1. Re-presenting Dalit Feminist Politics through Dialogical Musical Ethnography
  2. Zoe C. Sherinian
  3. pp. 1-12
  4. DOI: 10.1353/wam.2005.0012
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  1. A Resisting Performance of an Appalachian Traditional Murder Ballad: Giving Voice to "Pretty Polly"
  2. Lydia Hamessley
  3. pp. 13-36
  4. DOI: 10.1353/wam.2005.0008
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  1. Kate Bush's Subversive Shoes
  2. Bonnie Gordon
  3. pp. 37-50
  4. DOI: 10.1353/wam.2005.0007
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  1. Sounding the Frauenseele : Gender, Modernism, and Intertextuality in Alban Berg's "Uber die Grenzen," op. 4, no. 3
  2. Christina Bindslev Gier
  3. pp. 51-68
  4. DOI: 10.1353/wam.2005.0006
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  1. Nurturing Herself, Nurturing Her Baby: Creating Positive Experiences for First-time Mothers through Lullaby Singing
  2. Elizabeth MacKinlay, Felicity Baker
  3. pp. 69-89
  4. DOI: 10.1353/wam.2005.0010
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  1. (Left Out in ) Left (the Field ): The Effects of Post-Postmodern Scholarship on Feminist and Gender Studies in Musicology and Ethnomusicology, 1990-2000
  2. Ellen Koskoff
  3. pp. 90-98
  4. DOI: 10.1353/wam.2005.0009
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  1. Theorizing Gender, Culture, and Music
  2. Annamaria Cecconi
  3. pp. 99-105
  4. DOI: 10.1353/wam.2005.0002
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  1. Theorizing Gender, Culture, and Music
  2. Mary Ann Smart
  3. pp. 106-110
  4. DOI: 10.1353/wam.2005.0013
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  1. Radical Harmonies (review)
  2. Martha Mockus
  3. pp. 111-116
  4. DOI: 10.1353/wam.2005.0011
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  1. This Is Pop: In Search of the Elusive at Experience Music Project (review)
  2. Kevin J. H. Dettmar
  3. pp. 116-119
  4. DOI: 10.1353/wam.2005.0005
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  1. Right to Rock: The Black Rock Coalition and the Cultural Politics of Race (review)
  2. Norma Coates
  3. pp. 119-121
  4. DOI: 10.1353/wam.2005.0003
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  1. Letter from the Editor
  2. Suzanne G. Cusick
  3. pp. v-vi
  4. DOI: 10.1353/wam.2005.0004
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  1. Contributors
  3. pp. 122-123
  4. DOI: 10.1353/wam.2005.0001
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