1. Feminists Read Stendhal (or do they?)
  2. Lisa G. Algazi
  3. pp. 11-20
  4. DOI: 10.1353/ncf.2005.0043
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  1. Process Structure in Balzac's La Rabouilleuse
  2. Allan H. Pasco
  3. pp. 21-31
  4. DOI: 10.1353/ncf.2005.0068
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  1. Victor Hugo's European Utopia
  2. Edward Ousselin
  3. pp. 32-43
  4. DOI: 10.1353/ncf.2005.0066
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  1. Nineteenth-Century Nostalgia for Eighteenth-Century Wit, Style, and Aesthetic Disengagement: The Goncourt Brothers Histories of Eighteenth-Century Art and Women
  2. Jennifer Forrest
  3. pp. 44-62
  4. DOI: 10.1353/ncf.2005.0054
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  1. La Couleur anti-locale diEugene Fromentin
  2. Vladimir Kapor
  3. pp. 63-74
  4. DOI: 10.1353/ncf.2005.0059
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  1. Straightening Out Serge Mouret: Confession and Conversion in Zola's La Faute de liabbe Mouret
  2. Wade Edwards
  3. pp. 75-88
  4. DOI: 10.1353/ncf.2005.0051
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  1. Le Pere absent et le probleme de la croyance dans "Un Cœur simple"
  2. Kris Vassilev
  3. pp. 89-106
  4. DOI: 10.1353/ncf.2005.0077
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  1. Retinal Fictions: Villiers, Leroux, and Optics at the Fin-de-siecle
  2. Andrea Goulet
  3. pp. 107-120
  4. DOI: 10.1353/ncf.2005.0056
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  1. Doctors, Malady, and Creativity in Rachilde
  2. Michael R. Finn
  3. pp. 121-133
  4. DOI: 10.1353/ncf.2005.0053
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  1. Necrophilia and Authorship in Rachilde's La Tour diamour
  2. Robert Ziegler
  3. pp. 134-145
  4. DOI: 10.1353/ncf.2005.0083
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  1. Bibliographie du dix-neuvieme siecle, Annee 2002 (review)
  2. Thomas H. Goetz
  3. pp. 146-148
  4. DOI: 10.1353/ncf.2005.0055
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  1. A Sociolinguistic History of Parisian French (review)
  2. Angelo Metzidakis
  3. pp. 148-149
  4. DOI: 10.1353/ncf.2005.0063
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  1. Aux origines du poeme en prose francais (1750-1850) (review)
  2. Catherine Witt
  3. pp. 149-152
  4. DOI: 10.1353/ncf.2005.0082
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  1. The Material, the Real, and the Fractured Self: Subjectivity and Representation from Rimbaud to Reda (review)
  2. James Petterson
  3. pp. 152-154
  4. DOI: 10.1353/ncf.2005.0069
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  1. Le Siecle de la presse (1830-1939) (review)
  2. Guillaume Pinson
  3. pp. 154-156
  4. DOI: 10.1353/ncf.2005.0070
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  1. The One vs. the Many (review)
  2. William Olmsted
  3. pp. 156-157
  4. DOI: 10.1353/ncf.2005.0065
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  1. The Spectacular Past: Popular History and the Novel in Nineteenth-Century France (review)
  2. Michael Tilby
  3. pp. 158-159
  4. DOI: 10.1353/ncf.2005.0075
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  1. Walking and the French Romantics: Rousseau to Sand and Hugo (review)
  2. Goran Blix
  3. pp. 159-161
  4. DOI: 10.1353/ncf.2005.0045
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  1. Art and Literature of the Second Empire/Les Arts et la Litterature sous le Second Empire (review)
  2. Sara Pappas
  3. pp. 161-163
  4. DOI: 10.1353/ncf.2005.0067
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  1. Francophilie et identite tcheque (1848-1914) (review)
  2. Mila Saskova-Pierce
  3. pp. 163-166
  4. DOI: 10.1353/ncf.2005.0073
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  1. Husbands, Wives, and Lovers: Marriage and Its Discontents in Nineteenth-Century France (review)
  2. Nicholas White
  3. pp. 166-168
  4. DOI: 10.1353/ncf.2005.0079
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  1. Le Symbolisme (review)
  2. Marshall C. Olds
  3. pp. 168-169
  4. DOI: 10.1353/ncf.2005.0064
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  1. Manet, Flaubert, and the Emergence of Modernism: Blurring Genre Boundaries (review)
  2. Therese Dolan
  3. pp. 169-174
  4. DOI: 10.1353/ncf.2005.0049
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  1. Between Genders: Narrating Difference in Early French Modernism (review)
  2. Michael Lucey
  3. pp. 174-176
  4. DOI: 10.1353/ncf.2005.0062
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  1. Balzac dans l'Histoire (review)
  2. Stéphane Vachon
  3. pp. 176-180
  4. DOI: 10.1353/ncf.2005.0076
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  1. Barbey d'Aurevilly: Bibliographie des Ecrivains Francais, Volume 22 (review)
  2. Karen Lynne Humphreys
  3. pp. 180-181
  4. DOI: 10.1353/ncf.2005.0050
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  1. Barbey d'Aurevilly 17: Sur le sacre (review)
  2. Karen Lynne Humphreys
  3. pp. 181-184
  4. DOI: 10.1353/ncf.2005.0058
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  1. Baudelaire in Chains: Portrait of the Artist as a Drug Addict (review)
  2. Debarati Sanyal
  3. pp. 184-185
  4. DOI: 10.1353/ncf.2005.0072
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  1. Oeuvres poetiques completes (review)
  2. Catherine Bordeau
  3. pp. 185-187
  4. DOI: 10.1353/ncf.2005.0046
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  1. "Hugo et la chimere" (review)
  2. Kathryn M. Grossman
  3. pp. 187-188
  4. DOI: 10.1353/ncf.2005.0057
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  1. The Mirror of Divinity: The World and Creation in J.-K. Huysmans (review)
  2. Elizabeth Emery
  3. pp. 189-190
  4. DOI: 10.1353/ncf.2005.0052
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  1. Documents Stephane Mallarme: Nouvelle Serie III (review)
  2. Heather Williams
  3. pp. 191-192
  4. DOI: 10.1353/ncf.2005.0081
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  1. Prosper Merimee le sang et la chair: une poetique du sujet (review)
  2. Corry Cropper
  3. pp. 192-194
  4. DOI: 10.1353/ncf.2005.0048
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  1. Reading Nelligan (review)
  2. Carrol F. Coates
  3. pp. 194-195
  4. DOI: 10.1353/ncf.2005.0047
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  1. Nerval: L'Ecriture du voyage: L'expression de la realite dans les premieres publications du Voyage en Orient et de Lorely (review)
  2. Lise Schreier
  3. pp. 195-197
  4. DOI: 10.1353/ncf.2005.0074
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  1. Rachilde and French Women's Authorship: From Decadence to Modernism (review)
  2. Lynn Rosellen Wilkinson
  3. pp. 197-199
  4. DOI: 10.1353/ncf.2005.0080
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  1. De la lettre a l'esprit: pour lire Illuminations (review)
  2. Seth Adam Whidden
  3. pp. 199-200
  4. DOI: 10.1353/ncf.2005.0078
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  1. George Sand: Ecritures et representations (review)
  2. Dominique Laporte
  3. pp. 200-202
  4. DOI: 10.1353/ncf.2005.0060
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  1. George Sand et Jesus (review)
  2. Mary Rice-DeFosse
  3. pp. 202-203
  4. DOI: 10.1353/ncf.2005.0071
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  1. For the People by the People?: Eugene Sue's Les Mysteres de Paris : A Hypothesis in the Sociology of Literature (review)
  2. Carolyn Betensky
  3. pp. 203-205
  4. DOI: 10.1353/ncf.2005.0042
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  1. New Approaches to Zola: Selected Papers from the 2002 Cambridge Centenary Colloquium (review)
  2. Catherine Dousteyssier-Khoze
  3. pp. 205-207
  4. DOI: 10.1353/ncf.2005.0044
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  1. Emile Zola: Notes From Exile (review)
  2. Michael Lastinger
  3. pp. 206-207
  4. DOI: 10.1353/ncf.2005.0061
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