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New Hibernia Review (January 2018)

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Ireland and Brexit: A Roundtable

Timothy White
New Hibernia Review -- Volume 20, Number 4, Winter/Geimhreadh 2016
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A Bequest of Her Own: The Reinvention of Elizabeth Bowen

Heather Bryant Jordan
New Hibernia Review -- Volume 12, Number 2, Samhradh/Summer 2008
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Imperialism, Aesthetics, and Gothic Confrontation in The Picture of Dorian Gray

Ellen Scheible
New Hibernia Review -- Volume 18, Number 4, Winter/Geimhreadh 2014
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Fracture and Wound: Eavan Boland's Poetry of Nationality

Andrew J. Auge
New Hibernia Review -- Volume 8, Number 2, Samhradh/Summer 2004
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Public Enemies, Local Heroes: The Irish-American Gangster Film in Classic Hollywood Cinema

Christopher Shannon
New Hibernia Review -- Volume 9, Number 4, Geimhreadh/Winter 2005
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Elizabeth Bowen and Language at War

Anna Teekell
New Hibernia Review -- Volume 15, Number 3, Fómhar/Autumn 2011
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Colm Tóibín’s “As Though” Reality in Mothers and Sons, Brooklyn, and The Empty Family

Edward A. Hagan
New Hibernia Review -- Volume 16, Number 1, Earrach/Spring 2012
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“You Have Made Him What He Is”: Irish Laborers and the Preston Strike in Elizabeth Gaskell’s North and South

Susanne S. Cammack
New Hibernia Review -- Volume 20, Number 4, Winter/Geimhreadh 2016
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Deirdre Madden’s One by One in the Darkness (1996): Impossible Reconciliation?

Travis Snyder
New Hibernia Review -- Volume 21, Number 1, Spring/Earrach 2017
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“They Make Us Feel Like Family”: A Cultural Reading of the Irish Bed and Breakfast

E. Moore Quinn
New Hibernia Review -- Volume 19, Number 1, Spring/Earrach 2015
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