In this Issue

Table of Contents

Plato, Aristotle, and Women Musicians

Roger Harmon
pp. 351-357
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Erotic Jest and Gesture in Roman Anthologies of Neapolitan Dialect Songs

Donna G. Cardamone
pp. 357-379
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The 'Cabale du Dauphin', Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700

Don Fader
pp. 380-413
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Two Important New Sources for the Music of Charles Avison

Mark Kroll
pp. 414-431
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Modernism and the Machine Woman in Puccini's 'Turandot'

Alexandra Wilson
pp. 432-451
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Facts, Fantasies, and Fictions: Recent Shostakovich Studies

Pauline Fairclough
pp. 452-460
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Music of the Renaissance (review)

Noel O'Regan
pp. 461-462
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Improvisation in the Arts of the Middle Ages and Renaissance (review)

Jon Banks
pp. 462-463
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Fronimo de Vincenzo Galilei (review)

John Griffiths
pp. 464-466
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Thomas East and Music Publishing in Renaissance England (review)

John Morehen
pp. 466-468
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Musica vocal profana en el Madrid de Felipe IV: El Libro de Tonos Humanos (1656)

Owen Rees
pp. 468-471
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The Keyboard in Baroque Europe (review)

Kimberly Marshall
pp. 471-473
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Concert Life in Eighteenth-Century Britain (review)

Philip Olleson
pp. 473-476
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Stradivarius: Five Violins, One Cello and a Genius (review)

Robin Stowell
pp. 476-478
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Internationales Musikwissenschaftliches Symopsium 'Haydn & das Streichquartett' im Rahmen des 'Haydn Streichquartett Weekend': Eisenstadt, 1.-5. Mai 2002; Referate und Diskussionen (review)

W. Dean Sutcliffe
pp. 478-482
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Bound for America: Three British Composers (review)

Michael Hurd
pp. 482-484
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Words on Music: Essays in Honor of Andrew Porter on the Occasion of his 75th Birthday (review)

Christopher Morris
pp. 484-486
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Opera: The Art of Dying (review)

Lucy Walker
pp. 486-491
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Les Freres Wieniawski: Documents conserves dans les collections de la Bibliotheque Royal de Belgique (review)

Robin Stowell
pp. 491-492
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Theory and Practice in Late Nineteenth-Century Violin Performance: An Examination of Style in Performance, 1850-1900 (review)

John Parsons
pp. 492-493
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The Cambridge History of Twentieth-Century Music (review)

Robert P. Morgan
pp. 493-497
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Bartok's Viola Concerto: The Remarkable Story of his Swansong (review)

Elliott Antokoletz
pp. 497-501
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The Cambridge Companion to Stravinsky (review)

Tim Howell
pp. 501-503
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Varese: Astronomer in Sound (review)

Charles Wilson
pp. 503-507
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The Dickinson Songs of Aaron Copland (review)

Elizabeth Bergman Crist
pp. 507-508
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Women's Voices across Musical Worlds (review)

Marcia J. Citron
pp. 508-512
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Soviet Music and Society under Lenin and Stalin: The Baton and the Sickle (review)

David Fanning
pp. 512-513
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The Operas of Benjamin Britten: Expression and Evasion (review)

Arnold Whittall
pp. 513-516
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The Life and Music of Brian Boydell (review)

Martin Adams
pp. 516-520
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Pli selon pli de Pierre Boulez: Entretien et etudes (review)

Arnold Whittall
pp. 520-521
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Louis Andriessen: 'De Staat' (review)

Arnold Whittall
pp. 521-523
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Music in West Africa: Expressing Music, Expressing Culture (review)

V. Kofi Agawu
pp. 523-525
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Huju: Traditional Opera in Modern Shanghai (review)

Tong Soon Lee
pp. 525-527
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Elvis Costello, Joni Mitchell, and the Torch Song Tradition (review)

Lloyd Whitesell
p. 527
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Recipients of 'Music & Letters' Awards

p. 528
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The Westrup Prize

p. 528
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'Music & Letters' Awards

p. 530
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Authors of Articles in this Issue

pp. 530-531
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Books Received

pp. 532-535
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