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Table of Contents

  1. Eroticism, Counterculture, and Juan Garcia Ponce
  2. Bruce-Novoa
  3. pp. 1-33
  4. DOI: https://doi.org/10.1353/ncr.2006.0009
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  1. All Streetcars Are Named Desire: The Lost Cities of Juan Garcia Ponce's Personas, lugares y anexas
  2. Raul Rodriguez-Hernandez
  3. pp. 35-64
  4. DOI: https://doi.org/10.1353/ncr.2006.0006
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  1. Staging Identity through Art
  2. Margarita Vargas
  3. pp. 65-82
  4. DOI: https://doi.org/10.1353/ncr.2006.0011
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  1. The Creation of Imaginative Reality in Garcia Ponce's Pasado presente
  2. Esteban Loustaunau
  3. pp. 83-104
  4. DOI: https://doi.org/10.1353/ncr.2006.0008
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  1. The Reading of Community in the Early Novels of Juan Garcia Ponce
  2. Carl Good
  3. pp. 105-141
  4. DOI: https://doi.org/10.1353/ncr.2006.0005
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  1. The Opposite of the Concentration Camp: Nancy's Vision of Community
  2. Ana Luszczynska
  3. pp. 167-205
  4. DOI: https://doi.org/10.1353/ncr.2006.0010
  5. restricted access
  1. Two Proposals for an Aesthetic Intervention in Politics
  2. Adriana Michele Campos Johnson
  3. pp. 207-232
  4. DOI: https://doi.org/10.1353/ncr.2006.0007
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  1. Tones of Catastrophe: Modern Nation-Building and Latin America
  2. Stephenie Young
  3. pp. 233-254
  4. DOI: https://doi.org/10.1353/ncr.2006.0012
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  1. The Killing Machine of Exception: Sovereignty, Law, and Play in Agambenis State of Exception
  2. Puspa Damai
  3. pp. 255-276
  4. DOI: https://doi.org/10.1353/ncr.2006.0003
  5. restricted access
  1. Editors' Note
  2. Scott Michaelsen, David E. Johnson
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/ncr.2006.0004
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  1. Contributors
  2. pp. 277-279
  3. DOI: https://doi.org/10.1353/ncr.2006.0002
  4. restricted access