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    First, we would like to thank all the incredible talent that submitted to the North Dakota Quarterly. This magazine could not be made without our contributors; we are honored to have been trusted with their work.To honor their work, it is our duty to arrange these pieces in a thoughtful way. As students, we are handed the pieces from NDQ&amp;#39;s editors and asked to think about how to sequence them around a theme and tone. We also consider cohesion and how to present works to draw the reader deeper into the issue. We hope that through our efforts, the readers fall into these literary works, and, before they realize it, they have finished the last page.For this spring issue, we ordered pieces around the theme of death and 
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    These visual poems are excerpted from a work in progress, a metafictional novel called Lovers Leap. They are my attempt to bring together two phenomena that have often seemed different to me but ultimately spring from the same source: a) human creativity using words, images, and games of chance, and b) the nonhuman, infinite creativity of nature itself. These four images show two versions of the poems, one without nontextual visual elements, as if having been prepared for traditional publication by the book&amp;#39;s (fictional) editor, and the other including visuals that have been added, intentionally or not, by the book&amp;#39;s (fictional) author.The words and phrases come from two earlier works in a planned trilogy, the 
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    He returns from his morning walk, breaks and pulses three with the hand blender, one for each year of her life. He calls for her to come down. He crisps the scramble and paints a bloody smile on. He never guessed that cooking for her in the morning would make him so content. Or that dicing the carrots, steaming the peas, mincing the broccoli with her would be so soothing. He nurtures her miles of eczema even though she hates the ointments and he the smell. She giggles at the ketchup smile and shows off her own broken-window grin. The tooth fairy gives more because of inflation now. No more coins, only bills. She loves to watch the veggie bits rattle into the pot, the broth swoop in and drown them and then they rise 
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  <title>I Remember Charlie</title>
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    for Charlie Purcell 
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  <title>How Many Miles Away is Heaven?, and: The Day the Devil Brought Us to Church, and: Choices, and: It's Elemental</title>
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    my five-year-old son asks after I&amp;#39;ve answered the distance between us &amp;#x26; the sun &amp;#x26; the moon. We&amp;#39;re driving home from preschool, the chocolate pudding residue still clinging to his chin in the rearview mirror. Heaven is a spiritual place, not a physical place, Buddy, I say, as I brake at a stop sign. He tilts his head, thinking. When we get there, will the streets be made of gold? Yes, I say. Will there be food? he asks. Yep, a huge banquet, a never-ending party. His eyes widen. Wow, I can&amp;#39;t wait until I go there.death:opening the car doorto a new playgroundTonight, my husband is putting our son to bed. I overhear their conversation from the hallway. Dad, wouldn&amp;#39;t it be great if when I turned six, I went to heaven? A 
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    He turned into glittery dust the morning he died, or at least that is what she liked to believe. It was easier to picture it that way, to imagine his atoms scattering in the air like tiny, sparkling fragments that would drift away forever. A beautiful image, almost. Certainly better than the reality she was presented with, the one she&amp;#39;d rather forget.The explosion at the coal plant dominated the local news for weeks. The reporters interviewed everyone they could find, asking neighbors if they&amp;#39;d heard, felt, or seen the blast. It was a synthetic gas explosion, they&amp;#39;d say over and over, as if the word &amp;#x22;synthetic&amp;#x22; somehow made it sound cleaner, more mechanical. But she knew better. The destruction was raw and 
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    I blame any inaccuracies in the following narrative on the downpour in Porto, Portugal, that streaked my glasses and blurred my vision.Large wooden panels with splashy, bright designs featuring the word Trindade surrounded the imposing, soot-stained building, nearly hiding it from view. My wife and I slogged through the rain as it bounced aslant off the wood. We imagined that inside we&amp;#39;d learn all about the Caribbean island of Trinidad that lives with its friend Tobago. But after going through the opening in the plywood fencing, we discovered we were inside yet another famous old church, and that Trindade means Trinity in Portuguese. We&amp;#39;d been wandering around, searching for an out-of-the-way church near the river 
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    alicia aranyi is an American-Jewish Writer and Artist who is receiving her undergraduate degree from the University of Michigan Honors in Psychology and Creative Writing and Literature.stephen barile is an award-winning poet from Fresno, California, and a Pushcart Prize nominee. He attended Fresno City College, Fresno Pacific University, and California State University, Fresno. His poems have been anthologized, and published in numerous journals, both print and on-line. He taught writing at Madera College, and CSU Fresno.jenn blair is the author of Face Cut Out For Locket (Brick Road Poetry Press) and Malcontent (Press Americana). Her poetry has been published in the Georgia Review, Kenyon Review, Copper Nickel
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