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In this Issue

Table of Contents

  1. Editorial comment: theorizing globalization through theatre
  2. Jean Graham-Jones
  3. pp. viii-xvi
  4. DOI: https://doi.org/10.1353/tj.2005.0106
  5. restricted access
  1. "The Greatest Show on Earth": Political Spectacle, Spectacular Politics, and the American Pacific
  2. Margaret Werry
  3. pp. 355-382
  4. DOI: https://doi.org/10.1353/tj.2005.0124
  5. restricted access
  1. Glocalqueering in New Asia: The Politics of Performing Gay in Singapore
  2. Eng-Beng Lim
  3. pp. 383-405
  4. DOI: https://doi.org/10.1353/tj.2005.0112
  5. restricted access
  1. Theatre/Tourism
  2. Susan Bennett
  3. pp. 407-428
  4. DOI: https://doi.org/10.1353/tj.2005.0087
  5. restricted access
  1. Travels with Tony Kushner and David Beckham, 2002-2004
  2. Peter Dickinson
  3. pp. 429-450
  4. DOI: https://doi.org/10.1353/tj.2005.0096
  5. restricted access
  1. Marketing Trauma and the Theatre of War in Northern Uganda
  2. Laura Edmondson
  3. pp. 451-474
  4. DOI: https://doi.org/10.1353/tj.2005.0098
  5. restricted access

Performance Review

  1. The White Plague, and: From Aztec to High Tech (review)
  2. Theresa Smalec
  3. pp. 475-480
  4. DOI: https://doi.org/10.1353/tj.2005.0121
  5. restricted access
  1. World Trade Centre, and: Lidice-gee Gulab (The Rose of Lidice) (review)
  2. Erin B. Mee
  3. pp. 480-482
  4. DOI: https://doi.org/10.1353/tj.2005.0115
  5. restricted access
  1. The Maria Chronicles (review)
  2. Amber Day
  3. pp. 482-484
  4. DOI: https://doi.org/10.1353/tj.2005.0095
  5. restricted access
  1. Teatro Caliente! (review)
  2. Karen Jean Martinson
  3. pp. 485-489
  4. DOI: https://doi.org/10.1353/tj.2005.0114
  5. restricted access
  1. Under the Radar Festival (review)
  2. Chris Mills
  3. pp. 489-493
  4. DOI: https://doi.org/10.1353/tj.2005.0116
  5. restricted access
  1. The Judas Kiss (review)
  2. Aegyung Noh
  3. pp. 493-496
  4. DOI: https://doi.org/10.1353/tj.2005.0119
  5. restricted access
  1. Tropicana (review)
  2. Patrick Chmel
  3. pp. 496-499
  4. DOI: https://doi.org/10.1353/tj.2005.0093
  5. restricted access
  1. DIES IRAE : My Preposterous Theatrum Interioris Show (review)
  2. Claudia Tatinge Nascimento
  3. pp. 499-501
  4. DOI: https://doi.org/10.1353/tj.2005.0118
  5. restricted access
  1. A Dream Play (review)
  2. Amelia Howe Kritzer
  3. pp. 502-504
  4. DOI: https://doi.org/10.1353/tj.2005.0109
  5. restricted access
  1. The Cherry Orchard (review)
  2. James M. Brandon
  3. pp. 504-507
  4. DOI: https://doi.org/10.1353/tj.2005.0089
  5. restricted access
  1. Faust/How I Rose (review)
  2. Kathryn Farley
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/tj.2005.0101
  5. restricted access
  1. Fur die Kinder von Gestern, Heute und Morgen (For the Children of Yesterday, Today, and Tomorrow) (review)
  2. Babak A. Ebrahimian
  3. pp. 509-511
  4. DOI: https://doi.org/10.1353/tj.2005.0097
  5. restricted access
  1. Death and the Ploughman (review)
  2. Jill Stevenson
  3. pp. 512-514
  4. DOI: https://doi.org/10.1353/tj.2005.0123
  5. restricted access
  1. Lorenzaccio (review)
  2. Vorder Bruegge, Andrew, 1952-
  3. pp. 514-516
  4. DOI: https://doi.org/10.1353/tj.2005.0090
  5. restricted access
  1. Pericles (review)
  2. Rachel Evans
  3. pp. 517-519
  4. DOI: https://doi.org/10.1353/tj.2005.0100
  5. restricted access
  1. Timon of Athens (review)
  2. Gretchen E. Minton
  3. pp. 519-521
  4. DOI: https://doi.org/10.1353/tj.2005.0117
  5. restricted access
  1. One Arm (review)
  2. James Fisher
  3. pp. 521-523
  4. DOI: https://doi.org/10.1353/tj.2005.0103
  5. restricted access
  1. Pugilist Specialist (review)
  2. Allen J. Kuharski
  3. pp. 524-525
  4. DOI: https://doi.org/10.1353/tj.2005.0111
  5. restricted access
  1. The Bluest Eye (review)
  2. Harvey Young
  3. pp. 525-527
  4. DOI: https://doi.org/10.1353/tj.2005.0126
  5. restricted access

Book Review

  1. Yellowface: Creating the Chinese in American Popular Music and Performance, 1850-1920s, and: Cold War Orientalism: Asia in the Middlebrow Imagination, 1945-1961 (review)
  2. Shannon Steen
  3. pp. 529-531
  4. DOI: https://doi.org/10.1353/tj.2005.0122
  5. restricted access
  1. American Theater in the Culture of the Cold War: Producing and Contesting Containment, 1947-1962 (review)
  2. Dorothy Chansky
  3. pp. 531-532
  4. DOI: https://doi.org/10.1353/tj.2005.0091
  5. restricted access
  1. Staging the War: American Drama and World War II (review)
  2. Maria Beach
  3. pp. 532-533
  4. DOI: https://doi.org/10.1353/tj.2005.0086
  5. restricted access
  1. Gao Xingjian and Transcultural Chinese Theatre (review)
  2. Claire Conceison
  3. pp. 534-535
  4. DOI: https://doi.org/10.1353/tj.2005.0094
  5. restricted access
  1. The Theatre of Suzuki Tadashi (review)
  2. Yoshiko Fukushima
  3. pp. 535-536
  4. DOI: https://doi.org/10.1353/tj.2005.0104
  5. restricted access
  1. Staging Nation: English Language Theatre in Malaysia and Singapore (review)
  2. Eng-Beng Lim
  3. pp. 536-538
  4. DOI: https://doi.org/10.1353/tj.2005.0113
  5. restricted access
  1. Contemporary Theatre in Mayan Mexico: Death-Defying Acts (review)
  2. Sharon L. Green
  3. pp. 538-539
  4. DOI: https://doi.org/10.1353/tj.2005.0107
  5. restricted access
  1. Tentative Transgressions: Homosexuality, AIDS, and the Theater in Brazil (review)
  2. Pablo Assumpcao
  3. pp. 539-541
  4. DOI: https://doi.org/10.1353/tj.2005.0085
  5. restricted access
  1. Turning Turk: English Theater and the Multicultural Mediterranean, 1570-1630 (review)
  2. Elizabeth Klett
  3. pp. 541-542
  4. DOI: https://doi.org/10.1353/tj.2005.0108
  5. restricted access
  1. Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)
  2. Neilesh Bose
  3. pp. 542-543
  4. DOI: https://doi.org/10.1353/tj.2005.0088
  5. restricted access
  1. Widows, Pariahs, and Bayaderes : India as Spectacle (review)
  2. Sudipto Chatterjee
  3. pp. 543-545
  4. DOI: https://doi.org/10.1353/tj.2005.0092
  5. restricted access
  1. Rasa: Performing the Divine in India (review)
  2. Farley P. Richmond, Linda White Chastain
  3. pp. 545-546
  4. DOI: https://doi.org/10.1353/tj.2005.0120
  5. restricted access
  1. Shakespeare in the Undiscovered Bourn: Les Kurbas, Ukrainian Modernism, and Early Soviet Cultural Politics (review)
  2. Spencer Golub
  3. pp. 546-547
  4. DOI: https://doi.org/10.1353/tj.2005.0105
  5. restricted access
  1. A History of Theatre in Africa, and: Playing for Life: Performance in Africa in the Age of AIDS, and: Theatre and Empowerment: Community Drama on the World Stage (review)
  2. Loren Kruger
  3. pp. 548-550
  4. DOI: https://doi.org/10.1353/tj.2005.0110
  5. restricted access
  1. Writing and Re-Writing National Theatre Histories (review)
  2. Patricia Ybarra
  3. pp. 550-551
  4. DOI: https://doi.org/10.1353/tj.2005.0125
  5. restricted access

Books Received

  1. Books Received
  3. pp. 552-556
  4. DOI: https://doi.org/10.1353/tj.2005.0084
  5. restricted access

Auto/Archive

  1. The Theatre Journal Auto / Archive: Erike Fischer-Lichte
  2. Erika Fischer-Lichte
  3. pp. 557-567
  4. DOI: https://doi.org/10.1353/tj.2005.0102
  5. restricted access

Erratum

  1. The Bluest Eye (review)
  2. Harvey Young
  3. p. 527
  4. DOI: https://doi.org/10.1353/tj.2005.0099
  5. restricted access