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Studies in American Fiction (September 2018)

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Romantic Flight in Jewett's "White Heron"

Joseph Church
Studies in American Fiction -- Volume 30, Number 1, Spring 2002
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"Hills Like White Elephants": Lean, Vintage Hemingway

Kenneth G. Johnston
Studies in American Fiction -- Volume 10, Number 2, Autumn 1982
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The Space that Race Creates: An Interstitial Analysis of Toni Morrison's "Recitatif"

Shanna Greene Benjamin
Studies in American Fiction -- Volume 40, Issue 1, Spring 2013
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Managing Madness in Gilman's "The Yellow Wall-Paper"

Beverly A. Hume
Studies in American Fiction -- Volume 30, Number 1, Spring 2002
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Tentative Transgressions: Kate Chopin's Fiction as a Mode of Symbolic Action

Winfried Fluck
Studies in American Fiction -- Volume 10, Number 2, Autumn 1982
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Images of Madness and Retrieval: An Exploration of Metaphor in The Bell Jar

Susan Coyle
Studies in American Fiction -- Volume 12, Number 2, Autumn 1984
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Who is Faulkner's Emily?

Peter L. Hays
Studies in American Fiction -- Volume 16, Number 1, Spring 1988
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A Syntax of Silence: The Punctuated Spaces in “Bartleby, the Scrivener: A Story of Wall-Street”

Daniel Diez Couch
Studies in American Fiction -- Volume 42, Issue 2, Fall 2015
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The Female Initiation Theme in American Fiction

Elaine Ginsberg
Studies in American Fiction -- Volume 3, Number 1, Spring 1975
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Metafiction, Literary History, and the Limits of Industrial Identity in Winesburg, Ohio

Aaron Colton
Studies in American Fiction -- Volume 45, Issue 1, Spring 2018
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