The Velvet Light Trap

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The Cinema of Affections: The Transformation of Authorship in British Cinema before 1907

Joe Kember

pp. 3-16

DOI: https://doi.org/10.1353/vlt.2006.0017

Studio Authorship, Warner Bros., and The Fountainhead

Jerome Christensen

pp. 17-31

DOI: https://doi.org/10.1353/vlt.2006.0012

"Some Kind of a Man": Orson Welles as Touch of Evil's Masculine Auteur

Brooke Rollins

pp. 32-41

DOI: https://doi.org/10.1353/vlt.2006.0021

A Point of Little Hope: Hippie Horror Films and the Politics of Ambivalence

Matt Becker

pp. 42-59

DOI: https://doi.org/10.1353/vlt.2006.0011

Marketing David Mamet: Institutionally Assigned Film Authorship in Contemporary American Cinema

Yannis Tzioumakis

pp. 60-75

DOI: https://doi.org/10.1353/vlt.2006.0023

Exorcizing/Exercising Treachery: Robust Subjectivity in Lourdes Portillo's The Devil Never Sleeps

Monica F. Torres

pp. 76-85

DOI: https://doi.org/10.1353/vlt.2006.0022

Technology in Search of an Artist: Questions of Auteurism/Authorship and the Contemporary Cinematic Experience

Anna Notaro

pp. 86-97

DOI: https://doi.org/10.1353/vlt.2006.0019

The Coen Brothers' "Fargo" (review)

Kristen Grant

pp. 98-100

DOI: https://doi.org/10.1353/vlt.2006.0015

Film and Authorship (review)

David Gurney

pp. 101-104

DOI: https://doi.org/10.1353/vlt.2006.0016

Alexander Dovzhenko: A Life in Soviet Film (review)

James Murray

pp. 105-107

DOI: https://doi.org/10.1353/vlt.2006.0018

An Eye for Hitchcock (review)

Elliot Panek

pp. 108-111

DOI: https://doi.org/10.1353/vlt.2006.0020

Contributors

p. ii

DOI: https://doi.org/10.1353/vlt.2006.0013

Introduction

pp. 1-2

DOI: https://doi.org/10.1353/vlt.2006.0014

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Number 56, Fall 2005

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Number 58, Fall 2006

Additional Information
ISSN	1542-4251
Print ISSN	0149-1830
Launched on MUSE	2006-04-06
Open Access	No