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Studies in American Fiction (December 2018)

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Managing Madness in Gilman's "The Yellow Wall-Paper"

Beverly A. Hume
Studies in American Fiction -- Volume 30, Number 1, Spring 2002
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The Space that Race Creates: An Interstitial Analysis of Toni Morrison's "Recitatif"

Shanna Greene Benjamin
Studies in American Fiction -- Volume 40, Issue 1, Spring 2013
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Toni Morrison's Ghost: The Beloved is Not Beloved

Elizabeth B. House
Studies in American Fiction -- Volume 18, Number 1, Spring 1990
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A Cloak of Grace: Contradictions in "A Good Man is Hard to Find"

Kathleen G. Ochshorn
Studies in American Fiction -- Volume 18, Number 1, Spring 1990
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A Syntax of Silence: The Punctuated Spaces in “Bartleby, the Scrivener: A Story of Wall-Street”

Daniel Diez Couch
Studies in American Fiction -- Volume 42, Issue 2, Fall 2015
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Images of Madness and Retrieval: An Exploration of Metaphor in The Bell Jar

Susan Coyle
Studies in American Fiction -- Volume 12, Number 2, Autumn 1984
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Hawthorne's Transplanting and Transforming "The Tell-Tale Heart"

Richard Kopley
Studies in American Fiction -- Volume 23, Number 2, Autumn 1995
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Unlike the Average Mental Disability as Narrative Form and Social Critique in Morrison's The Bluest Eye

Jessica Horvath Williams
Studies in American Fiction -- Volume 45, Issue 1, Spring 2018
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Vonnegut's Slaughterhouse-Five: The Requirements of Chaos

Peter A. Scholl
Studies in American Fiction -- Volume 6, Number 1, Spring 1978
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Branding Counterculture in Pynchon’s The Crying of Lot 49

Maria Bose
Studies in American Fiction -- Volume 43, Issue 1, Spring 2016
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