1. Gerard Defaux, feu prince des marotistes: Et maintenant?...
  2. François Rigolot
  3. pp. 1-14
  4. DOI: 10.1353/frf.2005.0040
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  1. A Latin Legacy in Louise Labe: Imitation of Tibullus 1.2.89-94
  2. D. E. Lorraine Sterritt
  3. pp. 15-30
  4. DOI: 10.1353/frf.2005.0042
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  1. Jean-Nicolas Servandoni's Spectacles of Nature and Technology
  2. M. Olivier
  3. pp. 31-47
  4. DOI: 10.1353/frf.2005.0036
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  1. Riveted By The Voice: The Sadean City at Silling
  2. Moira Fradinger
  3. pp. 49-66
  4. DOI: 10.1353/frf.2005.0033
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  1. Sound Memory: Paris Street Cries in Balzac's Pere Goriot
  2. Aimeé Boutin
  3. pp. 67-78
  4. DOI: 10.1353/frf.2005.0029
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  1. Roland Barthes and the Myth of a National Theater
  2. Timothy Scheie
  3. pp. 79-96
  4. DOI: 10.1353/frf.2005.0041
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  1. La "Conscience d'un Cri" dans la Poetique d'Edmond Jabes
  2. Nathalie Debrauwere-Miller
  3. pp. 97-119
  4. DOI: 10.1353/frf.2005.0032
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  1. Aggressivity in Self Writing: Colette's Etoile Vesper and Michel Leiris' Fourbis
  2. Peter Poiana
  3. pp. 121-135
  4. DOI: 10.1353/frf.2005.0038
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  1. Condorcet and Modernity (review)
  2. Tili Boon Cuillé
  3. pp. 137-139
  4. DOI: 10.1353/frf.2005.0031
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  1. The Cubist Painters (review)
  2. Katharine Conley
  3. pp. 139-141
  4. DOI: 10.1353/frf.2005.0030
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  1. "L'instinct voyageur": Creazione dell'io e scrittura del mondo in Chateaubriand (review)
  2. Alain Guyot
  3. pp. 141-143
  4. DOI: 10.1353/frf.2005.0034
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  1. Usages et theories de la fiction: Le debat contemporain a l'epreuve des textes anciens (XVI-XVIIIe siecles) (review)
  2. Virginia Krause
  3. pp. 144-146
  4. DOI: 10.1353/frf.2005.0035
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  1. Searching For Presence: Yves Bonnefoy's Writings on Art (review)
  2. James Petterson
  3. pp. 146-147
  4. DOI: 10.1353/frf.2005.0037
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  1. Editor's Note
  2. Gerald Prince, Lydie Moudileno
  3. p. vii
  4. DOI: 10.1353/frf.2005.0039
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  1. Books Received
  3. p. 915
  4. DOI: 10.1353/frf.2005.0028
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