Project MUSE®: Serbian Studies: Journal of the North American Society for Serbian Studies - Latest Articles
https://muse.jhu.edu/journal/405
Project MUSE®: Latest articles in Serbian Studies: Journal of the North American Society for Serbian Studies.daily12026-05-16T00:00:00-05:00text/htmlen-USVol. 20 (2006) through current issueLatest Articles: Serbian Studies: Journal of the North American Society for Serbian StudiesTWOProject MUSE®Serbian Studies: Journal of the North American Society for Serbian Studies1941-95110742-3330Latest articles in Serbian Studies: Journal of the North American Society for Serbian Studies. Feed provided by Project MUSE®45 Years of Serbian Studies: A Short History of the Journal
https://muse.jhu.edu/article/985353
<p></p>
It is well known that the culture of the Serbian people has been nurtured beyond the borders of the homeland since the time of the Great Migrations, and that there is no continent without Serbs carrying with them their spiritual and cultural-historical heritage. The twentieth century, as the most turbulent in recent human history, brought the Serbian people numerous sufferings that resulted in migrations and the displacement of intellectual elites from the homeland into the diaspora. As Ljubiša Mitrović observes in his reading of the book Serbian Creative Intelligentsia in the Diaspora and on the Threshold of the 21st Century, “We are faced with the phenomenon of a new wave of elite mobility, bearers of the
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmall45 Years of Serbian Studies: A Short History of the Journal2026-03-14text/htmlen-US45 Years of Serbian Studies: A Short History of the Journal2026-03-142026TWOProject MUSE®471572026-05-16T00:00:00-05:002026-03-14Identity Codes in the Poetic Imagination of Aleksandar Petrov
https://muse.jhu.edu/article/985354
<p></p>
The parents of Aleksandar Petrov, who was born in Yugoslavia in 1938, were part of the Russian exodus fleeing from the country caught in the turmoil of revolution and civil war. Nikolai (1900–70) and Irina (1903–78) were part of a vast diaspora that settled in various European countries. The fate of these two young refugees brought them to Yugoslavia, whose government, and especially the ruling monarch, King Aleksandar Karađorđević, welcomed the settling of Russian émigrés. Most of them were high-profile professionals—military officers, architects, jurists, scholars, scientists, artists. However, among them were also young refugees, such as Aleksandar’s parents, who had yet to build their careers and establish
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallIdentity Codes in the Poetic Imagination of Aleksandar Petrov2026-03-14text/htmlen-USIdentity Codes in the Poetic Imagination of Aleksandar Petrov2026-03-142026TWOProject MUSE®710702026-05-16T00:00:00-05:002026-03-14Semantization of Space and Identity Quest in Post-Yugoslav Literature
https://muse.jhu.edu/article/985355
<p></p>
Imagine a water flow we approach so that our thoughts may drift away at its sight. We look at it, and our reflection is never still or accurate. The ripples and waves in the current distort it, and our reflection appears stretched, compressed, or fragmented. Our contours blur and our tone cools. In a sense, this describes the same effect the past would have when reflected in the waters of memory, hence the irresistible appeal of the liquid whisper of time in narratives of memory in post-Yugoslav literature. Dubravka Ugrešić tells us that a photograph in water taken from the Spree River as it flows through Berlin does not last more than six months. Memory fades and falls apart in water. For Tanja Stupar Trifunović
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallSemantization of Space and Identity Quest in Post-Yugoslav Literature2026-03-14text/htmlen-USSemantization of Space and Identity Quest in Post-Yugoslav Literature2026-03-142026TWOProject MUSE®904612026-05-16T00:00:00-05:002026-03-14His(s)tory and Her Story About the Serbs in Vienna From the Middle of the 19th Century to the End of WWI
https://muse.jhu.edu/article/985356
<p></p>
This paper represents a tentative exploration of memoirist literature produced in the Serbian diaspora in Vienna of the Habsburg era, at the end of the 19th and beginning of the 20th century. The focus is on two texts: one by Vukosava Mišić (1872–1940), a priest’s wife, and the other by Todor Stefanović Vilovski (1854–1921), the son of a well-to-do Serbian businessman in Vienna. The fact that a woman could publish an essay about an important event of the Serbian community in Vienna—namely the construction of the Serbian Church of St. Sava, built over a period of 33 years and completed in 1893—is testimony to the changing roles of women in the Habsburg Empire and in the Serbian section of it, as well as a document
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallHis(s)tory and Her Story About the Serbs in Vienna From the Middle of the 19th Century to the End of WWI2026-03-14text/htmlen-USHis(s)tory and Her Story About the Serbs in Vienna From the Middle of the 19th Century to the End of WWI2026-03-142026TWOProject MUSE®1039362026-05-16T00:00:00-05:002026-03-14Music Can Indeed Change the World: An Interview with Natasha Bogojevic
https://muse.jhu.edu/article/985357
<p></p>
The conversation took place in Belgrade in April 2025Natasha Bogojevic is an award-winning and internationally acclaimed composer and pianist who has earned global recognition for her highly original, passionate, and imaginative pieces. Her music, which encompasses works for symphony orchestra, various chamber ensembles, choral and vocal pieces, multimedia works, ballet, and scores for theater and film, has captivated audiences worldwide. She has received numerous awards, including the National Public Radio Award, International Rostrum of Composers, Festival Expresiones Contemporaneas, Opera Contempo, Joseph Jefferson Award, and New Music Chicago, as well as honorable mentions at the prestigious USA MACRO
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallMusic Can Indeed Change the World: An Interview with Natasha Bogojevic2026-03-14text/htmlen-USMusic Can Indeed Change the World: An Interview with Natasha Bogojevic2026-03-142026TWOProject MUSE®367742026-05-16T00:00:00-05:002026-03-14Dimitrije “Mita” Đorđević (1922–2009)
https://muse.jhu.edu/article/985358
<p></p>
“Ὁ βίος βραχύς, ἡ δὲ τέχνη μακρή.” (Life is short, but the craft persists.) – Hippocrates “Ach Gott! die Kunst ist lang,/ und kurz ist unser Leben.”International fame is rare among historians. Mostly tied to the region, period, or phenomena they know best, they produce their contributions for a limited circle of like-minded readers. They are patient and silent observers of the past, typically more comfortable in the archives than under the spotlight. However, every now and then, the confluence of talent, diligence, and external circumstances flash a person out. Such was the case of Dimitrije Mita Đorđević. Spending the first part of his academic life in Belgrade, and the second one in Santa Barbara, Đorđević was a
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallDimitrije “Mita” Đorđević (1922–2009)2026-03-14text/htmlen-USDimitrije “Mita” Đorđević (1922–2009)2026-03-142026TWOProject MUSE®111952026-05-16T00:00:00-05:002026-03-14Dimitrije Đorđević: Historian, Witness, and Actor of the Comparative History of the Balkans
https://muse.jhu.edu/article/985359
<p></p>
Dimitrije Đorđević’s personal history is the best example of the complexity of the region that became the main subject of his work. Born in an affluent family of Belgrade merchants and academics, he followed in the footsteps of his father when he joined the youth of the Serbian Culture Club (Srpski kulturni klub), an association of Belgrade and Serbian university professors, entrepreneurs, and writers formed in 1937 for the purpose of strengthening the cohesive forces of Serbian culture. In the best tradition of the 19th century, the Belgrade intellectual elite debated the issues of culture and political organization of the Serbian nation in the multinational Kingdom of Yugoslavia. For young Dimitrije Đorđević
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallDimitrije Đorđević: Historian, Witness, and Actor of the Comparative History of the Balkans2026-03-14text/htmlen-USDimitrije Đorđević: Historian, Witness, and Actor of the Comparative History of the Balkans2026-03-142026TWOProject MUSE®403152026-05-16T00:00:00-05:002026-03-14Dimitrije Đorđević and the Establishment of Serbian Balkanology
https://muse.jhu.edu/article/985360
<p></p>
The Essays in Balkan History collected in this volume are testimony to the renewal and progress of Balkan studies in Serbia since the 1960s. At the same time, the volume shows the development of one stream of the discipline of Balkan studies in the USA up to the 1980s. This US branch of Balkan studies is associated with Dimitrije Đorđević, whom Dušan Bataković described as the “leading Serbian and Serbian-American expert for Balkan history.”2 To appreciate the significance of Đorđević’s research for the establishment of Balkan studies, it is necessary to place it in a historical context and on the continuum of Balkanology in Belgrade.Đorđević claims, in his three-volume autobiography Scars and Warnings, that the
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallDimitrije Đorđević and the Establishment of Serbian Balkanology2026-03-14text/htmlen-USDimitrije Đorđević and the Establishment of Serbian Balkanology2026-03-142026TWOProject MUSE®298762026-05-16T00:00:00-05:002026-03-14Shelved Histories: Exploring Dimitrije Đorđević’s Private Library
https://muse.jhu.edu/article/985361
<p></p>
Ten years ago, the long, narrow corridors of the Institute for Balkan Studies, perched on the top floor of the Serbian Academy of Sciences and Arts, were transformed into a maze of neat, white packages. Each parcel safeguarded a segment of historian Dimitrije Đorđević’s personal library, which was shipped across the Atlantic from Santa Barbara, California, to Belgrade. With his family’s blessing, the books were soon incorporated into the Institute’s endowment collection. Though Đorđević would spend the final half-century of his life in the United States, the home-coming of his books to Belgrade closed a distinctly symbolic circle. The volumes returned to the Serbian Academy of Sciences and Arts and its Institute
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallShelved Histories: Exploring Dimitrije Đorđević’s Private Library2026-03-14text/htmlen-USShelved Histories: Exploring Dimitrije Đorđević’s Private Library2026-03-142026TWOProject MUSE®242122026-05-16T00:00:00-05:002026-03-14Istorija moderne Srbije 1800–1918
https://muse.jhu.edu/article/985362
<p></p>
The period from the 1878 Berlin Congress until the adoption of the 1888 Constitution and abdication of King Milan was characterized by Austro-Hungarian hegemony from the outside and political infighting from inside Serbia. These inner and outer developments were interconnected. Austria-Hungary stepped into the Balkans after the Congress of Berlin, hence reinforcing the importance of its relations with Serbia. The very survival of small Serbia was largely determined by the Austro-Russian antagonism. Expulsion of Russia from the Balkans after 1878 led to Serbian isolation, directing it towards the Habsburg Monarchy. Such a trend was unnatural, given the course of historical developments of the 19th century, and the
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallIstorija moderne Srbije 1800–19182026-03-14text/htmlen-USIstorija moderne Srbije 1800–19182026-03-142026TWOProject MUSE®935952026-05-16T00:00:00-05:002026-03-14Dimitrije Đorđević in the Jaws of the Gestapo: Through the Eye of the Needle
https://muse.jhu.edu/article/985363
<p></p>
During the Second World War, the day in the occupied Belgrade would often start with a dread, which descended in the shape of a short announcement from the German Military Commander in Serbia. That piece of paper, regularly glued to the city walls in two languages (Bekanntmachung in German, Objava in Serbian), rarely brought anything good to the inhabitants of a conquered capital. October 10, 1942, was no exception. That morning, a short announcement of General Paul Bader, Serbian Militärbefehlshaber, read: “Last night, several persons were arrested in Belgrade. They belong to the circle close to the organizers and instigators of an attempted rebellious movement. If they had succeeded in their intentions, they
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallDimitrije Đorđević in the Jaws of the Gestapo: Through the Eye of the Needle2026-03-14text/htmlen-USDimitrije Đorđević in the Jaws of the Gestapo: Through the Eye of the Needle2026-03-142026TWOProject MUSE®796792026-05-16T00:00:00-05:002026-03-14Scars and Memory: Four Lives in One Lifetime
https://muse.jhu.edu/article/985364
<p></p>
Beyond the stone rampart extended a whole series of wooden huts, laid out with geometric precision. Each hut was surrounded with wire. In the middle was a paved square. On the right, contiguous to each other, stood kitchen, showers, gas chamber and crematorium.Strange-looking humans move around the square, dressed in striped clothing. Their heads were split in half. At first, we did not know what to think of it, but as we drew near the mystery was solved. Each man’s hair was cut short, to within an inch of the scalp and in the middle there was a close-shaved stripe. This white stripe, going from the forehead to the nape, created the impression of a head split in half. There was a certain symbolism in this
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallScars and Memory: Four Lives in One Lifetime2026-03-14text/htmlen-USScars and Memory: Four Lives in One Lifetime2026-03-142026TWOProject MUSE®332042026-05-16T00:00:00-05:002026-03-14Bibliography of Dimitrije Đorđević
https://muse.jhu.edu/article/985365
<p></p>
Dimitrije Đorđević (1922–2009)The following bibliography was published in Balcanica XL (2009) and is complemented here by Vladimir Petrović with Đorđević’s posthumous publications and reprinted with permission of Vojislav G. Pavlović, Director of the Institute for Balkan Studies
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallBibliography of Dimitrije Đorđević2026-03-14text/htmlen-USBibliography of Dimitrije Đorđević2026-03-142026TWOProject MUSE®823932026-05-16T00:00:00-05:002026-03-14Writing the Yugoslav Wars: Literature, Postmodernism, and the Ethics of Representation by Dragana Obradović (review)
https://muse.jhu.edu/article/985366
<p></p>
This highly specialized literary study traces the interaction between the wars of the 1990s and the literary culture of late Yugoslavia. Dragana Obradović seeks to account for the ways certain accomplished, and representative, literary works depict the ethical challenges that transformed postmodernism. She provides uniformly insightful readings of works by Semezdin Mehmedinović (b. 1960), Dubravka Ugrešić (1949–2023), and David Albahari (1948–2023), representing, respectively, Bosnian, Croatian, and Serbian societies. It is important to remember that Yugoslav postmodernism was an extremely popular phenomenon; the three authors under discussion here were neither its only practitioners nor the only iconoclasts. They
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallWriting the Yugoslav Wars: Literature, Postmodernism, and the Ethics of Representation by Dragana Obradović (review)2026-03-14text/htmlen-USWriting the Yugoslav Wars: Literature, Postmodernism, and the Ethics of Representation by Dragana Obradović (review)2026-03-142026TWOProject MUSE®87492026-05-16T00:00:00-05:002026-03-14The Hidden History of New Women in Serbian Culture: Toward a New History of Literature by Svetlana Tomić (review)
https://muse.jhu.edu/article/985367
<p></p>
What should we do, as scholars, when we find that a subject of great historical and esthetic significance, foundational in its social impact, is not only egregiously understudied but has also been misrepresented and misjudged for 150 years? To this reviewer, the answer is simple, though not easy: we should follow the lead of veteran scholar and public intellectual Svetlana Tomić. In The Hidden History of New Women in Serbian Culture: Toward a New History of Literature, Tomić, long recognized as a leading scholar in this field, has written a major monograph that introduces a great deal of material into contemporary circulation and goes a long way towards setting the record straight on literary history. Engaged in
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallThe Hidden History of New Women in Serbian Culture: Toward a New History of Literature by Svetlana Tomić (review)2026-03-14text/htmlen-USThe Hidden History of New Women in Serbian Culture: Toward a New History of Literature by Svetlana Tomić (review)2026-03-142026TWOProject MUSE®211112026-05-16T00:00:00-05:002026-03-14Knjiga nestajanja: Kratka šetnja kroz iščezlo [The Book of Disappearances: A Short Walk through the Disappeared] by Ana Ristović (review)
https://muse.jhu.edu/article/985368
<p></p>
Ana Ristović (b. 1972), primarily a poet, has written The Book of Disappearances, a treatment of the disappearance of everyday objects from our daily lives. This creative nonfiction book is divided into 101 brief object chapters, some longer than others; some include photos, some do not. The question one must ask is, what is its literary value? It’s great! One thing is certain, it’s definitely a fun book to read. You may read parts of it, about objects that interest you, rather than reading from beginning to end. Some objects Ristović mentions are the audio cassette, video cassette, Walkman, pager, phonebooth, typewriter, cigarette chewing gum, phone book, metal ashtray, doily, red kiosk, gold teeth, Trabant
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallKnjiga nestajanja: Kratka šetnja kroz iščezlo [The Book of Disappearances: A Short Walk through the Disappeared] by Ana Ristović (review)2026-03-14text/htmlen-USKnjiga nestajanja: Kratka šetnja kroz iščezlo [The Book of Disappearances: A Short Walk through the Disappeared] by Ana Ristović (review)2026-03-142026TWOProject MUSE®60852026-05-16T00:00:00-05:002026-03-14Izabrane i nove pesme [Selected and New Poems] Momenti 1–49 [Moments 1–49] by Oto Horvat (review)
https://muse.jhu.edu/article/985369
<p></p>
Poet and prose writer Oto Horvat was born in Novi Sad in 1967. He finished high school in Sremski Karlovci and university in Novi Sad. He then continued with graduate studies in Budapest, Erlangen, and Berlin. He is of Hungarian-Serbian background, and he translates poetry from Hungarian, German, and Italian into Serbian but writes only in Serbian. None of his complete books have been translated into other languages. He lives in Florence, Italy.Horvat began publishing his work with Gde nestaje šuma / Where the Forest Disappears (KZNJ, 1987), which received the Branko Miljković Award in 1988, followed by Zgrušavanje / Coagulation (Matica srpska, 1990), Gorki listovi / Bitter Leaves (Bratstvo-Jedinstvo, 1990)
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallIzabrane i nove pesme [Selected and New Poems] Momenti 1–49 [Moments 1–49] by Oto Horvat (review)2026-03-14text/htmlen-USIzabrane i nove pesme [Selected and New Poems] Momenti 1–49 [Moments 1–49] by Oto Horvat (review)2026-03-142026TWOProject MUSE®147212026-05-16T00:00:00-05:002026-03-14Ledena Stena i druge priče [Ledena Stena and Other Stories] by Snežana Minić (review)
https://muse.jhu.edu/article/985370
<p></p>
Poet and translator Snežana Minić (b. 1958 in Niš) has a B.A. in German from the Faculty of Philology in Belgrade. Before this volume, she had published six collections of poems as well as translations of essays by Gottfried Benn and essays and a play by film director Werner Fass-binder, among others. She originally comes from Ledena Stena, the western part of the city of Niš (hence the book’s title), but she has lived for many years in Hamburg, Germany. Minić received the Milica Stojadinović Srpkinja literary award for her selected and new poems, Mrtva priroda sa cvećem (Still Life with Flowers), published by Arhipelag in 2022; the award included publication of this new, rather short book—only 41 pages of poetry
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallLedena Stena i druge priče [Ledena Stena and Other Stories] by Snežana Minić (review)2026-03-14text/htmlen-USLedena Stena i druge priče [Ledena Stena and Other Stories] by Snežana Minić (review)2026-03-142026TWOProject MUSE®106012026-05-16T00:00:00-05:002026-03-14Mrtva priroda sa cvećem: Izabrane i nove pesme [Still Life with Flowers: Selected and New Poems] by Snežana Minić (review)
https://muse.jhu.edu/article/985371
<p></p>
It is important to note that Snežana Minić, a poet who writes in Serbian though she lives in Hamburg, Germany, received the Milica Stojadinović Srpkinja literary award for this book of her selected and new poems. The award, besides being monetary, came with the publication of a new book, Ledena Stena i druge priče (Ledena Stena and Other Stories), published in 2024. The old poems were, according to her, selected by a fellow diasporic poet, Dragoslav Dedović, and she later added the new poems. The fact that Dedović made the selections is not mentioned in the book itself, but credit is due to him even though the book lacks an introduction to Minić’s work. Since it presents something of an overview of her work, the
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallMrtva priroda sa cvećem: Izabrane i nove pesme [Still Life with Flowers: Selected and New Poems] by Snežana Minić (review)2026-03-14text/htmlen-USMrtva priroda sa cvećem: Izabrane i nove pesme [Still Life with Flowers: Selected and New Poems] by Snežana Minić (review)2026-03-142026TWOProject MUSE®79542026-05-16T00:00:00-05:002026-03-14Remembering Ranko Bugarski (1933–2024)
https://muse.jhu.edu/article/985372
<p></p>
Ranko Bugarski, one of the greatest Serbian and Yugoslav linguists, passed away on August 13, 2024, at the age of 91. He will be remembered as a scholar and a gentleman in a league of his own, who profoundly enriched both the field of linguistics and the lives of all of us privileged to learn from and work with him.1Born and raised in Sarajevo, in a highly educated polyglot family, Ranko Bugarski completed his primary and secondary education during the turbulent time of World War Two and its aftermath, and graduated in English and German language and literature studies at the University of Sarajevo in 1957.2 Since 1961, he taught at the English Department of the Faculty of Philology, University of Belgrade, where
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallRemembering Ranko Bugarski (1933–2024)2026-03-14text/htmlen-USRemembering Ranko Bugarski (1933–2024)2026-03-142026TWOProject MUSE®589062026-05-16T00:00:00-05:002026-03-14Note from the Editor
https://muse.jhu.edu/article/985394
<p></p>
This year, the journal Serbian Studies turns 45.The Editorial Board is commemorating this occasion with tributes to members who initiated the journal and NASSS and those who sustained its development over decades.While the journal has had many editors who deserve credit for its life and dissemination of Serbian culture, the one with whom it all started is the Serbian-American historian and Balkanologist Dimitrije Đorđević, of the University of California at Santa Barbara. The Editors wish to thank colleagues of Dimitrije Đorđević at the Balkanology Institute and the History Institute of the Serbian Academy of Sciences for their collaboration on the commemorative material published in this issue.A general overview
... <a href="https://muse.jhu.edu/article/985394">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/405/image/coversmallNote from the Editor2026-03-14text/htmlen-USNote from the Editor2026-03-142026TWOProject MUSE®37882026-05-16T00:00:00-05:002026-03-14