, and: Iconography
  2. Jay Rogoff
  3. pp. 9-10
  4. DOI: 10.1353/psg.2006.0035
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  1. Monday, and: Horse
  2. Agi Mishʻol, Lisa Katz
  3. pp. 11-12
  4. DOI: 10.1353/psg.2006.0028
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  1. In Rooms of Memory
  2. Hilary Masters
  3. pp. 13-20
  4. DOI: 10.1353/psg.2006.0025
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  1. A Morning In The Museum
  2. Alicia Ostriker
  3. pp. 24-28
  4. DOI: 10.1353/psg.2006.0031
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  1. Caravaggio's Bent Narcissus
  2. Kevin Prufer
  3. pp. 28-30
  4. DOI: 10.1353/psg.2006.0033
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  1. The Calling of St. Matthew: X-ray Photograph
  2. Chad Davidson
  3. pp. 30-32
  4. DOI: 10.1353/psg.2006.0009
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  1. Dance of the Lettuce Fan, and: Spastic Walking
  2. Stefi Weisburd
  3. pp. 32-34
  4. DOI: 10.1353/psg.2006.0048
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  1. On Jasper Johns' Targets, and: On Two Paintings by Thomas Eakins
  2. Joseph P. Wood
  3. pp. 34-35
  4. DOI: 10.1353/psg.2006.0050
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  1. MoMent, and: Homesick
  2. Bob Hicok
  3. pp. 35-37
  4. DOI: 10.1353/psg.2006.0015
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  1. Red Cluster, Mid-Summer
  2. Lia Purpura
  3. p. 37
  4. DOI: 10.1353/psg.2006.0034
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  1. In Yet Another Language, and: The Tragedy of Fallingwater
  2. Dionisio D. Martínez
  3. pp. 38-41
  4. DOI: 10.1353/psg.2006.0001
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  1. Collateral Damage
  2. R. T. Smith
  3. pp. 41-43
  4. DOI: 10.1353/psg.2006.0042
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  1. There is Discrepancy Whether Puberty
  2. Misty Harper
  3. p. 43
  4. DOI: 10.1353/psg.2006.0014
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  1. Francis Bacon
  2. Sean McDonnell
  3. pp. 44-45
  4. DOI: 10.1353/psg.2006.0026
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  1. Upset Woman, and: Glyphs on a Carved Rock
  2. Peggy Shumaker
  3. pp. 45-47
  4. DOI: 10.1353/psg.2006.0040
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  1. The Cactus Spider, and: Perspective
  2. Beth Bachmann
  3. pp. 48-49
  4. DOI: 10.1353/psg.2006.0002
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  1. Untitled Film Still #48, and: Hell, and: Cell (Three Marble Spheres)
  2. Mary Jo Bang
  3. pp. 49-51
  4. DOI: 10.1353/psg.2006.0003
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  1. Shards, and: Last Call (For Dizzy G)
  2. Timothy Liu
  3. pp. 52-54
  4. DOI: 10.1353/psg.2006.0024
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  1. Four Moons, and: The Potato Eaters
  2. Celia Stuart-Powles
  3. pp. 54-57
  4. DOI: 10.1353/psg.2006.0045
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  1. The Hottest Spot on Earth
  2. Enid Shomer
  3. pp. 63-79
  4. DOI: 10.1353/psg.2006.0039
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  1. Lost Armies, and: Other Autumns, and: Lorem Ipsum Dolor
  2. Susan Hutton
  3. pp. 80-81
  4. DOI: 10.1353/psg.2006.0017
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  1. To the Statue of The Scribe In the Museum, and: I Used To Sit Close
  2. Marjorie Saiser
  3. pp. 82-84
  4. DOI: 10.1353/psg.2006.0036
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  1. Boy Raised by Wolves, and: The Girl Without Hands, and: Sleeping Beauty
  2. David Moolten
  3. pp. 84-87
  4. DOI: 10.1353/psg.2006.0029
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  1. Metallic Choir
  2. Alta Ifland
  3. p. 88
  4. DOI: 10.1353/psg.2006.0018
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  1. The Note
  2. Debra Gwartney
  3. pp. 89-98
  4. DOI: 10.1353/psg.2006.0013
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  1. Disclaimer, and: Saint Nobody, and: Scar
  2. Amy Lemmon
  3. pp. 99-104
  4. DOI: 10.1353/psg.2006.0022
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  1. A Chemistry, and: Before Frost
  2. A. V. Christie
  3. pp. 104-106
  4. DOI: 10.1353/psg.2006.0006
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  1. One Morning in Ohio, and: Cover of Darkness, and: Summer Dusk, Valentine, Nebraska, and: Out of the Doldrums
  2. Roy Scheele
  3. pp. 106-109
  4. DOI: 10.1353/psg.2006.0037
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  1. No One Says Kin Anymore
  2. Bianca Diaz
  3. p. 110
  4. DOI: 10.1353/psg.2006.0010
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  1. Ma and Me
  2. Sandra Leong
  3. pp. 111-124
  4. DOI: 10.1353/psg.2006.0023
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  1. My Words, and: Positive, Except When Negative
  2. Martha Silano
  3. pp. 125-126
  4. DOI: 10.1353/psg.2006.0041
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  1. Vincent and Crows, and: I Unload the Dishwasher, and: Carnation
  2. Ann D. Garbett
  3. pp. 126-130
  4. DOI: 10.1353/psg.2006.0011
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  1. "I am no coward; but I am so strong, [it is] so hard to die.", and: Loss
  2. Linda Jenkins
  3. pp. 130-132
  4. DOI: 10.1353/psg.2006.0020
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  1. Solid Ground, and: Party Animal
  2. Gloria Parker
  3. pp. 132-134
  4. DOI: 10.1353/psg.2006.0032
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  1. Shooting Snakes
  2. Susann Cokal
  3. pp. 135-152
  4. DOI: 10.1353/psg.2006.0007
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  1. Harmful, Harmless, and: The Deaf Dalmatian, and: Aubade
  2. Miho Nonaka
  3. pp. 153-156
  4. DOI: 10.1353/psg.2006.0030
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  1. Weigh the Promise, and: Cannibals & Carnivores
  2. Kristen Tracy
  3. pp. 156-158
  4. DOI: 10.1353/psg.2006.0047
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  1. I Once Had a Master, and: The Physics of Absence, the Nature of Nothing
  2. P. J. Stanskas
  3. pp. 159-160
  4. DOI: 10.1353/psg.2006.0043
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  1. Nick's Night, and: Gill Bronsen's Dream
  2. Robert F. McEwen
  3. pp. 161-164
  4. DOI: 10.1353/psg.2006.0027
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  1. Wild Swan in Pool, and: Killing Delia, and: Broken
  2. Rob Griffith
  3. pp. 164-166
  4. DOI: 10.1353/psg.2006.0012
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  1. Plain Women Speaking Beautifully
  2. G. K. Wuori
  3. pp. 167-177
  4. DOI: 10.1353/psg.2006.0051
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  1. Vernal Equinox Near the 45th Parallel
  2. Marc J. Sheehan
  3. p. 178
  4. DOI: 10.1353/psg.2006.0038
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  1. The Burning World, and: Lives of the Animals (review)
  2. Stephen C. Behrendt
  3. pp. 179-183
  4. DOI: 10.1353/psg.2006.0005
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  1. Abundant Light (review)
  2. Elizabeth Horan
  3. pp. 183-188
  4. DOI: 10.1353/psg.2006.0016
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  1. Resistance Fantasies, and: Horses and the Human Soul, and: Dog Angel (review)
  2. Christine Stewart-Nuñez
  3. pp. 188-199
  4. DOI: 10.1353/psg.2006.0044
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  1. The Etruscan (review)
  2. Susan Tekulve
  3. pp. 199-201
  4. DOI: 10.1353/psg.2006.0046
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  1. Index
  2. pp. 206-210
  3. DOI: 10.1353/psg.2006.0019
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  1. Introduction
  2. Hadara Bar-Nadav
  3. pp. 22-23
  4. DOI: 10.1353/psg.2006.0004
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  1. Contributor Notes
  2. pp. 202-205
  3. DOI: 10.1353/psg.2006.0008
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