In this Issue
- Volume 57, Number 4, December 2005
- Special Issue: Black Performance
- Issue
For seven decades, Theatre Journal's broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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Johns Hopkins University Pressviewing issue
Volume 57, Number 4, December 2005Table of Contents
- Black "Plays"
- pp. 570-576
- DOI: 10.1353/tj.2006.0051
- New Black Math
- pp. 576-583
- DOI: 10.1353/tj.2006.0038
- The Struggle Continues
- pp. 583-585
- DOI: 10.1353/tj.2006.0035
- What Have We Learned?
- pp. 585-587
- DOI: 10.1353/tj.2006.0032
- Performing Africa in America
- pp. 587-590
- DOI: 10.1353/tj.2006.0020
- Black Theatre's Closet Drama
- pp. 590-592
- DOI: 10.1353/tj.2006.0037
- The Color of Art
- pp. 596-598
- DOI: 10.1353/tj.2006.0021
- Cast a Wide Net
- pp. 598-600
- DOI: 10.1353/tj.2006.0026
- The Pot Calling the Kettle "Black"
- pp. 605-608
- DOI: 10.1353/tj.2006.0025
- Basic Black
- pp. 610-612
- DOI: 10.1353/tj.2006.0017
- Obatala in Revolutionary (Postmodern) Diaspora
- pp. 612-614
- DOI: 10.1353/tj.2006.0007
- Katrina: Acting Black / Playing Blackness
- pp. 614-616
- DOI: 10.1353/tj.2006.0013
- The Black Body as Souvenir in American Lynching
- pp. 639-657
- DOI: 10.1353/tj.2006.0054
- Gem of the Ocean (review)
- pp. 715-717
- DOI: 10.1353/tj.2006.0056
- The Piano Lesson (review)
- pp. 717-720
- DOI: 10.1353/tj.2006.0005
- Bridge and Tunnel (review)
- pp. 720-722
- DOI: 10.1353/tj.2006.0030
- Flight (review)
- pp. 722-724
- DOI: 10.1353/tj.2006.0043
- Fix Up (review)
- pp. 724-726
- DOI: 10.1353/tj.2006.0004
- Stage Directions (review)
- pp. 729-732
- DOI: 10.1353/tj.2006.0034
- American Songbook (review)
- pp. 734-737
- DOI: 10.1353/tj.2006.0045
- Fuel Festival of New Zealand Theatre (review)
- pp. 737-742
- DOI: 10.1353/tj.2006.0039
- Electricidad (review)
- pp. 742-744
- DOI: 10.1353/tj.2006.0040
- Proof (review)
- pp. 744-747
- DOI: 10.1353/tj.2006.0033
- Light (review)
- pp. 752-754
- DOI: 10.1353/tj.2006.0028
- Thom Pain: (based on nothing) (review)
- pp. 754-756
- DOI: 10.1353/tj.2006.0011
- Big Death & Little Death (review)
- pp. 756-757
- DOI: 10.1353/tj.2006.0029
- all wear bowlers (review)
- pp. 758-760
- DOI: 10.1353/tj.2006.0036
- A History of African American Theatre (review)
- pp. 761-762
- DOI: 10.1353/tj.2006.0055
- Understanding Adrienne Kennedy (review)
- pp. 763-765
- DOI: 10.1353/tj.2006.0047
- African Drama and Performance (review)
- pp. 770-771
- DOI: 10.1353/tj.2006.0024
- Tree: Belief/Culture/Balance (review)
- pp. 772-774
- DOI: 10.1353/tj.2006.0002
- The Ethos of Noh: Actors and Their Art (review)
- pp. 777-778
- DOI: 10.1353/tj.2006.0027
- Reading the Material Theatre (review)
- pp. 781-782
- DOI: 10.1353/tj.2006.0014
- Index to Volume 57
- pp. 793-801
- DOI: 10.1353/tj.2006.0023
- Editorial Comment: "A Black Thing"
- pp. vii-xiv
- DOI: 10.1353/tj.2006.0015
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Copyright © 2005 The Johns Hopkins University Press.