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Studies in American Fiction (July 2018)

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Managing Madness in Gilman's "The Yellow Wall-Paper"

Beverly A. Hume
Studies in American Fiction -- Volume 30, Number 1, Spring 2002
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The Space that Race Creates: An Interstitial Analysis of Toni Morrison's "Recitatif"

Shanna Greene Benjamin
Studies in American Fiction -- Volume 40, Issue 1, Spring 2013
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Unlike the Average Mental Disability as Narrative Form and Social Critique in Morrison's The Bluest Eye

Jessica Horvath Williams
Studies in American Fiction -- Volume 45, Issue 1, Spring 2018
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What A Beating Feels Like: Authorship, Dissolution, and Masculinity in Sinclair's The Jungle

Scott Derrick
Studies in American Fiction -- Volume 23, Number 1, Spring 1995
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A Cloak of Grace: Contradictions in "A Good Man is Hard to Find"

Kathleen G. Ochshorn
Studies in American Fiction -- Volume 18, Number 1, Spring 1990
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A Syntax of Silence: The Punctuated Spaces in “Bartleby, the Scrivener: A Story of Wall-Street”

Daniel Diez Couch
Studies in American Fiction -- Volume 42, Issue 2, Fall 2015
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When Mammy Lies: The Everyday Resistance of Slave Women in Martin Delany's Blake

Andy Doolen
Studies in American Fiction -- Volume 45, Issue 1, Spring 2018
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"By all the truth of signs": James Fenimore Cooper's The Last of the Mohicans

Dennis W. Allen
Studies in American Fiction -- Volume 9, Number 2, Autumn 1981
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"Hills Like White Elephants": Lean, Vintage Hemingway

Kenneth G. Johnston
Studies in American Fiction -- Volume 10, Number 2, Autumn 1982
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Beyond 9/11: Trauma and the Limits of Empathy in Sherman Alexie’s Flight

Lydia R. Cooper
Studies in American Fiction -- Volume 42, Issue 1, Spring 2015
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