In this Issue

Table of Contents

A Note from the Executive Editor

David J. Levin
pp. 413-415
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Apologia for Erik

Alexander Rehding
pp. 416-429
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Undoing the Discourse of Fate: The Case of Der fliegende Hollander

Lydia Goehr
pp. 430-451
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Wagner's "Pale" Senta

John Deathridge
pp. 452-464
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The Diabolical Senta

Daniel Albright
pp. 465-485
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A Picture-Perfect Man? Senta, Absorption, and Wagnerian Theatricality

David J. Levin
pp. 486-495
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Melodramatic Possessions: The Flying Dutchman, South Africa, and the Imperial Stage, ca. 1830

J. Q. Davies
pp. 496-514
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Notes from the Stage: Der fliegende Hollander

David J. Levin
p. 515
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A Note about the Staging

Jean-Pierre Ponnelle
pp. 515-517
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Remarks on the Munich Production

Herbert Wernicke, David J. Levin
pp. 518-521
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Lina Cavalieri: The Life of Opera's Greatest Beauty, 1874-1944 (review)

Michael E. Henstock
pp. 522-525
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The Inner Voice: The Making of a Singer (review)

William Albright
pp. 525-528
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Opera: A Critic's Guide to the 100 Most Important Works and the Best Recordings (review)

Thomas G. Kaufman
pp. 528-530
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From Johnson's Kids to Lemonade Opera: The American Classical Singer Comes of Age (review)

William Albright
pp. 530-533
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American Opera Singers and Their Recordings: Critical Commentaries and Discographies (review)

William Albright
pp. 533-537
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Rigoletto: Live Master Classes: Tito Gobbi Opera Workshop (review)

Andrew Farkas
pp. 539-545
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"A Callas Recording Update". .. Updated

Robert E. Seletsky
pp. 545-546
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Giulia e Sesto Pompeo (review)

Roland Graeme
pp. 546-551
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Norma (review)

Nicholas E. Limansky
pp. 551-555
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Mala vita, and: Siberia (review)

Roland Graeme
pp. 556-560
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The Poisoned Kiss (review)

Joe Keith Law
pp. 561-563
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Books Received

p. 538
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Recordings Received

pp. 563-566
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Videos Received

p. 567
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Contributors to This Issue

pp. 568-570
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