1. The Drama in Rags: Shakespeare Reception in Eighteenth-Century Germany
  2. Bianca Theisen
  3. pp. 505-513
  4. DOI: 10.1353/mln.2006.0077
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  1. Simultaneity
  2. Bianca Theisen
  3. pp. 514-521
  4. DOI: 10.1353/mln.2006.0078
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  1. Dancing With Words
  2. Bianca Theisen
  3. pp. 522-529
  4. DOI: 10.1353/mln.2006.0079
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  1. Spacing the Feminine
  2. Bianca Theisen
  3. pp. 530-542
  4. DOI: 10.1353/mln.2006.0080
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  1. The Simultaneity of Media: Kafka's Literary Screen
  2. Bianca Theisen
  3. pp. 543-550
  4. DOI: 10.1353/mln.2006.0081
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  1. The Art of Erasing Art
  2. Bianca Theisen
  3. pp. 551-562
  4. DOI: 10.1353/mln.2006.0082
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  1. A Natural History of Destruction: W. G. Sebald's The Rings of Saturn
  2. Bianca Theisen
  3. pp. 563-581
  4. DOI: 10.1353/mln.2006.0083
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  1. Metamorphosen der Literatur: Christoph Ransmayrs Die letzte Welt
  2. Bianca Theisen
  3. pp. 582-591
  4. DOI: 10.1353/mln.2006.0084
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  1. Comprehending Romantic Incomprehensibility. A Systems- Theoretical Perspective on Early German Romanticism
  2. Edgar Landgraf
  3. pp. 592-616
  4. DOI: 10.1353/mln.2006.0070
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  1. The Poet as Artisan: Novalis' Werkzeug and the Making of Romanticism
  2. Jocelyn Holland
  3. pp. 617-630
  4. DOI: 10.1353/mln.2006.0067
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  1. Not Forgotten: On Stifter and Peirce
  2. Zachary Sng
  3. pp. 631-646
  4. DOI: 10.1353/mln.2006.0075
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  1. Burial Without Resurrection. On Kafka's Legend "Before the Law"
  2. Wolf Kittler
  3. pp. 647-678
  4. DOI: 10.1353/mln.2006.0068
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  1. Lost and Found: Disorientation, Nostalgia, and Holocaust Melodrama in Sebald's Austerlitz
  2. John Zilcosky
  3. pp. 679-698
  4. DOI: 10.1353/mln.2006.0086
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  1. On the Repeating History of Destruction: Media and the Observer in Sebald and Ransmayr
  2. Anita McChesney
  3. pp. 699-719
  4. DOI: 10.1353/mln.2006.0071
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  1. On Iceberg and Water. Or, Painting and the 'Mark of Genre' in Rosemarie Trockel's Wool-Pictures
  2. Brigid Doherty
  3. pp. 720-739
  4. DOI: 10.1353/mln.2006.0063
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  1. The Body of the Singer. Sensory Perception and the Production of Meaning in Steinmar's Song of Singing
  2. Peter Strohschneider
  3. pp. 740-756
  4. DOI: 10.1353/mln.2006.0076
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  1. As If: Kant, Adorno, and the Politics of Poetry
  2. Kalliopi Nikolopoulou
  3. pp. 757-773
  4. DOI: 10.1353/mln.2006.0074
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  1. Lenz (review)
  2. Helmut Müller-Sievers
  3. pp. 774-777
  4. DOI: 10.1353/mln.2006.0072
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  1. Ereignis. Konzeption eines Begriffs in Geschichte, Kunst und Literatur (review)
  2. Arndt Niebisch
  3. pp. 777-780
  4. DOI: 10.1353/mln.2006.0073
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  1. Das Verhor. Geschichte--Theorie--Fiktion (review)
  2. Ulrike Landfester
  3. pp. 780-783
  4. DOI: 10.1353/mln.2006.0069
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  1. Theater der Keuschheit--Keuschheit des Theaters. Zu einer Geschichte der (Anti-)Theatralitat von Gryphius bis Kleist (review)
  2. Markus Wilczek
  3. pp. 783-787
  4. DOI: 10.1353/mln.2006.0085
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  1. The Seduction of the Occult and the Rise of the Fantastic Tale (review)
  2. Paul Fleming
  3. pp. 787-790
  4. DOI: 10.1353/mln.2006.0064
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  1. "Es bleibet aber eine Spur / Doch eines Wortes". Zur spaten Hymnik und Tragodientheorie Friedrich Holderlins (review)
  2. Joshua Robert Gold
  3. pp. 790-794
  4. DOI: 10.1353/mln.2006.0065
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  1. Der konservative Charakter: Walter Benjamin und die Politik der Dichter (review)
  2. Markus Hardtmann
  3. pp. 794-797
  4. DOI: 10.1353/mln.2006.0066
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  1. Editorial
  2. Rudiger Campe
  3. pp. vi-vii
  4. DOI: 10.1353/mln.2006.0061
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  1. Contributors
  2. pp. 798-800
  3. DOI: 10.1353/mln.2006.0062
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