1. Opera and Absolutism in Restoration Italy, 1815-1860
  2. John Anthony Davis
  3. pp. 569-594
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  1. To Please the Public: Composers and Audiences in Nineteenth-Century Italy
  2. Carlotta Sorba
  3. pp. 595-614
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  1. Commentary: Was Verdi a "Revolutionary"?
  2. Stefano Castelvecchi
  3. pp. 615-620
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  1. Commentary: A Stroll in the Piazza and a Night at the Opera
  2. Mary Ann Smart
  3. pp. 621-627
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  1. The Politics and Aesthetics of Operatic Modernism
  2. Michael P. Steinberg
  3. pp. 629-648
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  1. French Identity in Flux: The Triumph of Honegger's Antigone
  2. Jane F. Fulcher
  3. pp. 649-674
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  1. Operatic Modernism
  2. Carl E. Schorske
  3. pp. 675-681
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  1. Commentary: The Operatic Tragedy of Central Europe
  2. Lawrence Wolff
  3. pp. 683-695
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  1. Where did Porgy and Bess Come From?
  2. Richard Crawford
  3. pp. 697-734
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