+ MUSE Alert

In this Issue

Table of Contents

  1. Charlie Silveus Makes a Quotidian Spectacle: An Exhibitor-Filmmaker and His Local View
  2. Michael Aronson
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/mov.2005.0022
  5. restricted access
  1. The Strange Case of The Fall of Jerusalem : Orphans and Film Identification
  2. Jan-Christopher Horak
  3. pp. 26-49
  4. DOI: https://doi.org/10.1353/mov.2005.0029
  5. restricted access
  1. Popular Ethnography and Public Consumption: Sites of Contestation in Museum-Sponsored Expeditionary Film
  2. Amy J. Staples
  3. pp. 50-78
  4. DOI: https://doi.org/10.1353/mov.2005.0036
  5. restricted access
  1. Dirty Little Secrets: Scholars, Archivists, and Dirty Movies
  2. Eric Schaefer
  3. pp. 79-105
  4. DOI: https://doi.org/10.1353/mov.2005.0034
  5. restricted access
  1. "White Slavery" Versus the Ethnography of "Sexworkers": Women in Stag Films at the Kinsey Archive
  2. Linda Williams
  3. pp. 107-134
  4. DOI: https://doi.org/10.1353/mov.2005.0039
  5. free access
    • View HTML View
    • Download PDF Download
  1. Home Viewing: Pornography and Amateur Film Collections, A Case Study
  2. Dwight Swanson
  3. pp. 136-140
  4. DOI: https://doi.org/10.1353/mov.2005.0037
  5. restricted access
  1. Restoring The Big Parade
  2. Richard P. May
  3. pp. 140-146
  4. DOI: https://doi.org/10.1353/mov.2005.0033
  5. restricted access
  1. A Note on "Cinema's Founding Myth"
  2. Ray Zone
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/mov.2005.0040
  5. restricted access
  1. Cinefest: Hamburg, November 13-21, 2004 (review)
  2. Ingrid Scheib-Rothbart
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/mov.2005.0035
  5. restricted access
  1. More Treasures from American Film Archives, 1894-1931 (review)
  2. Thomas Patrick Doherty
  3. pp. 150-153
  4. DOI: https://doi.org/10.1353/mov.2005.0025
  5. restricted access
  1. The Music for More Treasures from American Film Archives, 1894-1931 (review)
  2. Julie Hubbert
  3. pp. 154-157
  4. DOI: https://doi.org/10.1353/mov.2005.0031
  5. restricted access
  1. Legong: Dance of the Virgins (review)
  2. Karl G. Heider
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/mov.2005.0027
  5. restricted access
  1. The Film Preservation Guide: The Basics for Archives, Libraries, and Museums, and: IPI Media Storage Quick Reference (review)
  2. Linda Young Elkins
  3. pp. 158-160
  4. DOI: https://doi.org/10.1353/mov.2005.0026
  5. restricted access
  1. Hollywood Outsiders: The Adaptation of the Film Industry, 1913-1934 (review)
  2. Keating Patrick
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/mov.2005.0032
  5. restricted access
  1. Policing Cinema: Movies and Censorship in Early-Twentieth-Century America (review)
  2. Jan-Christopher Horak
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/mov.2005.0030
  5. restricted access
  1. Reframing British Cinema, 1918-1928: Between Restraint and Passion (review)
  2. Michele L. Torre
  3. pp. 165-167
  4. DOI: https://doi.org/10.1353/mov.2005.0038
  5. restricted access
  1. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (review)
  2. Peter Decherney
  3. pp. 167-169
  4. DOI: https://doi.org/10.1353/mov.2005.0024
  5. restricted access
  1. Editor's Foreword
  2. Jan-Christopher Horak
  3. pp. vi-vii
  4. DOI: https://doi.org/10.1353/mov.2005.0028
  5. restricted access
  1. Contributors
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/mov.2005.0023
  5. restricted access