1. Wilde in Omaha
  2. Ron Hansen
  3. pp. 5-23
  4. DOI: 10.1353/psg.2005.0066
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  1. Emptiness, and: The Slow Surge, and: Bad Plants
  2. Stephen Dunn
  3. pp. 24-26
  4. DOI: 10.1353/psg.2005.0060
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  1. Madame Du Coudray's Woman Machine, 1756, and: Mirabilia, 1726, and: Gautier D'Agoty's Ecorches
  2. Leslie Adrienne Miller
  3. pp. 27-31
  4. DOI: 10.1353/psg.2005.0079
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  1. Sedimentary Blues, and: Triolet, and: The Unconsoled
  2. Constance Merritt
  3. pp. 31-34
  4. DOI: 10.1353/psg.2005.0078
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  1. film history as train wreck, and: Lumiere in Japan, and: This is not a silent movie - there is music
  2. Jesse Lee Kercheval
  3. pp. 34-38
  4. DOI: 10.1353/psg.2005.0071
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  1. The Signs of Choking, and: Secrets of an Identity Thief, and: Notes Composed in a Heat Wave
  2. Aaron Smith
  3. pp. 38-41
  4. DOI: 10.1353/psg.2005.0091
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  1. Rapture
  2. Jane Barnes
  3. pp. 42-55
  4. DOI: 10.1353/psg.2005.0049
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  1. The Treaty at Iwuy
  2. James Ragan
  3. p. 56
  4. DOI: 10.1353/psg.2005.0085
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  1. Turning Up the Applause, and: Dog Days, and: Slo-Pitch
  2. Jim Daniels
  3. pp. 57-59
  4. DOI: 10.1353/psg.2005.0057
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  1. National monument: Castle Clinton, and: Minor characters, and: The night is coming on
  2. Marge Piercy
  3. pp. 60-63
  4. DOI: 10.1353/psg.2005.0082
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  1. Homage to Charles Aznavour, and: The Rabbi Writes a Marriage Poem
  2. Michael Blumenthal
  3. pp. 64-66
  4. DOI: 10.1353/psg.2005.0052
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  1. Le Ghetto, and: A History of Light, and: The Art of Need, and: Sirens, and: The Wild Corbieres
  2. Richard Wollman
  3. pp. 66-72
  4. DOI: 10.1353/psg.2005.0096
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  1. WOW
  2. William Trowbridge
  3. pp. 72-74
  4. DOI: 10.1353/psg.2005.0092
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  1. People Always Going To
  2. Lee Martin
  3. pp. 75-79
  4. DOI: 10.1353/psg.2005.0075
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  1. 1 in 300, and: Upside Down in Lines
  2. Diane Mehta
  3. pp. 80-82
  4. DOI: 10.1353/psg.2005.0077
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  1. Urban Legend
  2. Denise Duhamel
  3. pp. 83-85
  4. DOI: 10.1353/psg.2005.0059
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  1. Dendrite Cities
  2. Barbara F. Lefcowitz
  3. pp. 86-87
  4. DOI: 10.1353/psg.2005.0073
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  1. Horizon
  2. Suzanne E. Berger
  3. pp. 87-89
  4. DOI: 10.1353/psg.2005.0051
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  1. Scars, and: American Camp, San Juan Island, and: Skylark, 1953
  2. Floyd Skloot
  3. pp. 89-92
  4. DOI: 10.1353/psg.2005.0090
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  1. What is Son ?
  2. Lon Otto
  3. pp. 93-99
  4. DOI: 10.1353/psg.2005.0080
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  1. Women in Black, and: Unarmed Bodyguard: You Will Hear the Lutes
  2. Marilyn Krysl
  3. pp. 100-101
  4. DOI: 10.1353/psg.2005.0072
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  1. The Jack-Tar's Lament
  2. Sigman Byrd
  3. pp. 101-102
  4. DOI: 10.1353/psg.2005.0053
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  1. Lying, and: Lines, and: Orders, and: Sincerity
  2. Mark Halperin
  3. pp. 103-107
  4. DOI: 10.1353/psg.2005.0065
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  1. Letter from a Painting, and: "Full Can Feels Empty": A Letter, and: Before Perspective, and: Inklings
  2. Cathy A. Colman
  3. pp. 107-111
  4. DOI: 10.1353/psg.2005.0055
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  1. The Gihon River, and: After
  2. Christina Hutchins
  3. pp. 111-113
  4. DOI: 10.1353/psg.2005.0068
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  1. Wood Chips
  2. Leonard Chang
  3. pp. 114-121
  4. DOI: 10.1353/psg.2005.0054
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  1. from Quarantine
  2. Brian Henry
  3. pp. 122-126
  4. DOI: 10.1353/psg.2005.0067
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  1. November
  2. J. P. White
  3. p. 126
  4. DOI: 10.1353/psg.2005.0094
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  1. Sudden Fog, and: I Dreamt
  2. Elizabeth Poliner
  3. pp. 127-131
  4. DOI: 10.1353/psg.2005.0084
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  1. Memory, and: Etymology, and: Boy with Flowers, and: Night Around Me
  2. J. Ely Shipley
  3. pp. 132-137
  4. DOI: 10.1353/psg.2005.0088
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  1. My Summer in Vulcan
  2. Rita Mae Reese
  3. pp. 138-149
  4. DOI: 10.1353/psg.2005.0086
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  1. Comments for the Czarina, and: Some Human Incident
  2. Catherine Wing
  3. pp. 150-152
  4. DOI: 10.1353/psg.2005.0095
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  1. Pitch, and: Resolve
  2. Jonathan Johnson
  3. pp. 152-154
  4. DOI: 10.1353/psg.2005.0070
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  1. Dresden: 1945 / 2003
  2. Renate Wood
  3. pp. 154-158
  4. DOI: 10.1353/psg.2005.0097
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  1. Brunelleschi
  2. Jon Pineda
  3. p. 158
  4. DOI: 10.1353/psg.2005.0083
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  1. Fish and Sin
  2. George Looney
  3. pp. 159-160
  4. DOI: 10.1353/psg.2005.0074
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  1. Wooden Fish
  2. Matt Freidson
  3. pp. 161-173
  4. DOI: 10.1353/psg.2005.0063
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  1. The Horse
  2. Joan I. Siegel
  3. pp. 174-175
  4. DOI: 10.1353/psg.2005.0089
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  1. Heat Wave
  2. Julie Fay
  3. pp. 175-176
  4. DOI: 10.1353/psg.2005.0061
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  1. Living in Layers
  2. Joel B. Peckham
  3. pp. 177-178
  4. DOI: 10.1353/psg.2005.0081
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  1. Eclipse: Blood Moon
  2. Annie Finch
  3. pp. 178-179
  4. DOI: 10.1353/psg.2005.0062
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  1. Reetika, Jehan
  2. Gwyn McVay
  3. p. 179
  4. DOI: 10.1353/psg.2005.0076
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  1. November Trees
  2. Alice Friman
  3. p. 180
  4. DOI: 10.1353/psg.2005.0064
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  1. Inner Voices: Selected Poems, 1963-2003, and: Paper Trail: Selected Prose, 1965-2003 (review)
  2. Willis Goth Regier
  3. pp. 181-185
  4. DOI: 10.1353/psg.2005.0087
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  1. Underground Rivers (review)
  2. Jehanne Dubrow
  3. pp. 185-188
  4. DOI: 10.1353/psg.2005.0058
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  1. Davenport's Version, and: Not So the Chairs: Selected and New Poems (review)
  2. Stephen C. Behrendt
  3. pp. 188-192
  4. DOI: 10.1353/psg.2005.0050
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  1. Sleuth (review)
  2. James Walkowiak
  3. pp. 192-193
  4. DOI: 10.1353/psg.2005.0093
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  1. Rampant (review)
  2. Richard Jackson
  3. pp. 193-196
  4. DOI: 10.1353/psg.2005.0069
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  1. Contributors and Cover Credit
  2. pp. 197-200
  3. DOI: 10.1353/psg.2005.0056
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