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In this Issue

Table of Contents

  1. Balinese Mask Dance from the Perspective of a Master Artist: I Ketut Kodi on Topeng
  2. I Ketut Kodi, Kathy Foley, I Nyoman Sedana
  3. pp. 199-213
  4. DOI: https://doi.org/10.1353/atj.2005.0031
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  1. Mask, Gender, and Performance in Indonesia: An Interview with Didik Nini Thowok
  2. Didik Nini Thowok, Laurie Margot Ross
  3. pp. 214-226
  4. DOI: https://doi.org/10.1353/atj.2005.0033
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  1. Lions, Witches, and Happy Old Men: Some Parallels between Balinese and Japanese Ritual Masks
  2. Margaret Coldiron
  3. pp. 227-248
  4. DOI: https://doi.org/10.1353/atj.2005.0021
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  1. Masks, Interface of Past and Future: Nomura Mannojo's Shingigaku
  2. Yoshiko Fukushima
  3. pp. 249-268
  4. DOI: https://doi.org/10.1353/atj.2005.0027
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  1. Only Joking? The Relationship between the Clown and Percussion in Jingju
  2. Ashley Thorpe
  3. pp. 269-292
  4. DOI: https://doi.org/10.1353/atj.2005.0034
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  1. The Mardi Gras Boys of Singapore's English-Language Theatre
  2. Eng-Beng Lim
  3. pp. 293-309
  4. DOI: https://doi.org/10.1353/atj.2005.0032
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  1. Chinese-Speaking Theatre In Perspective: A Symposium
  2. Ruru Li
  3. pp. 310-323
  4. DOI: https://doi.org/10.1353/atj.2005.0016
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  1. Woman and the Changing World on Alternative Global Stage: Sixth Women Playwrights International Conference
  2. Lucy Mae San Pablo Burns
  3. pp. 324-333
  4. DOI: https://doi.org/10.1353/atj.2005.0017
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  1. Putul Yatra: A Celebration of Indian Puppetry
  2. Bradford Burton Clark
  3. pp. 334-347
  4. DOI: https://doi.org/10.1353/atj.2005.0018
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  1. Samritechak (review)
  2. Kevin J. Wetmore
  3. pp. 348-352
  4. DOI: https://doi.org/10.1353/atj.2005.0036
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  1. The Ethos of Noh : Actors and Their Art (review)
  2. Margaret Coldiron
  3. pp. 353-356
  4. DOI: https://doi.org/10.1353/atj.2005.0022
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  1. The Theatre of Suzuki Tadashi (review)
  2. Yukihiro Goto
  3. pp. 356-361
  4. DOI: https://doi.org/10.1353/atj.2005.0028
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  1. Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali (review)
  2. Bulantrisna Djelantik-Soejoto
  3. pp. 361-362
  4. DOI: https://doi.org/10.1353/atj.2005.0024
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  1. Trance and Transformation of the Actor: Japanese Noh and Balinese Masked Dance-Drama (review)
  2. Kathy Foley
  3. pp. 361-364
  4. DOI: https://doi.org/10.1353/atj.2005.0026
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  1. Gamelan: The Traditional Sounds of Indonesia (review)
  2. Matthew Isaac Cohen
  3. pp. 365-366
  4. DOI: https://doi.org/10.1353/atj.2005.0019
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  1. Power Plays: Wayang Golek Theater of West Java (review)
  2. Matthew Isaac Cohen
  3. pp. 366-368
  4. DOI: https://doi.org/10.1353/atj.2005.0020
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  1. Significant Other: Staging the American in China (review)
  2. John B. Weinstein
  3. pp. 368-371
  4. DOI: https://doi.org/10.1353/atj.2005.0035
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  1. Shashibiya : Staging Shakespeare in China (review)
  2. Alexander C. Y. Huang
  3. pp. 371-374
  4. DOI: https://doi.org/10.1353/atj.2005.0029
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  1. Color Insert
  2. p. 2005
  3. DOI: https://doi.org/10.1353/atj.2005.0023
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  1. Editor's Note
  2. Kathy Foley
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2005.0025
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