In this Issue

Table of Contents

Topeng Sidha Karya: A Balinese Mask Dance Performed by I Ketut Kodi with I Gusti Putu Sudarta, I Nyoman Sedana, and I Made Sidia in Sidha Karya, Badung, Bali, 16 October 2002

I Ketut Kodi, I Nyoman Sedana, Kathy Foley
pp. 171-198
DOI: https://doi.org/10.1353/atj.2005.0030
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Balinese Mask Dance from the Perspective of a Master Artist: I Ketut Kodi on Topeng

I Ketut Kodi, Kathy Foley, I Nyoman Sedana
pp. 199-213
DOI: https://doi.org/10.1353/atj.2005.0031
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Mask, Gender, and Performance in Indonesia: An Interview with Didik Nini Thowok

Didik Nini Thowok, Laurie Margot Ross
pp. 214-226
DOI: https://doi.org/10.1353/atj.2005.0033
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Lions, Witches, and Happy Old Men: Some Parallels between Balinese and Japanese Ritual Masks

Margaret Coldiron
pp. 227-248
DOI: https://doi.org/10.1353/atj.2005.0021
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Masks, Interface of Past and Future: Nomura Mannojo's Shingigaku

Yoshiko Fukushima
pp. 249-268
DOI: https://doi.org/10.1353/atj.2005.0027
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Only Joking? The Relationship between the Clown and Percussion in Jingju

Ashley Thorpe
pp. 269-292
DOI: https://doi.org/10.1353/atj.2005.0034
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The Mardi Gras Boys of Singapore's English-Language Theatre

Eng-Beng Lim
pp. 293-309
DOI: https://doi.org/10.1353/atj.2005.0032
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Chinese-Speaking Theatre In Perspective: A Symposium

Ruru Li
pp. 310-323
DOI: https://doi.org/10.1353/atj.2005.0016
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Woman and the Changing World on Alternative Global Stage: Sixth Women Playwrights International Conference

Lucy Mae San Pablo Burns
pp. 324-333
DOI: https://doi.org/10.1353/atj.2005.0017
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Putul Yatra: A Celebration of Indian Puppetry

Bradford Burton Clark
pp. 334-347
DOI: https://doi.org/10.1353/atj.2005.0018
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Samritechak (review)

Kevin J. Wetmore
pp. 348-352
DOI: https://doi.org/10.1353/atj.2005.0036
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The Ethos of Noh : Actors and Their Art (review)

Margaret Coldiron
pp. 353-356
DOI: https://doi.org/10.1353/atj.2005.0022
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The Theatre of Suzuki Tadashi (review)

Yukihiro Goto
pp. 356-361
DOI: https://doi.org/10.1353/atj.2005.0028
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Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali (review)

Bulantrisna Djelantik-Soejoto
pp. 361-362
DOI: https://doi.org/10.1353/atj.2005.0024
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Trance and Transformation of the Actor: Japanese Noh and Balinese Masked Dance-Drama (review)

Kathy Foley
pp. 361-364
DOI: https://doi.org/10.1353/atj.2005.0026
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Gamelan: The Traditional Sounds of Indonesia (review)

Matthew Isaac Cohen
pp. 365-366
DOI: https://doi.org/10.1353/atj.2005.0019
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Power Plays: Wayang Golek Theater of West Java (review)

Matthew Isaac Cohen
pp. 366-368
DOI: https://doi.org/10.1353/atj.2005.0020
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Significant Other: Staging the American in China (review)

John B. Weinstein
pp. 368-371
DOI: https://doi.org/10.1353/atj.2005.0035
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Shashibiya : Staging Shakespeare in China (review)

Alexander C. Y. Huang
pp. 371-374
DOI: https://doi.org/10.1353/atj.2005.0029
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Color Insert

p. 2005
DOI: https://doi.org/10.1353/atj.2005.0023
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Editor's Note

Kathy Foley
pp. iii-iv
DOI: https://doi.org/10.1353/atj.2005.0025
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