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Table of Contents

  1. The Finesse of the Film Lab: A Report from a Week at Haghefilm
  2. Gabriel M. Paletz
  3. pp. 1-32
  4. DOI: https://doi.org/10.1353/mov.2006.0015
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  1. Context! Context! Context! Describing Moving Images at the Collection Level
  2. Andrea Leigh
  3. pp. 33-65
  4. DOI: https://doi.org/10.1353/mov.2006.0014
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  1. Amateur Video Must Not Be Overlooked
  2. Judi Hetrick
  3. pp. 66-81
  4. DOI: https://doi.org/10.1353/mov.2006.0010
  5. restricted access
  1. Storytelling and Archival Material in The Trouble with Merle
  2. Maree Delofski
  3. pp. 82-101
  4. DOI: https://doi.org/10.1353/mov.2006.0007
  5. restricted access
  1. Audiovisual Archiving and the World of Tomorrow: Explorations into Accreditation and Certification
  2. Emily Staresina
  3. pp. 102-110
  4. DOI: https://doi.org/10.1353/mov.2006.0011
  5. restricted access
  1. The Use of Digital Restoration within European Film Archives: A Case Study
  2. Arianna Turci
  3. pp. 111-124
  4. DOI: https://doi.org/10.1353/mov.2006.0021
  5. restricted access
  1. Managing Archival and Manuscript Repositories (review)
  2. Janice Simpson
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/mov.2006.0018
  5. restricted access
  1. Coming Attractions: Reading American Movie Trailers (review)
  2. David Gibson
  3. pp. 128-131
  4. DOI: https://doi.org/10.1353/mov.2006.0009
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  1. Shepperton Babylon: The Lost Worlds of British Cinema (review)
  2. Aubry Anne D'Arminio
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/mov.2006.0006
  5. restricted access
  1. A Culture of Light: Cinema and Technology in 1920s Germany (review)
  2. Michele L. Torre
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/mov.2006.0020
  5. restricted access
  1. Soft Cinema: Navigating the Database (review)
  2. Steve Anderson
  3. pp. 136-139
  4. DOI: https://doi.org/10.1353/mov.2006.0002
  5. restricted access
  1. Hindle Wakes (review)
  2. James Kendrick
  3. pp. 139-142
  4. DOI: https://doi.org/10.1353/mov.2006.0013
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  1. And Starring Pancho Villa as Himself (review)
  2. Gregorio Rocha
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/mov.2006.0016
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  1. Los Rollos perdidos de Pancho Villa / The Lost Reels of Pancho Villa (review)
  2. Rita Gonzalez
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/mov.2006.0005
  5. restricted access
  1. Mary Pickford Films on DVD
  2. Christel Schmidt
  3. pp. 148-152
  4. DOI: https://doi.org/10.1353/mov.2006.0017
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  1. The Blot [film]
  2. Drake Stutesman
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/mov.2006.0019
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  1. The Collected Shorts of Jan Svankmajer (review)
  2. Maureen Furniss
  3. pp. 156-159
  4. DOI: https://doi.org/10.1353/mov.2006.0008
  5. restricted access
  1. The Olive Thomas Collection: The Flapper, and: Olive Thomas: Everybody's Sweetheart (review)
  2. Michael Baskett
  3. pp. 159-162
  4. DOI: https://doi.org/10.1353/mov.2006.0003
  5. restricted access
  1. The Forgotten Films of Roscoe "Fatty" Arbuckle (review)
  2. Richard Lewis Ward
  3. pp. 162-166
  4. DOI: https://doi.org/10.1353/mov.2006.0022
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  1. Filmmuseum Biennale (review)
  2. Andreas Busche
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/mov.2006.0004
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  1. Editor's Introduction
  2. Jan-Christopher Horak
  3. pp. vi-x
  4. DOI: https://doi.org/10.1353/mov.2006.0012
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  1. Contributors
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/mov.2006.0001
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