In this Issue

Table of Contents

Re-presenting Dalit Feminist Politics through Dialogical Musical Ethnography

Zoe C. Sherinian
pp. 1-12
DOI: https://doi.org/10.1353/wam.2005.0012
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A Resisting Performance of an Appalachian Traditional Murder Ballad: Giving Voice to "Pretty Polly"

Lydia Hamessley
pp. 13-36
DOI: https://doi.org/10.1353/wam.2005.0008
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Kate Bush's Subversive Shoes

Bonnie Gordon
pp. 37-50
DOI: https://doi.org/10.1353/wam.2005.0007
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Sounding the Frauenseele : Gender, Modernism, and Intertextuality in Alban Berg's "Uber die Grenzen," op. 4, no. 3

Christina Bindslev Gier
pp. 51-68
DOI: https://doi.org/10.1353/wam.2005.0006
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Nurturing Herself, Nurturing Her Baby: Creating Positive Experiences for First-time Mothers through Lullaby Singing

Elizabeth MacKinlay, Felicity Baker
pp. 69-89
DOI: https://doi.org/10.1353/wam.2005.0010
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(Left Out in ) Left (the Field ): The Effects of Post-Postmodern Scholarship on Feminist and Gender Studies in Musicology and Ethnomusicology, 1990-2000

Ellen Koskoff
pp. 90-98
DOI: https://doi.org/10.1353/wam.2005.0009
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Theorizing Gender, Culture, and Music

Annamaria Cecconi
pp. 99-105
DOI: https://doi.org/10.1353/wam.2005.0002
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Theorizing Gender, Culture, and Music

Mary Ann Smart
pp. 106-110
DOI: https://doi.org/10.1353/wam.2005.0013
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Radical Harmonies (review)

Martha Mockus
pp. 111-116
DOI: https://doi.org/10.1353/wam.2005.0011
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This Is Pop: In Search of the Elusive at Experience Music Project (review)

Kevin J. H. Dettmar
pp. 116-119
DOI: https://doi.org/10.1353/wam.2005.0005
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Right to Rock: The Black Rock Coalition and the Cultural Politics of Race (review)

Norma Coates
pp. 119-121
DOI: https://doi.org/10.1353/wam.2005.0003
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Letter from the Editor

Suzanne G. Cusick
pp. v-vi
DOI: https://doi.org/10.1353/wam.2005.0004
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Contributors

pp. 122-123
DOI: https://doi.org/10.1353/wam.2005.0001
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