1. Plato, Aristotle, and Women Musicians
  2. Roger Harmon
  3. pp. 351-357
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  1. Erotic Jest and Gesture in Roman Anthologies of Neapolitan Dialect Songs
  2. Donna G. Cardamone
  3. pp. 357-379
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  1. The 'Cabale du Dauphin', Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700
  2. Don Fader
  3. pp. 380-413
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  1. Two Important New Sources for the Music of Charles Avison
  2. Mark Kroll
  3. pp. 414-431
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  1. Modernism and the Machine Woman in Puccini's 'Turandot'
  2. Alexandra Wilson
  3. pp. 432-451
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  1. Facts, Fantasies, and Fictions: Recent Shostakovich Studies
  2. Pauline Fairclough
  3. pp. 452-460
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  1. Music of the Renaissance (review)
  2. Noel O'Regan
  3. pp. 461-462
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  1. Improvisation in the Arts of the Middle Ages and Renaissance (review)
  2. Jon Banks
  3. pp. 462-463
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  1. Fronimo de Vincenzo Galilei (review)
  2. John Griffiths
  3. pp. 464-466
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  1. Thomas East and Music Publishing in Renaissance England (review)
  2. John Morehen
  3. pp. 466-468
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  1. Musica vocal profana en el Madrid de Felipe IV: El Libro de Tonos Humanos (1656)
  2. Owen Rees
  3. pp. 468-471
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  1. The Keyboard in Baroque Europe (review)
  2. Kimberly Marshall
  3. pp. 471-473
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  1. Concert Life in Eighteenth-Century Britain (review)
  2. Philip Olleson
  3. pp. 473-476
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  1. Stradivarius: Five Violins, One Cello and a Genius (review)
  2. Robin Stowell
  3. pp. 476-478
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  1. Internationales Musikwissenschaftliches Symopsium 'Haydn & das Streichquartett' im Rahmen des 'Haydn Streichquartett Weekend': Eisenstadt, 1.-5. Mai 2002; Referate und Diskussionen (review)
  2. W. Dean Sutcliffe
  3. pp. 478-482
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  1. Bound for America: Three British Composers (review)
  2. Michael Hurd
  3. pp. 482-484
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  1. Words on Music: Essays in Honor of Andrew Porter on the Occasion of his 75th Birthday (review)
  2. Christopher Morris
  3. pp. 484-486
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  1. Opera: The Art of Dying (review)
  2. Lucy Walker
  3. pp. 486-491
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  1. Les Freres Wieniawski: Documents conserves dans les collections de la Bibliotheque Royal de Belgique (review)
  2. Robin Stowell
  3. pp. 491-492
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  1. Theory and Practice in Late Nineteenth-Century Violin Performance: An Examination of Style in Performance, 1850-1900 (review)
  2. John Parsons
  3. pp. 492-493
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  1. The Cambridge History of Twentieth-Century Music (review)
  2. Robert P. Morgan
  3. pp. 493-497
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  1. Bartok's Viola Concerto: The Remarkable Story of his Swansong (review)
  2. Elliott Antokoletz
  3. pp. 497-501
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  1. The Cambridge Companion to Stravinsky (review)
  2. Tim Howell
  3. pp. 501-503
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  1. Varese: Astronomer in Sound (review)
  2. Charles Wilson
  3. pp. 503-507
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  1. The Dickinson Songs of Aaron Copland (review)
  2. Elizabeth Bergman Crist
  3. pp. 507-508
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  1. Women's Voices across Musical Worlds (review)
  2. Marcia J. Citron
  3. pp. 508-512
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  1. Soviet Music and Society under Lenin and Stalin: The Baton and the Sickle (review)
  2. David Fanning
  3. pp. 512-513
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  1. The Operas of Benjamin Britten: Expression and Evasion (review)
  2. Arnold Whittall
  3. pp. 513-516
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  1. The Life and Music of Brian Boydell (review)
  2. Martin Adams
  3. pp. 516-520
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  1. Pli selon pli de Pierre Boulez: Entretien et etudes (review)
  2. Arnold Whittall
  3. pp. 520-521
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  1. Louis Andriessen: 'De Staat' (review)
  2. Arnold Whittall
  3. pp. 521-523
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  1. Music in West Africa: Expressing Music, Expressing Culture (review)
  2. V. Kofi Agawu
  3. pp. 523-525
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  1. Huju: Traditional Opera in Modern Shanghai (review)
  2. Tong Soon Lee
  3. pp. 525-527
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  1. Elvis Costello, Joni Mitchell, and the Torch Song Tradition (review)
  2. Lloyd Whitesell
  3. p. 527
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  1. Recipients of 'Music & Letters' Awards
  3. p. 528
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  1. The Westrup Prize
  3. p. 528
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  1. 'Music & Letters' Awards
  3. p. 530
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  1. Authors of Articles in this Issue
  3. pp. 530-531
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  1. Books Received
  3. pp. 532-535
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