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  <title>Spanish Poetry from the Pandemic: Versos en una pandemia; (llantos y risas) by Ángel Martín-Blas Sánchez and Servicio de lavandería by Begoña M. Rueda</title>
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  <title>Europe in the New Trump Era</title>
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    Three weeks ago, I was in Chisnau, Moldavia, a former Soviet Republic stuck between Romania and Ukraine for a literary festival, just the weekend of the legislative elections. The pro-European camp won in spite of an intense Russian propaganda. Once more I have been surprised by a paradox: outside of Europe, nations and peoples dream of integrating the EU while Europeans inside the Union dream of leaving it! Europe cannot be so desired by others and so unloved by itself!We must go back to the aftermath of the fall of the Berlin Wall to understand the mentality of our continent. In 1989, Western Europe, the maximum of diversity in the minimum of space, entered the era of the fairy tale: it only listened to the 
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  <title>Ritual Cleansings: Authoritarian Rhetoric, Paternalism, and Illicit Persuasion in J.D. Salinger's Franny and Zooey</title>
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    &amp;#x22;With this war-time soap I can wash my hands as often as I like without fear of cracked skin. I do wash my hands very frequently, on account of the dog. But with the old peace-time soap, I became very sore. Why is that?&amp;#x22;Nestled unobtrusively within the latter half of J.D. Salinger&amp;#39;s two-part novella Franny and Zooey is an inconspicuous aside that I will reference from this point forward as the Lost Puppy scene. In the scene, Zooey pauses his verbal diatribe against his sister, one that has left her &amp;#x22;sobbing&amp;#x22; on the couch, and allows his attention to be drawn to what the narrator describes as &amp;#x22;a little scene that was being acted out sublimely, unhampered by writers and directors and producers, five stories below the 
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  <title>"Tossed like a Wet Dog" Again: Anne Sexton's Defiance in the Era of Lost Privacy</title>
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    Working as the Crawshaw Professor of Literature at Colgate University, New York, in the spring of 1972, Anne Sexton acknowledged, &amp;#x22;I am told that my poetry is the work of a victim, of the passive sufferer, of the crucified man. And I put that thought in my mouth and taste it and find it surprising but true.&amp;#x22;1 As this lecture note indicates, Sexton was aware of her reputation as a poet with &amp;#x22;the voice of illness.&amp;#x22;2 That is, her poetic emotionality was understood as a product of a self-indulgent crier, thus inviting contemptuous hostility from her contemporaneous critics. As Charity Kendall elucidates, &amp;#x22;Sexton&amp;#39;s confessional mode was challenged as a simple recording of psychiatric sessions that some deemed should 
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  <title>Justice and Hope: Lectures and Other Writings by Raimond Gaita (review)</title>
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    Featuring one of the leading contemporary Australian public intellectuals, this work is a collection of Raimond Gaita&amp;#39;s writings from 1990 to 2022, including book reviews, columns from newspapers and magazines, chapters in edited collections, public lectures, a graduation oration and even a personal letter. The particular topics covered vary widely, but include such things as: the injustices suffered by Indigenous Australians; terrorism and torture; multiculturalism; the decline of the concept of the university; same-sex marriage; our relationship to the environment; the moral crises posed by Israel&amp;#39;s treatment of the Palestinians; hope in the time of the COVID-19 pandemic, and truth and truthfulness under 
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