Project MUSE®: Science Fiction Studies - Latest Articles
https://muse.jhu.edu/journal/780
Project MUSE®: Latest articles in Science Fiction Studies.daily12026-05-14T00:00:00-05:00text/htmlen-US Vol. 46 (2019) through current issueLatest Articles: Science Fiction StudiesTWOProject MUSE®Science Fiction Studies2327-62070091-7729Latest articles in Science Fiction Studies. Feed provided by Project MUSE®"Every Moment In Touch": Sound and Technostress in Ray Bradbury's "The Murderer"
https://muse.jhu.edu/article/984265
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"The Murderer" is one of the less-hailed entries in Ray Bradbury's landmark volume The Golden Apples of the Sun (1953), a collection more often remembered for its title story and other entries such as "The Pedestrian" and "A Sound of Thunder." What limited commentary there is on "The Murderer," however, has noted the story's clearest achievement: its tale of a fed-up technophobe who goes on an electronics-destroying spree uncannily anticipates, about fifty years in advance, the rise of cell phones and their cultural consequences of attenuated attention, increased anxiety, obsessive screen attachment, and over-connectedness (Carpenter 29; Dhooghe; Ennico; Newport). Much of the story's critiques overlap with
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmall"Every Moment In Touch": Sound and Technostress in Ray Bradbury's "The Murderer"2026-03-05text/htmlen-US"Every Moment In Touch": Sound and Technostress in Ray Bradbury's "The Murderer"2026-03-052026TWOProject MUSE®934812026-05-14T00:00:00-05:002026-03-05The Polyhedral Character and Ethical Drift in What Mad Universe and Nineteen Eighty-Four
https://muse.jhu.edu/article/984266
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Do we do what we do because it is right or because we think its future effects will be more right? This quandary, what philosophers call the deontologist-consequentialist dilemma, often informs moral choices made by both people and by many characters in fiction. Deontologists adhere to an established moral code, to duty in the present, to doing what is widely seen as good, rational, and moral. They also typically eschew morally problematic behaviors and actions. For them, both the means and the ends must be clearly, acceptably moral. By contrast, consequentialists follow Machiavelli's "the ends justify the means." Consequentialists focus on outcomes, rather than worrying about the morality of what must be done to
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallThe Polyhedral Character and Ethical Drift in What Mad Universe and Nineteen Eighty-Four2026-03-05text/htmlen-USThe Polyhedral Character and Ethical Drift in What Mad Universe and Nineteen Eighty-Four2026-03-052026TWOProject MUSE®1236362026-05-14T00:00:00-05:002026-03-05The Vanished Political and Cultural Imagination: Spatial and Temporal Representations in "Folding Beijing" and "Xian Ge"
https://muse.jhu.edu/article/984267
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Modernity can be understood as the historical and discursive project of rationalizing society through nation-state building, the mobilization of science, technology, and capital, and the reconfiguration of subject formation and public life. In China, this project arose from the late Qing crisis as intellectuals selectively appropriated Western institutional and discursive forms while reworking them within local traditions (Huters 45-46). Across the twentieth century—through revolution, socialism, and post-1978 reforms—modernity also produced uneven development and a condition of "depoliticized politics" (Wang, "Depoliticized" 36-37). In the twenty-first century, globalization and digital capitalism intensify these
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallThe Vanished Political and Cultural Imagination: Spatial and Temporal Representations in "Folding Beijing" and "Xian Ge"2026-03-05text/htmlen-USThe Vanished Political and Cultural Imagination: Spatial and Temporal Representations in "Folding Beijing" and "Xian Ge"2026-03-052026TWOProject MUSE®799692026-05-14T00:00:00-05:002026-03-05Reality Games: Modeling the Universe in Dimensional Fiction
https://muse.jhu.edu/article/984268
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While in Japan from 1887 to 1893, the British mathematician and sf author Charles Howard Hinton designed a bamboo frame meant to stimulate his children's apprehension of spatial dimensions. Whereas people normally move in two dimensions—left/right and backward/forward—Hinton's "jungle gym" (patented by his son Sebastian in 1924) allowed movement in three. By calling out various coordinates where the bamboo crossed, Hinton directed the children to climb through the third dimension as a physical preliminary to intellectually grasping the fourth, which he attempted to represent through treatises, stories, and other models and games from the 1880s to his death in 1907 (White 52-53; Duran). The jungle gym is therefore a
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallReality Games: Modeling the Universe in Dimensional Fiction2026-03-05text/htmlen-USReality Games: Modeling the Universe in Dimensional Fiction2026-03-052026TWOProject MUSE®1089182026-05-14T00:00:00-05:002026-03-05Flowers for Algernon: When Disability Meets Animality
https://muse.jhu.edu/article/984269
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Daniel Keyes's Flowers for Algernon (1966) is a moving story that entwines the lives of its human protagonist, Charlie Gordon, and his nonhuman companion, Algernon, an enhanced mouse.1 Born with an intellectual disability, Charlie undergoes surgery that temporarily enhances his cognitive abilities; ultimately he regresses to his former state. The relationship between Charlie and Algernon, who also undergoes the same surgery and exhibits augmented intelligence, is a significant aspect of the novel. Their shared experience creates an intense cross-species bond, and Algernon's decline and eventual death foreshadow Charlie's own life trajectory. The book comes to an end with the semi-literate Charlie pleading with the
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallFlowers for Algernon: When Disability Meets Animality2026-03-05text/htmlen-USFlowers for Algernon: When Disability Meets Animality2026-03-052026TWOProject MUSE®1074202026-05-14T00:00:00-05:002026-03-05Speculation in the Dark: Imagining Nocturnal Environmental Change in Robbie Arnott's The Rain Heron
https://muse.jhu.edu/article/984270
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Australian writer Robbie Arnott's novel The Rain Heron (2020) opens with a fairy tale in which people from a rural community search for survivors of a storm and encounter a startling bird. In the fading light of dusk, a "huge heron, the colour of rain" flies out of the floodwater (4). The bird embodies water's multifaceted ecological relationships. Icy water falls from its wings, which can diffuse into droplets, and the bird can heat or freeze its immediate atmosphere. Across four additional, fragmentary parts, Arnott turns to fantasy and science fiction to detail an unnamed world that is inhabited by creatures such as rain herons and undergoing climatic turmoil, economic collapse, and a military takeover. The
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallSpeculation in the Dark: Imagining Nocturnal Environmental Change in Robbie Arnott's The Rain Heron2026-03-05text/htmlen-USSpeculation in the Dark: Imagining Nocturnal Environmental Change in Robbie Arnott's The Rain Heron2026-03-052026TWOProject MUSE®1096602026-05-14T00:00:00-05:002026-03-05Longer and Better Lives? The Utopian Imagination of J.T. McIntosh
https://muse.jhu.edu/article/984271
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This article analyzes the construction of utopian societies in selected fictions by J.T. McIntosh, the pen name of James Murdoch MacGregor, a largely forgotten Scottish journalist and sf author who was active in the 1950s, 1960s, and 1970s. The article focuses on McIntosh's fictional transformations of humanity, and its social and biological progress, read against such issues as overpopulation, the depletion of natural resources, and the politics of conquest and colonialism, which seem to be as pressing now as they were in the second half of the twentieth century.1The three decades of McIntosh's career as a writer coincide with a number of important historical events and processes that resonate in the far-future
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallLonger and Better Lives? The Utopian Imagination of J.T. McIntosh2026-03-05text/htmlen-USLonger and Better Lives? The Utopian Imagination of J.T. McIntosh2026-03-052026TWOProject MUSE®918592026-05-14T00:00:00-05:002026-03-05Afrofuturism and World Order by Reynaldo Anderson (review)
https://muse.jhu.edu/article/984272
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Reynaldo Anderson's Afrofuturism and World Order, a recent offering in the Ohio State UP series New Suns: Race, Gender and Sexuality in the Speculative, undertakes to trace the complicated itinerary of Afrofuturist thought from the early 1900s to today. It goes without saying that Anderson's effort is timely, especially given the resurgence of interest in Afrofuturism spurred by films such as Marvel's Black Panther (2018), museum exhibitions centered on Black speculative thought from the Smithsonian to galleries in Lagos and London, and renewed attention to the oeuvre of authors such as Octavia E. Butler. Anderson himself is a co-founder of the Black Speculative Arts Movement (BSAM), but his approach in
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallAfrofuturism and World Order by Reynaldo Anderson (review)2026-03-05text/htmlen-USAfrofuturism and World Order by Reynaldo Anderson (review)2026-03-052026TWOProject MUSE®124022026-05-14T00:00:00-05:002026-03-05Jewish Women Science Fiction Writers Create Future Females: Gender, Temporality—And Yentas ed. by Marleen S. Barr (review)
https://muse.jhu.edu/article/984273
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Marleen Barr's new collection of essays exploring Jewish themes in sf from a gendered perspective is the latest and very welcome addition to Valerie Estelle Frankel's Jewish Science Fiction and Fantasy series for Lexington Books. Its timely publication powerfully and unequivocally establishes Jewish women writers of science fiction as more than worthy of this long overdue attention. In fifteen delightful, bite-sized essays, the volume exhibits an impressive cast of Jewish figures in sf, both writers and characters, whose very Jewishness has often been ignored, elided, or downplayed. Barr promises in her introduction that "understanding Jewish women science fiction writers specifically in terms of their Jewish
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallJewish Women Science Fiction Writers Create Future Females: Gender, Temporality—And Yentas ed. by Marleen S. Barr (review)2026-03-05text/htmlen-USJewish Women Science Fiction Writers Create Future Females: Gender, Temporality—And Yentas ed. by Marleen S. Barr (review)2026-03-052026TWOProject MUSE®109762026-05-14T00:00:00-05:002026-03-05Animals and Science Fiction ed. by Nora Castle and Giulia Champion (review)
https://muse.jhu.edu/article/984274
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Although Homo sapiens is only one of millions of animal species currently inhabiting the Earth, it holds a central position in our narratives of culture, history, politics, and society. This unfair, even if to some degree understandable, self-centeredness of ours is slowly eroding under the growing pressure of the climate emergency that forces us to recognize our multiple entanglements with(in) various environments, as well as under the ethical and theoretical refutation of the so-called human-animal divide. Since the late twentieth century, Animal Studies has emerged as a body of research that foregrounds these discussions and engages interdisciplinary perspectives. Speculative fiction is often central to these
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallAnimals and Science Fiction ed. by Nora Castle and Giulia Champion (review)2026-03-05text/htmlen-USAnimals and Science Fiction ed. by Nora Castle and Giulia Champion (review)2026-03-052026TWOProject MUSE®130992026-05-14T00:00:00-05:002026-03-05Nordic Speculative Fiction: Research, Theory, and Practise ed. by Jyrki Korpua et al. (review)
https://muse.jhu.edu/article/984275
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Nordic Speculative Fiction: Research, Theory, and Practise is the first collection to systematically analyze Nordic speculative fiction in English. It not only consolidates the creative practices, theoretical frameworks, and research findings of speculative fiction across the Nordic region (Denmark, Finland, Iceland, Norway, and Sweden), but also reconstructs the lineage of speculative narratives in Nordic literature from an interdisciplinary perspective, bridging local research with global academic discourse.Contemporary Nordic speculative culture is flourishing, yielding significant creative and scholarly output. In recent decades, it has undergone a parallel flourishing in both creative production and
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallNordic Speculative Fiction: Research, Theory, and Practise ed. by Jyrki Korpua et al. (review)2026-03-05text/htmlen-USNordic Speculative Fiction: Research, Theory, and Practise ed. by Jyrki Korpua et al. (review)2026-03-052026TWOProject MUSE®116322026-05-14T00:00:00-05:002026-03-05H.G. Wells: Contemporary Perspectives ed. by Lourdes López-Ropero (review)
https://muse.jhu.edu/article/984276
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As I write this review, we are approaching 80 years since the death of H.G. Wells, and over 130 years since his first books were published. The first two books by Wells, Text-Book of Biology and Honours Physiography, both came out in 1893, but the real start to his literary career began two years later, in 1895, when two novels, a collection of short stories, and a collection of humorous newspaper articles all appeared. Thereafter, at least one book and usually more appeared every single year until his death in 1946. I have seen different counts (some works were little more than pamphlets, others reappeared in revised forms), but we can be sure that he produced well over a hundred books in his lifetime. That
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallH.G. Wells: Contemporary Perspectives ed. by Lourdes López-Ropero (review)2026-03-05text/htmlen-USH.G. Wells: Contemporary Perspectives ed. by Lourdes López-Ropero (review)2026-03-052026TWOProject MUSE®106822026-05-14T00:00:00-05:002026-03-05The Boom & The Boom: Historical Rupture and Political Economy in Contemporary British and Chinese Science Fiction by LYU Guangzhao (review)
https://muse.jhu.edu/article/984277
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Throughout the nineties and noughties, the British and the Chinese science-fiction scenes experienced an unprecedented rise in prestige and sales. Each drew heavily both on US models and their own native models. As a result, both existed within discrete universes that did not overlap at all. Yet, oddly enough, their synchronous emergence also coincided with a shared concern for the socioeconomic shocks that both countries experienced in the wake of neoliberal reforms and restructuring. Intrigued by such simultaneities, Lyu Guangzhao sets out to explore what unites the British and the Chinese sf booms.One of the most remarkable aspects of Lyu's study is his careful selection of congenial texts, including iconic sf
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallThe Boom & The Boom: Historical Rupture and Political Economy in Contemporary British and Chinese Science Fiction by LYU Guangzhao (review)2026-03-05text/htmlen-USThe Boom & The Boom: Historical Rupture and Political Economy in Contemporary British and Chinese Science Fiction by LYU Guangzhao (review)2026-03-052026TWOProject MUSE®175282026-05-14T00:00:00-05:002026-03-05J.G. Ballard's Crash by Paul March-Russell (review)
https://muse.jhu.edu/article/984278
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Is there an existing sf canon? Of course there is, as any of us knows who has offered an introductory college sf course. It begins with Frankenstein (1818) and continues through Jules Verne and H.G. Wells. It goes on to include works from the so-called Golden Age—Heinlein, Asimov, Bradbury, Clarke—then from the rise of sf by women writers—Le Guin, Russ, Atwood, Butler—and concludes with representative works by mavericks—Lem, Dick, Ballard, Gibson—that forged new directions in the genre. There are already more than enough novel-length works to occupy a full-year course, but they will have to be supplemented by a short-story anthology that includes such chestnuts as Weinbaum's "A Martian Odyssey" (1934), Zoline's
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallJ.G. Ballard's Crash by Paul March-Russell (review)2026-03-05text/htmlen-USJ.G. Ballard's Crash by Paul March-Russell (review)2026-03-052026TWOProject MUSE®156552026-05-14T00:00:00-05:002026-03-05The Edinburgh Companion to Science Fiction and the Medical Humanities ed. by Gavin Miller et al. (review)
https://muse.jhu.edu/article/984279
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A man is murdered in cold blood and many people cheer the killer, because the victim was involved with a health insurance company perceived to be making it increasingly difficult for people to access the care they need. A disease once on the verge of eradication has already resulted in the deaths of several children in Texas and neighboring states because of a campaign against vaccination led by, among others, the current US Secretary of Health. A judgment by the UK Supreme Court on a narrow legal point has led to politicians of all parties making pronouncements about whether transgender people should be allowed to use public toilets.Health is not simply a matter of going to the doctor if we feel unwell or spending
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallThe Edinburgh Companion to Science Fiction and the Medical Humanities ed. by Gavin Miller et al. (review)2026-03-05text/htmlen-USThe Edinburgh Companion to Science Fiction and the Medical Humanities ed. by Gavin Miller et al. (review)2026-03-052026TWOProject MUSE®88482026-05-14T00:00:00-05:002026-03-05William Gibson's Neuromancer: A Critical Companion by Graham J. Murphy (review)
https://muse.jhu.edu/article/984280
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In one of my recent science-fiction classes, upon seeing the reading list on the first day of the semester, a student blurted, "We're reading Neuromancer!?" I appreciated that enthusiasm. But when we actually read Gibson's 1984 debut novel, that feeling would be offset by profound confusion about what was going on. But why should that be? Neuromancer's plot is, really, quite straightforward (a neo-noir heist, but in space) and in narratological terms the story is not especially challenging. The problem is that Neuromancer's reputation precedes it. For my students, the novel was already pre-read. What I mean is that, in the world that critics say Gibson predicted, if not ushered in, students are already steeped in
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallWilliam Gibson's Neuromancer: A Critical Companion by Graham J. Murphy (review)2026-03-05text/htmlen-USWilliam Gibson's Neuromancer: A Critical Companion by Graham J. Murphy (review)2026-03-052026TWOProject MUSE®134392026-05-14T00:00:00-05:002026-03-05Dispelling Fantasies: Authors of Color Reimagine a Genre by Joy Sanchez-Taylor (review)
https://muse.jhu.edu/article/984281
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Dispelling Fantasies is a companion volume to Sanchez-Taylor's Diverse Futures: Science Fiction and Authors of Color (also Ohio State UP, 2021), which I reviewed here earlier (SFS [Nov. 2022], 585-88). Both are part of the New Suns: Race, Gender, and Sexuality in the Speculative series edited by Susana M. Morris and Kinitra D. Brooks, which is now up to at least 13 volumes. Those I am familiar with are consistently strong and the earlier volume by Sanchez-Taylor was very useful. I am reviewing this volume, although its declared content is outside SFS's remit, primarily because determining where the line is drawn between the genres is not only impossible but also culturally determined. How, I wondered, would
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallDispelling Fantasies: Authors of Color Reimagine a Genre by Joy Sanchez-Taylor (review)2026-03-05text/htmlen-USDispelling Fantasies: Authors of Color Reimagine a Genre by Joy Sanchez-Taylor (review)2026-03-052026TWOProject MUSE®78192026-05-14T00:00:00-05:002026-03-05The Routledge Handbook of AI and Literature ed. by Will Slocombe and Genevieve Liveley (review)
https://muse.jhu.edu/article/984282
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Since its public release in November 2022, ChatGPT has significantly reshaped cultural imaginaries of artificial intelligence (AI), especially in regard to its role in language and creative expression. Generative AI's capacity to produce human-like text not only unsettles traditional notions of authorship but also opens new avenues for literary inquiry. The Routledge Handbook of AI and Literature responds to this paradigm shift by examining the increasingly entangled relationship between AI and literary discourses, mapping the mutual influences, theoretical frameworks, and methodological innovations emerging from this convergence.Motivated by their expertise in speculative fiction, narratology, and the
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallThe Routledge Handbook of AI and Literature ed. by Will Slocombe and Genevieve Liveley (review)2026-03-05text/htmlen-USThe Routledge Handbook of AI and Literature ed. by Will Slocombe and Genevieve Liveley (review)2026-03-052026TWOProject MUSE®173842026-05-14T00:00:00-05:002026-03-05Programming the Future: Politics, Resistance, and Utopia in Contemporary Speculative TV by Sherryl Vint and Jonathan Alexander (review)
https://muse.jhu.edu/article/984283
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In Programming the Future Sherryl Vint and Jonathan Alexander provide a new and compelling argument for the liberatory potential of science fiction. While a sophisticated, well-theorized argument such as this is always a welcome contribution to the field, Programming the Future feels particularly timely. Studies such as David M. Higgins's Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood (2021) and Jordan S. Carroll's Speculative Whiteness: Science Fiction and the Alt-Right (2024) have examined the limits of widely held theorizations of sf's critical power: they note how neatly sf's move to the center of mainstream cultural production has dovetailed with the ascent of illiberal
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallProgramming the Future: Politics, Resistance, and Utopia in Contemporary Speculative TV by Sherryl Vint and Jonathan Alexander (review)2026-03-05text/htmlen-USProgramming the Future: Politics, Resistance, and Utopia in Contemporary Speculative TV by Sherryl Vint and Jonathan Alexander (review)2026-03-052026TWOProject MUSE®199562026-05-14T00:00:00-05:002026-03-05Strangelove Country: Science Fiction, Filmosophy, and the Kubrickian Consciousness by D. Harlan Wilson (review)
https://muse.jhu.edu/article/984284
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D. Harlan Wilson is a twenty-first century polymath: he has written novels and short fiction, somewhat fictionalized biographies of major cultural figures, literary and film criticism, reviews and essays, theory and autofiction, and much more. Most of Wilson's work has focused on new technologies, on the imaginative extrapolation of these technologies in science fiction and other forms of genre writing, and on how such practices and imaginings impact social history more generally. Wilson's tastes tend towards the outré and bizarre; he likes to poke around in the extreme fringes of contemporary Anglo-American popular culture. This leads him to look at works that are initially created far outside the cultural
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Project MUSE®https://muse.jhu.edu/2026-05-14T00:00:00-05:00https://muse.jhu.edu/journal/780/image/coversmallStrangelove Country: Science Fiction, Filmosophy, and the Kubrickian Consciousness by D. Harlan Wilson (review)2026-03-05text/htmlen-USStrangelove Country: Science Fiction, Filmosophy, and the Kubrickian Consciousness by D. Harlan Wilson (review)2026-03-052026TWOProject MUSE®137522026-05-14T00:00:00-05:002026-03-05