In this Issue

Table of Contents

The Colors of Zion: Black, Jewish, and Irish Nationalisms At the Turn of the Century

George Bornstein
pp. 369-384
DOI: https://doi.org/10.1353/mod.2005.0077
open access

Passing as Modernism

Pamela L. Caughie
pp. 385-406
DOI: https://doi.org/10.1353/mod.2005.0079
open access

Unlike Many Others: Exceptional White Characters in Harlem Renaissance Fiction

Emily Bernard
pp. 407-423
DOI: https://doi.org/10.1353/mod.2005.0072
open access

T. S. Eliot: The Performativity of Gender in The Waste Land

Cyrena N. Pondrom
pp. 425-441
DOI: https://doi.org/10.1353/mod.2005.0098
restricted access

Planets on Tables: Still Life and War in the Poetry of Wallace Stevens

Bonnie Costello
pp. 443-458
DOI: https://doi.org/10.1353/mod.2005.0080
restricted access

Reading Modernism, After Hugh Kenner (1923-2003): Hugh Kenner And The Invention of Modernism

Marjorie Perloff
pp. 465-469
DOI: https://doi.org/10.1353/mod.2005.0095
restricted access

Reading Modernism, After Hugh Kenner (1923-2003): Hugh Kenner's Modernism and Ours

Christine Froula
pp. 471-475
DOI: https://doi.org/10.1353/mod.2005.0085
restricted access

Reading Modernism, After Hugh Kenner (1923-2003): The Newton of Modernism

Gerald L. Bruns
pp. 477-481
DOI: https://doi.org/10.1353/mod.2005.0078
restricted access

"The Voice and the Void: Hugh Kenner's Joyce"

Margot Norris
pp. 483-486
DOI: https://doi.org/10.1353/mod.2005.0094
restricted access

Reading Modernism, After Hugh Kenner (1923-2003): Kenner, Eliot, and Language

Barry Ahearn
pp. 487-491
DOI: https://doi.org/10.1353/mod.2005.0074
restricted access

Reading Modernism, After Hugh Kenner (1923-2003): Hugh Kenner's Pound of Flesh

Jennifer Wicke
pp. 493-497
DOI: https://doi.org/10.1353/mod.2005.0103
restricted access

Reading Modernism, After Hugh Kenner (1923-2003): Kenner, Beckett, "Irrational" "Man," and the Obligation to Express

John Paul Riquelme
pp. 499-503
DOI: https://doi.org/10.1353/mod.2005.0100
restricted access

Joyce's Critics: Transitions in Reading and Culture, and: Palgrave Advances in James Joyce Studies, and: Expert Modernists, Matricide, and Modern Culture (review)

Emer Nolan
pp. 505-509
DOI: https://doi.org/10.1353/mod.2005.0093
restricted access

The Economic Structure of Intellectual Property Law (review)

Paul K. Saint-Amour
pp. 511-513
DOI: https://doi.org/10.1353/mod.2005.0101
restricted access

Songs of Experience: Modern American and European Variations on a Universal Theme (review)

Ales Erjavec
pp. 513-515
DOI: https://doi.org/10.1353/mod.2005.0082
restricted access

Before Modernism Was: Modern History and the Constituency of Writing (review)

Janine Utell
pp. 515-517
DOI: https://doi.org/10.1353/mod.2005.0102
restricted access

Stranded in the Present: Modern Time and the Melancholy of History (review)

Robert Wohl
pp. 517-519
DOI: https://doi.org/10.1353/mod.2005.0104
restricted access

Colonial Odysseys: Empire and Epic in the Modernist Novel (review)

Joshua Esty
pp. 519-521
DOI: https://doi.org/10.1353/mod.2005.0083
restricted access

The Cubist Painters (review)

Marjorie Perloff
pp. 521-523
DOI: https://doi.org/10.1353/mod.2005.0096
restricted access

Visa for Avalon (review)

Ariela Freedman
pp. 523-525
DOI: https://doi.org/10.1353/mod.2005.0084
restricted access

Woolf Across Cultures (review)

David Adams
pp. 525-526
DOI: https://doi.org/10.1353/mod.2005.0073
restricted access

Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity (review)

Vara Neverow
pp. 527-528
DOI: https://doi.org/10.1353/mod.2005.0092
restricted access

Modernism, Cultural Production, and the British Avant-Garde (review)

Aaron Jaffe
pp. 529-530
DOI: https://doi.org/10.1353/mod.2005.0087
restricted access

The Woman's Historical Novel: British Women Writers, 1900-2000 (review)

David James
pp. 531-533
DOI: https://doi.org/10.1353/mod.2005.0089
restricted access

Modernism and the Culture of Market Society (review)

Nicholas Daly
pp. 533-535
DOI: https://doi.org/10.1353/mod.2005.0081
restricted access

Fascists (review)

David J. Baker
pp. 535-537
DOI: https://doi.org/10.1353/mod.2005.0075
restricted access

Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy (review)

Roger Griffin
pp. 537-539
DOI: https://doi.org/10.1353/mod.2005.0086
restricted access

Assembling Art: The Machine and the American Avant-Garde (review)

Andrew Hemingway
pp. 539-541
DOI: https://doi.org/10.1353/mod.2005.0088
restricted access

The Colonial Moment: Discoveries and Settlements in Modern American Poetry (review)

Cristanne Miller
pp. 542-543
DOI: https://doi.org/10.1353/mod.2005.0091
restricted access

Over the Wall/After the Fall: Post-Communist Cultures Through An East-West Gaze (review)

Hilary Pilkington
pp. 543-545
DOI: https://doi.org/10.1353/mod.2005.0097
restricted access

The Future of Social Theory (review)

Graeme Kirkpatrick
pp. 545-546
DOI: https://doi.org/10.1353/mod.2005.0090
restricted access

Recent Books of Interest

pp. 547-551
DOI: https://doi.org/10.1353/mod.2005.0076
restricted access

Introduction to Reading Modernism, After Hugh Kenner (1923-2003)

John Paul Riquelme
pp. 459-463
DOI: https://doi.org/10.1353/mod.2005.0099
restricted access