1. Le Cinema du diable: Jean Epstein and the Ambiguities of Subversion
  2. Ludovic Cortade, Roxanne Lapidus
  3. pp. 3-16
  4. DOI: 10.1353/sub.2005.0041
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  1. Roland Barthes's Cold-War Cinema
  2. Philip Watts
  3. pp. 17-32
  4. DOI: 10.1353/sub.2005.0049
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  1. Godard, Rohmer, and Ranciere's Phrase-Image
  2. Aimee Israel-Pelletier
  3. pp. 33-46
  4. DOI: 10.1353/sub.2005.0044
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  1. The Prescience of Elie Faure
  2. Margaret C. Flinn
  3. pp. 47-61
  4. DOI: 10.1353/sub.2005.0043
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  1. Alchemies of Thought in Godard's Cinema: Deleuze and Merleau-Ponty
  2. Elena del Rio
  3. pp. 62-78
  4. DOI: 10.1353/sub.2005.0047
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  1. The Woodcutter's Gaze: Luc Moullet and Cahiers du Cinema
  2. Sam DiIorio
  3. pp. 79-95
  4. DOI: 10.1353/sub.2005.0042
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  1. Cinema and its Discontents: Jacques Ranciere and Film Theory
  2. Tom Conley
  3. pp. 96-106
  4. DOI: 10.1353/sub.2005.0038
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  1. Typewriter: Free Indirect Discourse in Deleuze's Cinema
  2. Louis Georges Schwartz
  3. pp. 107-135
  4. DOI: 10.1353/sub.2005.0048
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  1. Pierre Guyotat: Essai Biographique (review)
  2. Stuart Kendall
  3. pp. 136-139
  4. DOI: 10.1353/sub.2005.0045
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  1. International Encyclopedia of Linguistics (review)
  2. Laurence M. Porter
  3. pp. 139-148
  4. DOI: 10.1353/sub.2005.0046
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  1. Jacques Roubaud: l'amour du nombre (review)
  2. Peter Consenstein
  3. pp. 149-153
  4. DOI: 10.1353/sub.2005.0039
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  1. Contributors
  2. pp. 154-155
  3. DOI: 10.1353/sub.2005.0040
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