1. Pathologies of the Imperial Metropolis: Impressionism as Traumatic Afterimage in Conrad and Ford
  2. Christina Britzolakis
  3. pp. 1-20
  4. DOI: 10.1353/jml.2006.0001
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  1. Modern Monuments: T. S. Eliot, Nietzsche, and the Problem of History
  2. John Zilcosky
  3. pp. 21-33
  4. DOI: 10.1353/jml.2006.0014
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  1. Remembering Race: Extra-poetical Contexts and the Racial Other in "The Red Wheelbarrow"
  2. Sergio Rizzo
  3. pp. 34-54
  4. DOI: 10.1353/jml.2006.0011
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  1. (Re) Reading Bergson: Frost, Pound and the Legacy of Modern Poetry
  2. Robert Bernard Hass
  3. pp. 55-75
  4. DOI: 10.1353/jml.2006.0008
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  1. Two Ps in a Pod: on Time in Finnegans Wake
  2. Ruben Borg
  3. pp. 76-93
  4. DOI: 10.1353/jml.2006.0003
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  1. The M'Intosh Murder Mystery
  2. John Gordon
  3. pp. 94-101
  4. DOI: 10.1353/jml.2006.0006
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  1. Scarce More a Corpse: Famine Memory and Representations of the Gothic in Ulysses
  2. James F. Wurtz
  3. pp. 102-117
  4. DOI: 10.1353/jml.2006.0013
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  1. Repulsive Modernism: Djuna Barnes' The Book of Repulsive Women
  2. Melissa Jane Hardie
  3. pp. 118-132
  4. DOI: 10.1353/jml.2006.0007
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  1. Reading for the Plotless: The Difficult Characters of Samuel Beckett's A Dream of Fair to Middling Women
  2. John King
  3. pp. 133-152
  4. DOI: 10.1353/jml.2006.0009
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  1. Who speaks? Grammar, Memory, and Identity in Beckett's Company
  2. Justin Beplate
  3. pp. 153-165
  4. DOI: 10.1353/jml.2006.0002
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  1. Review of The Modernist Masters
  2. Beth Carole Rosenberg
  3. pp. 166-170
  4. DOI: 10.1353/jml.2006.0012
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  1. Editoris Introduction
  2. Jean-Michel Rabaté
  3. pp. v-vii
  4. DOI: 10.1353/jml.2006.0010
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  1. Erratum
  2. p. viii
  3. DOI: 10.1353/jml.2006.0005
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  1. Contributors
  2. pp. 171-172
  3. DOI: 10.1353/jml.2006.0004
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