In this Issue

Table of Contents

Of Cannibals and the Recycling of Otherness

Rogério Budasz
pp. 1-15
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'Late', Last, and Least: On Being Beethoven's Quartet in F Major, op. 135

Kristin M. Knittel
pp. 16-51
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Musicology and Critical Theory: The Case of Wagner, Adorno, and Horkheimer

Nicholas Baragwanath
pp. 52-71
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Recent Approaches to Experimental Music Theatre and Contemporary Opera

Björn Heile
pp. 72-81
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The Appearances of Medieval Rituals: The Play of Construction and Modification (review)

Helen Deeming
pp. 82-85
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With Voice and Pen: Coming to Know Medieval Song and How It Was Made (review)

Sarah Fuller
pp. 85-88
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Guillaume de Machaut and Reims: Context and Meaning in his Musical Works (review)

Sarah Fuller
pp. 88-90
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Regards croises: Musiques, musiciens, artistes et voyageurs entre France et Italie au XVe siecle (review)

Lora L. M. Merkley, Paul Merkley
pp. 90-93
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John Taverner: His Life and Music (review)

Jeremy L. Smith
pp. 93-96
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A New Way of Making Fowre Parts in Counterpoint by Thomas Campion and Rules how to Compose by Giovanni Coprario (review)

Candace Lea Bailey
pp. 96-98
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Syntagma Musicum III (review)

William E. Hettrick
pp. 98-101
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Opera on Stage, and: Opera in Theory and Practice, Image and Myth (review)

Emanuele Senici
pp. 101-104
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Francois Couperin and 'The Perfection of Music' (review)

Greer Garden
pp. 104-107
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The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog (review)

H. Diack Johnstone
pp. 107-109
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Words about Mozart: Essays in Honour of Stanley Sadie (review)

David A. Grayson
pp. 109-112
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From Garrick to Gluck: Essays on Opera in the Age of Enlightenment (review)

Julian Rushton
pp. 112-113
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Nicolas-Etienne Framery and Lyric Theatre in Eighteenth-Century France (review)

Julian Rushton
pp. 113-115
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La Revolution des Bouffons: L'opera italien au Theatre de Monsieur 1789-1792 (review)

Sarah Hibberd
pp. 115-118
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Empress Marie Therese and Music at the Viennese Court, 1792-1807 (review)

Robin Wallace
pp. 118-120
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Mavericks and Other Traditions in American Music (review)

Peter Dickinson
pp. 120-123
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Ecrits sur la musique 1827-1846 (review)

Kerry Murphy
pp. 123-126
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Intertextuality in Western Art Music (review)

Arnold Whittall
pp. 126-128
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Richard Wagner: The Last of the Titans (review)

Christopher Morris
pp. 128-132
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Bruckner's Symphonies: Analysis, Reception and Cultural Politics (review)

Crawford Howie
pp. 132-136
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Brahms and the German Spirit (review)

Styra Avins
pp. 136-141
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The Correspondence of Camille Saint-Saens and Gabriel Faure: Sixty Years of Friendship (review)

Nick Chadwick
pp. 141-147
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Gustav Mahler: Briefe und Musikautographen aus den Moldenhauer-Archiven in der Bayerischen Staatsbibliothek (review)

Jeremy Barham
pp. 147-153
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The Richard Strauss Companion (review)

Kenneth Birkin
pp. 153-157
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Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs, and: Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (review)

Marcia J. Citron
pp. 157-161
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Satchmo Blows up the World: Jazz Ambassadors Play the Cold War (review)

Mervyn Cooke
pp. 161-163
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Aspects of British Music in the 1990s (review)

David Beard
pp. 163-166
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New Historical Anthology of Music by Women (review)

Liz Garnett
pp. 167-171
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Mass Inclina cor meum deus and Antiphons (review)

Hugh Benham
pp. 171-173
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Masses Tecum Principium and O quam glorifica (review)

Hugh Benham
pp. 173-176
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Chansons, and: Le rossignol musical des chansons (Antwerp, 1597) (review)

Richard Freedman
pp. 176-179
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Musica Sacra (1608) (review)

Steven Saunders
pp. 179-180
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Correspondence

Mark Kroll
p. 181
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Recipients of 'Music and Letters' Awards

p. 181
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Authors of Articles in This Issue

p. 183
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'Music and Letters' Awards

p. 183
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Books Received

pp. 184-185
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