1. The Word: Voice, Language and Technology
  2. Nicolas Collins
  3. pp. 5-6
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  1. Artificial Phonology: Disembodied Humanoid Voice for Composing Music with Surreal Languages
  2. Eduardo Reck Miranda
  3. pp. 8-16
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  1. Beyond Babble : A Text-Generation Method and Computer Program for Composing Text, Music and Poetry
  2. Timothy Polashek
  3. pp. 17-22
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  1. Voice Networks: The Human Voice as a Creative Medium for Musical Collaboration
  2. Gil Weinberg
  3. pp. 23-26
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  1. Sound Body: The Ghost of a Program
  2. David Toop
  3. pp. 28-35
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  1. Sounds of a Community : Cultural Identity and Interactive Art
  2. Bob Gluck
  3. pp. 37-43
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  1. Experiments with Whistling Machines
  2. Marc Bohlen, J. T. Rinker
  3. pp. 45-52
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  1. Technology Is Culture: Two Paradigms
  2. Basile Zimmermann
  3. pp. 53-57
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  1. Composer's Notebook: Interpreting
  2. Daniel Goode
  3. pp. 59-60
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  1. Sounding the Outer Limits
  2. Jaap Blonk, Rene van Peer
  3. pp. 62-68
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  1. One Inch Equals 25 Miles : Prose Generates Music
  2. Melody Sumner
  3. pp. 70-72
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  1. Corporate Coitus: Disfluencies as Compositional Building Blocks
  2. David Hahn
  3. pp. 72-73
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  1. Language Master: Its Master's Voice
  2. Ed Osborn
  3. p. 73
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  1. Tracklist and Credits
  2. Jaap Blonk
  3. p. 78
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  1. 2005 Author Index Leonardo Volume 38 and Leonardo Music Journal Volume 15
  2. pp. 87-90
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  1. 2005 LEA Author Index Leonardo Electronic Almanac Volume 13 (January-July 2005)
  2. pp. 91-92
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  1. Leonardo Network News
  2. pp. 94-95
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  1. Vox ex Machina: LMJ 15 CD Curator's Introduction
  2. Jaap Blonk
  3. pp. 76-77
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  1. Vox ex Machina Contributors' Notes
  2. pp. 79-86
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