In this Issue

Table of Contents

Le Cinema du diable: Jean Epstein and the Ambiguities of Subversion

Ludovic Cortade, Roxanne Lapidus
pp. 3-16
DOI: https://doi.org/10.1353/sub.2005.0041
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Roland Barthes's Cold-War Cinema

Philip Watts
pp. 17-32
DOI: https://doi.org/10.1353/sub.2005.0049
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Godard, Rohmer, and Ranciere's Phrase-Image

Aimee Israel-Pelletier
pp. 33-46
DOI: https://doi.org/10.1353/sub.2005.0044
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The Prescience of Elie Faure

Margaret C. Flinn
pp. 47-61
DOI: https://doi.org/10.1353/sub.2005.0043
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Alchemies of Thought in Godard's Cinema: Deleuze and Merleau-Ponty

Elena del Rio
pp. 62-78
DOI: https://doi.org/10.1353/sub.2005.0047
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The Woodcutter's Gaze: Luc Moullet and Cahiers du Cinema

Sam DiIorio
pp. 79-95
DOI: https://doi.org/10.1353/sub.2005.0042
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Cinema and its Discontents: Jacques Ranciere and Film Theory

Tom Conley
pp. 96-106
DOI: https://doi.org/10.1353/sub.2005.0038
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Typewriter: Free Indirect Discourse in Deleuze's Cinema

Louis Georges Schwartz
pp. 107-135
DOI: https://doi.org/10.1353/sub.2005.0048
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Pierre Guyotat: Essai Biographique (review)

Stuart Kendall
pp. 136-139
DOI: https://doi.org/10.1353/sub.2005.0045
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International Encyclopedia of Linguistics (review)

Laurence M. Porter
pp. 139-148
DOI: https://doi.org/10.1353/sub.2005.0046
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Jacques Roubaud: l'amour du nombre (review)

Peter Consenstein
pp. 149-153
DOI: https://doi.org/10.1353/sub.2005.0039
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Contributors

pp. 154-155
DOI: https://doi.org/10.1353/sub.2005.0040
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