1. Elisabeth de Gramont, Natalie Barney's "eternal mate"
  2. Francesco Rapazzini
  3. pp. 6-31
  4. DOI: 10.1353/scr.2005.0053
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  1. Decadent Heroines or Modernist Lovers: Natalie Clifford Barney's Unpublished Feminine Lovers or the Third Woman
  2. Chelsea Ray
  3. pp. 32-61
  4. DOI: 10.1353/scr.2005.0054
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  1. Translating the Lesbian Writer: Pierre Louys, Natalie Barney, and "Girls of the Future Society"
  2. Tama Lea Engelking
  3. pp. 62-77
  4. DOI: 10.1353/scr.2005.0049
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  1. The Intertextual, Sexually-Coded Rue Jacob: A Geocritical Approach to Djuna Barnes, Natalie Barney, and Radclyffe Hall
  2. Amy Wells-Lynn
  3. pp. 78-112
  4. DOI: 10.1353/scr.2005.0056
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  1. The Difficult Guest: French Queer Theory Makes Room for Rachilde
  2. Katherine Gantz
  3. pp. 113-132
  4. DOI: 10.1353/scr.2005.0051
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  1. Disruptive Acts: The New Woman in Fin-de-Siecle France, and: The Modern Woman Revisited: Paris Between the Wars (review)
  2. Emily S. Apter
  3. pp. 133-139
  4. DOI: 10.1353/scr.2005.0046
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  1. The Spectacular Modern Woman: Feminine Visibility in the 1920s (review)
  2. Mary Louise Roberts
  3. pp. 140-142
  4. DOI: 10.1353/scr.2005.0055
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  1. Baroness Elsa: Gender, Dada, and Everyday Modernity--A Cultural Biography (review)
  2. Anke K. Finger
  3. pp. 142-145
  4. DOI: 10.1353/scr.2005.0050
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  1. Introduction
  2. Melanie Hawthorne
  3. pp. 1-5
  4. DOI: 10.1353/scr.2005.0052
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  1. Notes on Contributors
  2. pp. 146-147
  3. DOI: 10.1353/scr.2005.0048
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  1. Books Received
  2. p. 148
  3. DOI: 10.1353/scr.2005.0047
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