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Table of Contents

  1. Recollections and Introductory Comments Dedicated to Harold E. Scheub
  2. Robert Cancel
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/ral.2006.0041
  5. restricted access
  1. Du cote de chez Scheub
  2. Donald Cosentino
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/ral.2006.0043
  5. restricted access
  1. The Works of Harold Scheub: The Bibliographer's View
  2. David Westley
  3. pp. 9-14
  4. DOI: https://doi.org/10.2979/ral.2006.37.2.9
  5. restricted access
  1. Of Dangerous Energy and Transformations: Nyamakalaya and the Sunjata Phenomenon
  2. Robert C. Newton
  3. pp. 15-33
  4. DOI: https://doi.org/10.1353/ral.2006.0054
  5. restricted access
  1. Gbaya Riddles in Changing Times
  2. Philip A. Noss
  3. pp. 34-42
  4. DOI: https://doi.org/10.2979/ral.2006.37.2.34
  5. restricted access
  1. "Metaphor Is a Bridge to Ultimate Reality": Metaphor in Hausa Women's Poetry
  2. Beverly B. Mack
  3. pp. 43-60
  4. DOI: https://doi.org/10.1353/ral.2006.0050
  5. restricted access
  1. Women in the African Epic
  2. Joseph Mbele
  3. pp. 61-67
  4. DOI: https://doi.org/10.2979/ral.2006.37.2.61
  5. restricted access
  1. Home, Exile, and the Space In Between
  2. Isidore Okpewho
  3. pp. 68-73
  4. DOI: https://doi.org/10.1353/ral.2006.0056
  5. restricted access
  1. Kweku Ananse: A Psychoanalytical Approach
  2. Alphonse Kwawisi Tekpetey
  3. pp. 74-82
  4. DOI: https://doi.org/10.1353/ral.2006.0058
  5. restricted access
  1. Zulu Choral Music--Performing Identities in a New State
  2. Elizabeth Gunner
  3. pp. 83-97
  4. DOI: https://doi.org/10.1353/ral.2006.0047
  5. restricted access
  1. "A Man Was Here": Aime Cesaire Revisited
  2. Annette Smith
  3. pp. 125-140
  4. DOI: https://doi.org/10.1353/ral.2006.0057
  5. restricted access
  1. Filming the Edgy City: Cinematic Narrative and Urban Form in Postapartheid Johannesburg
  2. Loren Kruger
  3. pp. 141-163
  4. DOI: https://doi.org/10.1353/ral.2006.0048
  5. restricted access
  1. "Common Being" and Organic Community in Jacques Roumainis Gouverneurs de la rosee
  2. Celia Britton
  3. pp. 164-175
  4. DOI: https://doi.org/10.1353/ral.2006.0040
  5. restricted access
  1. "All that is fine in the human condition": Crafting Words, Creating Ma-Ramotswe
  2. Pinkie Mekgwe, McCall Smith, Alexander, 1948-
  3. pp. 176-186
  4. DOI: https://doi.org/10.1353/ral.2006.0052
  5. restricted access
  1. Creative Writing: Translation, Bookkeeping, and the Work of Imagination in Colonial Kenya (review)
  2. Simon Gikandi
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/ral.2006.0046
  5. restricted access
  1. Le lecteur d'Afriques (review)
  2. Jean-Marc Moura
  3. pp. 192-193
  4. DOI: https://doi.org/10.1353/ral.2006.0053
  5. restricted access
  1. The Bulldozer and the Word: Culture at Work in Postcolonial Nairobi (review)
  2. John Roger Kurtz
  3. pp. 193-194
  4. DOI: https://doi.org/10.1353/ral.2006.0049
  5. restricted access
  1. Yoruba Royal Poetry: A Socio-Historical Exposition and Annotated Translation (review)
  2. Akin Euba
  3. pp. 194-195
  4. DOI: https://doi.org/10.1353/ral.2006.0044
  5. restricted access
  1. Muslim Hausa Women Sing: Hausa Popular Song (review)
  2. Sani A. Aliyu
  3. pp. 196-198
  4. DOI: https://doi.org/10.1353/ral.2006.0036
  5. restricted access
  1. Omoluabi: Ulli Beier, Yoruba Society and Culture (review)
  2. Adetayo Alabi
  3. pp. 198-199
  4. DOI: https://doi.org/10.1353/ral.2006.0035
  5. restricted access
  1. Quest for the Ark of the Covenant: The True History of the Tablets of Moses (review)
  2. Wendy Laura Belcher
  3. pp. 199-204
  4. DOI: https://doi.org/10.1353/ral.2006.0038
  5. restricted access
  1. Announcement
  2. p. 205
  3. DOI: https://doi.org/10.1353/ral.2006.0037
  4. restricted access
  1. Editor's Comments
  2. John Conteh-Morgan
  3. p. v
  4. DOI: https://doi.org/10.1353/ral.2006.0042
  5. restricted access
  1. Books Received
  2. p. 206
  3. DOI: https://doi.org/10.1353/ral.2006.0039
  4. restricted access