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New Hibernia Review (December 2018)

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Imperialism, Aesthetics, and Gothic Confrontation in The Picture of Dorian Gray

Ellen Scheible
New Hibernia Review -- Volume 18, Number 4, Winter/Geimhreadh 2014
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Ireland and Brexit: A Roundtable

Timothy White
New Hibernia Review -- Volume 20, Number 4, Winter/Geimhreadh 2016
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“To Say No and No and No Again”: Fasting Girls, Shame, and Storytelling in Emma Donoghue’s The Wonder

Molly Ferguson
New Hibernia Review -- Volume 22, Number 2, Summer / Samhradh 2018
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Deirdre Madden’s One by One in the Darkness (1996): Impossible Reconciliation?

Travis Snyder
New Hibernia Review -- Volume 21, Number 1, Spring/Earrach 2017
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Joyce and Yeats: Easter 1916 and the Great War

Wayne K. Chapman
New Hibernia Review -- Volume 10, Number 4, Geimhreadh/Winter 2006
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The Irish-American Identities of Robert E. Howard and Conan the Barbarian

Christopher Dowd
New Hibernia Review -- Volume 20, Number 2, Summer/Samhreadh 2016
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After the Epiphany: Gabriel Conroy, Gabriel Conroy, and the Journey Westward

Míċeál F. Vaughan
New Hibernia Review -- Volume 21, Number 4, Winter/Geimhreadh 2017
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The Beginnings of the Devotional Revolution in Ireland: The Parish Mission Movement, 1825-1846

Emmet Larkin
New Hibernia Review -- Volume 18. Number 1, Spring/Earrach 2014
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Gender, Candidate Selection, and the 2016 Irish General Election

Fiona Buckley
New Hibernia Review -- Volume 21, Number 3, Autumn/Fómhar 2017
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"The Scale of Horror Has no Shape": Representing War in Observe the Sons of Ulster Marching Towards the Somme

Sarah Elizabeth Coogan
New Hibernia Review -- Volume 21, Number 4, Winter/Geimhreadh 2017
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