Project MUSE®: Cuban Studies - Latest Articles
https://muse.jhu.edu/journal/260
Project MUSE®: Latest articles in Cuban Studies.daily12026-05-16T00:00:00-05:00text/htmlen-USVol. 34 (2003) through current issueLatest Articles: Cuban StudiesTWOProject MUSE®Cuban Studies1548-24640361-4441Latest articles in Cuban Studies. Feed provided by Project MUSE®Editor's Note / Nota de la Editora
https://muse.jhu.edu/article/981431
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What is now the journal Cuban Studies debuted as the Cuban Studies Newsletter in 1970. Its founding editors, and most early contributors, were island-born Cubans. After thirteen years in the caring and expert hands of Dr. Alejandro de la Fuente, volume 55 marks a new age for the journal in the following ways: Cuban Studies has a new editorial team, and while three of us identify as Cuban, for the first time, all of us were born in the United States.From 2024 to 2029, I will join coeditors Dr. Jennifer Lambe of Brown University and Dr. Michael Bustamante of the University of Miami to produce the journal. We are buoyed by the continuing presence of Dr. Daniel Fernández Guevara as managing editor. Dr. Fernández
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallEditor's Note / Nota de la Editora2026-02-05text/htmlen-USEditor's Note / Nota de la Editora2026-02-052026TWOProject MUSE®208712026-05-16T00:00:00-05:002026-02-05Alejandro de la Fuente: "Changó dijo que sí"
https://muse.jhu.edu/article/981432
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As a historian of Latin America and the Caribbean who specializes in the study of comparative slavery and race relations, Alejandro de la Fuente is the Robert Woods Bliss Professor of Latin American History and Economics and professor of African and African American studies at Harvard University. From 2012 to 2024, de la Fuente reconceived and revived the journal of Cuban Studies as its Editor-in-Chief, making it the premier source of academic analysis and scholarly discourse on Cuba worldwide.Born and raised in Cuba by a family identified with the Revolution, de la Fuente completed his education at the University of Havana before deciding to leave Cuba and went on to graduate study at the University of Pittsburgh.
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallAlejandro de la Fuente: "Changó dijo que sí"2026-02-05text/htmlen-USAlejandro de la Fuente: "Changó dijo que sí"2026-02-052026TWOProject MUSE®2317532026-05-16T00:00:00-05:002026-02-05Voces/Voices
https://muse.jhu.edu/article/981433
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Cubans love to talk. And despite a politically honed tendency toward polarity and the excision of pluralistic debate, we also love to listen. For Cubans on the island or among the growing sites of Cuban communities abroad, conversation is not so much an art or a political sport as a valued national pastime.This might be true of any society whose archives reflect the violent distortions caused by slavery, imperial interventions, and sweeping social and political revolutions. Yet different Cuban governments' respective investments in generating and policing official narratives over the past century have often matched a popular reliance on messianic promises and forms of leadership. The combination has produced
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallVoces/Voices2026-02-05text/htmlen-USVoces/Voices2026-02-052026TWOProject MUSE®155012026-05-16T00:00:00-05:002026-02-05Pilar Amores Rodríguez (1920–2021)
https://muse.jhu.edu/article/981434
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When eighty-five-year-old Pilar Amores granted me an interview in August 2005, she committed to the task with typical personal warmth and a tenacity worthy of the unique struggles that marked peasant life in Cuba. Having arrived in Havana from Cienfuegos the night before we had scheduled the interview, she rose at dawn, brewed a pot of excellent espresso (she brought her own) and settled into a sillón next to the Russian-made air conditioner. Commenting on the mortifying agony of Cuba's August heat and noting she had never owned an air conditioner, Pilar bravely turned the knob to the arctic setting allegedly favored only by Soviet engineers. At the time, I had known Pilar since 1995. The niece and goddaughter of
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallPilar Amores Rodríguez (1920–2021)2026-02-05text/htmlen-USPilar Amores Rodríguez (1920–2021)2026-02-052026TWOProject MUSE®799062026-05-16T00:00:00-05:002026-02-05John Caulfield
https://muse.jhu.edu/article/981435
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As an officer in the United States Foreign Service for over four decades, the Honorable John Caulfield held senior diplomatic posts around the world, including sites where his intervention in major crises and ability to avert diplomatic ruptures and violent conflicts earned him professional distinction and admiration. In the 1970s and 1980s, consular and diplomatic posts in Colombia, Brazil, and Argentina deepened the early commitments to cultural knowledge and empathy for Latin America's history and Cold War–era contexts that Mr. Caulfield developed in his youth, college years, and studies abroad. After a post as political-economic officer in Lisbon, Portugal, Mr. Caulfield served as consul general at the U.S.
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallJohn Caulfield2026-02-05text/htmlen-USJohn Caulfield2026-02-052026TWOProject MUSE®1196072026-05-16T00:00:00-05:002026-02-05The Relevancy of Congressional Collections to Cuban Studies
https://muse.jhu.edu/article/981436
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Congressional papers are an archival conundrum. Although the records of congressional committees and the proceedings conducted on the House and Senate floors are official public records, everything produced by an office of a member of Congress (MOC) is private. Consequently, MOCs have the liberty to decide what will happen to their records. This can run the gamut from destroying the entire record to preserving the entire record and everything in between. In short, a congressional collection consists of whatever an MOC decides to donate. In a sense, the collection arrives already curated before the professional curators ever see it.Typically, congressional papers are donated to a university library at the MOC's alma
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallThe Relevancy of Congressional Collections to Cuban Studies2026-02-05text/htmlen-USThe Relevancy of Congressional Collections to Cuban Studies2026-02-052026TWOProject MUSE®234932026-05-16T00:00:00-05:002026-02-05"El Cerro tiene la llave": Las representaciones del Acueducto de Fernando VII y La Fuente de la India en La Habana decimonónica
https://muse.jhu.edu/article/981437
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La canción de Arsenio Rodríguez "El Cerro tiene la llave", creada en 1949, hace referencia al lema de La Habana, "La llave del Nuevo Mundo", y al hecho de que las válvulas que suministraban agua a la ciudad se encontraban en el barrio de El Cerro.1 El objetivo de este artículo es examinar las representaciones culturales sobre la distribución del agua y cómo éstas normalizaron las diferencias raciales y sociales en La Habana. Su alcance se acota únicamente a las representaciones artísticas del primer tercio del siglo XIX. Desde esta perspectiva, el estudio de las infraestructuras se emplea como un análisis heurístico de las relaciones espaciales de La Habana. En otras palabras, las infraestructuras son una
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmall"El Cerro tiene la llave": Las representaciones del Acueducto de Fernando VII y La Fuente de la India en La Habana decimonónica2026-02-05text/htmlen-US"El Cerro tiene la llave": Las representaciones del Acueducto de Fernando VII y La Fuente de la India en La Habana decimonónica2026-02-052026TWOProject MUSE®1542332026-05-16T00:00:00-05:002026-02-05The College of Calle Ocho: Miami-Cuban Politics and Florida International University, 1989–2002
https://muse.jhu.edu/article/981438
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Professor Reinaldo Sánchez offered me a job as visiting professor at the International University of Florida, where I prepared and taught a course on Cuban poetry. I met excellent students there; it was a way of getting back to what is Cuban, though in a deeper sense because we were away from our country.Opened for classes in 1972, Florida International University (FIU) is Miami-Dade County's only public research university. FIU has grown alongside the county, as migrants from the Caribbean, Latin America, and beyond have arrived there in large numbers over the latter half of the twentieth century. Of these many diasporas, the Cuban community has wielded especially considerable influence both in Miami and at the
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallThe College of Calle Ocho: Miami-Cuban Politics and Florida International University, 1989–20022026-02-05text/htmlen-USThe College of Calle Ocho: Miami-Cuban Politics and Florida International University, 1989–20022026-02-052026TWOProject MUSE®1148492026-05-16T00:00:00-05:002026-02-05Imágenes/Images
https://muse.jhu.edu/article/981439
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Made in the spring of 1959, this series of photographs by the journalist Andrew St. George documents one of the most successful covert strategies of Cuba's Communist Party, known as the Partido Socialista Popular (PSP) in the first year of the Cuban Revolution: control over the political education and literacy instruction of the Ejército Rebelde (Rebel Army).While Fidel Castro consistently denied any alliance with or ideological connection between the PSP and his own 26th of July Movement–led government at the time, one of his closest advisers and fellow comandantes, Camilo Cienfuegos, secretly charged his brother Osmani Cienfuegos, a longtime PSP militant, with creating a "Cultural Section" of the Ejército Rebelde
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallImágenes/Images2026-02-05text/htmlen-USImágenes/Images2026-02-052026TWOProject MUSE®150672026-05-16T00:00:00-05:002026-02-05Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art by Marisel Moreno (review)
https://muse.jhu.edu/article/981440
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Marisel C. Moreno's Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (2022) marks a rigorously researched and timely contribution to scholarship on contemporary intra-Caribbean migration. Its focus on representations of sea migrations addresses a long-standing and critical gap in the field. In so doing, the book directs readers' attention to the liminal space of the sea itself and the often-dangerous material realities faced by those who aim to cross it.While migration across the Caribbean Sea has been studied from the perspectives of history and the social sciences, Crossing Waters considers literary and artistic representations of the phenomenon. Trained as a
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallCrossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art by Marisel Moreno (review)2026-02-05text/htmlen-USCrossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art by Marisel Moreno (review)2026-02-052026TWOProject MUSE®95862026-05-16T00:00:00-05:002026-02-05Arechabala: Azúcar y ron, 1878–1959 by María Victoria Arechabala Fernández y Antonio Santamaría García (review)
https://muse.jhu.edu/article/981441
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Desde 1996 se viene librando en los tribunales internacionales una "guerra de ron" entre la compañía licorera Bacardí y el gobierno cubano. Este último sigue produciendo Havana Club, la marca de ron cubano más conocida del mundo, destilado por la corporación estatal Cuba Ron y vendido alrededor del mundo en colaboración con la multinacional francesa Pernod Ricard. Después de comprarle los derechos de la marca a la familia Arechabala en 1994, Bacardí ha fabricado su propio Havana Club, primero en las Bahamas y luego en Puerto Rico. El libro Arechabala: Azúcar y ron, 1878–1959, de María Victoria Arechabala Fernández y Antonio Santamaría García, evade deliberadamente el largo pleito entre la versión de Havana Club
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallArechabala: Azúcar y ron, 1878–1959 by María Victoria Arechabala Fernández y Antonio Santamaría García (review)2026-02-05text/htmlen-USArechabala: Azúcar y ron, 1878–1959 by María Victoria Arechabala Fernández y Antonio Santamaría García (review)2026-02-052026TWOProject MUSE®128312026-05-16T00:00:00-05:002026-02-05Civil Wars and Conflicting Patriotisms During Cuba's Independence Struggle
https://muse.jhu.edu/article/981442
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There is perhaps no greater casualty of the scholarly focus on Cuba's historical antagonism with the United States than the ongoing role played by Spain and Spaniards in Cuba's nineteenth and twentieth centuries. Spain's enfeebled position vis-à-vis its colonies and its domestic chaos during the Gilded Age invites us to imagine an empire in invisible ink, easily written over by the rise of the United States as a global power. But had Spanish patriotism dimmed so significantly in Cuba during the second half of the nineteenth century that the "monster," to borrow José Martí's depiction of Cuba's northern neighbor, could so effortlessly replace la madre patria? Fortuitously, two recent monographs offer fresh looks at
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallCivil Wars and Conflicting Patriotisms During Cuba's Independence Struggle2026-02-05text/htmlen-USCivil Wars and Conflicting Patriotisms During Cuba's Independence Struggle2026-02-052026TWOProject MUSE®261212026-05-16T00:00:00-05:002026-02-05Revolution and Counterrevolution in the Post-1959 Creation of Cuba
https://muse.jhu.edu/article/981443
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Perhaps no other dimension of the Cuban experience after the Revolution of 1959 was as determining in the battle for and against the consolidation of communist rule as the role of Cuban and U.S. intelligence forces. Yet scholars' ability to assess the nature, reach, and evolution of tactics has been mostly blocked by the inaccessibility of Cuban government archives related to virtually any part of the post-1959 state (including agencies of national security), as well as the Soviet Union's Cuba-connected collections housed in Moscow. To this day, the Russian government considers these records "active" despite the supposed demise of its previous security apparatus and Communist Party system.Despite these obstacles
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallRevolution and Counterrevolution in the Post-1959 Creation of Cuba2026-02-05text/htmlen-USRevolution and Counterrevolution in the Post-1959 Creation of Cuba2026-02-052026TWOProject MUSE®247002026-05-16T00:00:00-05:002026-02-05A New No-Man's-Land: Writing and Art at Guantánamo, Cuba by Esther Whitfield (review)
https://muse.jhu.edu/article/981444
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Although there are dozens of books by lawyers, former detainees, journalists, and activists on the U.S. naval base at Guantánamo Bay and its post-9/11 transformation into a detention center, almost none of them really considers the base's environs. In other words, none of them really thinks about Cuba. Esther Whitfield's new book, A New No-Man's Land: Writing and Art at Guantánamo, Cuba, changes the game and forces a reckoning with the base's many Cuban communities. The result is an exceptionally original and thought-provoking work. Her vision allows readers to "see" multiple moments of compassion, connection, and unanticipated parallels between Cuban, former detainee, and American stories.Whitfield's primary tool
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallA New No-Man's-Land: Writing and Art at Guantánamo, Cuba by Esther Whitfield (review)2026-02-05text/htmlen-USA New No-Man's-Land: Writing and Art at Guantánamo, Cuba by Esther Whitfield (review)2026-02-052026TWOProject MUSE®82252026-05-16T00:00:00-05:002026-02-05Comparing Socialist Approaches: Economics and Social Security in Cuba, China, and Vietnam by Carmelo Mesa-Lago (review)
https://muse.jhu.edu/article/981445
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A sus noventa años, el reconocido economista cubano-estadounidense Carmelo Mesa-Lago, profesor emérito y distinguido de economía y estudios latinoamericanos de la Universidad de Pittsburgh, ha publicado un nuevo y excelente libro en el que compara las economías y los sistemas de seguridad social en Cuba, China y Vietnam. En 2003 había publicado un profundo texto titulado Market, Socialist, and Mixed Economies: Comparative Policies and Performance, Chile, Cuba, and Costa Rica.1 Este libro —número 95 y, como el mismo Mesa-Lago ha señalado, el último en la lista de sus inmensas contribuciones al análisis de la economía cubana y de los sistemas de seguridad social en América Latina y el mundo— adopta un enfoque
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallComparing Socialist Approaches: Economics and Social Security in Cuba, China, and Vietnam by Carmelo Mesa-Lago (review)2026-02-05text/htmlen-USComparing Socialist Approaches: Economics and Social Security in Cuba, China, and Vietnam by Carmelo Mesa-Lago (review)2026-02-052026TWOProject MUSE®144902026-05-16T00:00:00-05:002026-02-05Cuban Views on, and from, the East
https://muse.jhu.edu/article/981446
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We live in a sort of golden age for scholarship on Cuba's international relations during the Cold War. Three decades ago, books by pioneers like Jorge Domínguez, Piero Gleijeses, and Yuri Pavlov were the exception to the traditional dominance of scholarship on U.S.-Cuban relations alone.1 Today the subfield has grown significantly thanks to scholars like Renata Keller and Tanya Harmer, as well as graduate students whose in-progress or recently completed dissertations are pushing the scope of existing historiography on Cuban foreign policy, and other nations' foreign policy toward the island, too.2 Despite this undeniable progress, Havana's relationships with the countries of the Warsaw Pact have been among the most
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallCuban Views on, and from, the East2026-02-05text/htmlen-USCuban Views on, and from, the East2026-02-052026TWOProject MUSE®322872026-05-16T00:00:00-05:002026-02-05The House on G Street: A Cuban Family Saga by Lisandro Pérez (review)
https://muse.jhu.edu/article/981447
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The House on G Street: A Cuban Family Saga weaves personal memoir, family lore, and Cuban national history into a gripping tapestry. Over fifteen chapters, the book offers a meditation on identity, memory, and the sociopolitical forces that shaped Cuba over the past four centuries. Pérez paints an intimate portrait of two main branches of his family—the Fontses and the Pérezes—across multiple generations, and through their stories, he provides a broader commentary on the transformations that have defined Cuba. The book is an essential read for students of Cuban society and anyone interested in the relationship between national and personal identity.At its core, The House on G Street is a microhistory that uses the
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallThe House on G Street: A Cuban Family Saga by Lisandro Pérez (review)2026-02-05text/htmlen-USThe House on G Street: A Cuban Family Saga by Lisandro Pérez (review)2026-02-052026TWOProject MUSE®81572026-05-16T00:00:00-05:002026-02-05Miami as Harbinger of the Modern United States
https://muse.jhu.edu/article/981448
<p></p>
Miami's transformation into a global city has long been shaped by its position—both geographic and imagined—as a gateway between the United States and Latin America. At the same time, the city's multicultural population, globalized economy, and cosmopolitan elite—and one might add its persistent challenges, from housing inequities to the threats of climate change—make Miami, in the words of Jan Nijman, "the paradigmatic city of our time."1 In a similar spirit, Mauricio Castro and Catherine Mas demonstrate that the Magic City's early encounters with global phenomena like the Cold War and mass migration from Latin America made it a microcosm of social and political changes afoot in the United States in the second
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallMiami as Harbinger of the Modern United States2026-02-05text/htmlen-USMiami as Harbinger of the Modern United States2026-02-052026TWOProject MUSE®190322026-05-16T00:00:00-05:002026-02-05What Comes After Socialism in Cuban Studies? A Review Article
https://muse.jhu.edu/article/981449
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The three books reviewed here foreground the question of postsocialism's relevance for understanding a rapidly changing contemporary Cuba that scholars, journalists, and even tourists are finding increasingly hard to define. Whether Cuba still is (or ever was) socialist is not the primary concern. If we take post not just as a temporal designation, but as a critical perspective on a particular political-economic configuration, these books contribute to the literature on postsocialisms insofar as they all tackle the permutations, legacies, and consequences of revolutionary socialism in Cuba today.Elizabeth Dore's oral histories provide a portrait of a disillusioned nation in which the Revolution's past
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallWhat Comes After Socialism in Cuban Studies? A Review Article2026-02-05text/htmlen-USWhat Comes After Socialism in Cuban Studies? A Review Article2026-02-052026TWOProject MUSE®291132026-05-16T00:00:00-05:002026-02-05Africana Studies in Cuba and the Scholarly Legacy of Tomás Fernández Robaina*
https://muse.jhu.edu/article/981450
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For those who personally knew the archivist and scholar Tomás Fernández Robaina ("Tomasito" to so many), his recent passing has meant the loss of a generous intellectual presence. Those who at some point have consulted his scholarship are aware of his priceless contributions to the study of the African descended in Cuba (and, to a lesser degree, to oral history, testimony, sexuality, and African-derived religion). Since at least the 1980s, Fernández Robaina has been a fixture in scholarship on enslaved and free Black Cubans and their protracted struggle for socioeconomic equality. How he understood his own work in relation to his predecessors in the field—a field still gathering momentum more than a century after
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallAfricana Studies in Cuba and the Scholarly Legacy of Tomás Fernández Robaina*2026-02-05text/htmlen-USAfricana Studies in Cuba and the Scholarly Legacy of Tomás Fernández Robaina*2026-02-052026TWOProject MUSE®292322026-05-16T00:00:00-05:002026-02-05On the Cover
https://muse.jhu.edu/article/981452
<p></p>
In 1941, Pilar Amores Rodríguez made this portrait of herself at a studio in the city of Cienfuegos by a staff photographer. She was twenty-one years old. In 2021, Pilar died at the age of 101.To pay for this picture, Pilar used her earnings as a seamstress and expert tailor of men's shirts for local stores. Entirely hand cut of her own design and decoratively embroidered, the dress she wore bore the evidence of her skills. Because of the black-and-white nature of photographs at the time, we have no way of knowing its color. We do know, however, that it was not black: Pilar hated black. Even when the death of someone close to her required its use, Pilar commented frequently, "Siempre me costaba trabajo usar ropa de
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Project MUSE®https://muse.jhu.edu/2026-05-16T00:00:00-05:00https://muse.jhu.edu/journal/260/image/coversmallOn the Cover2026-02-05text/htmlen-USOn the Cover2026-02-052026TWOProject MUSE®41942026-05-16T00:00:00-05:002026-02-05