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  <title>Introduction: Children's Literature and Digital Humanities</title>
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    Literary scholarship in the twenty-first century has been reshaped in various ways by the implementation of tools and methods from digital humanities (DH). Digital archives have helped to make texts and images more widely available, and several come with tools that support scholars in their research: from simple search functions and PDFs to fully downloadable text files, metadata and databases, and hyperlinks with contextual information. Digital databases support researchers in exploring trends and drawing links between source materials. So-called distant reading methods have laid bare aspects and trends that usually escape human attention (Moretti). Computer programs can assist humans in detecting aspects that are 
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  <title>Analyzing Representation and Youth Agency with the Environmental Comics Database</title>
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    The accelerating global climate crisis and other environmental issues have increasingly disrupted the lives of children and teenagers worldwide. In the face of these daunting challenges, youth have emerged as the new face of the contemporary environmental movement. Frequently referred to as &amp;#x22;Generation Greta&amp;#x22; after Swedish teen activist Greta Thunberg, these children and teens have garnered widespread praise for their advocacy. For instance, fourteen-year-old Mari Copeny received the Changemaker Award at the 2022 Billboard Music Awards for raising awareness of the Flint water crisis (Grein). The following year, the youth-led environmental organization Mother Nature Cambodia won the Right Livelihood Award, also 
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  <title>Charting the Composition of British Series of Children's Classics</title>
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    The concept of a classic remains of considerable interest and importance within the context of British children&amp;#39;s literature. Following policy reforms, classic texts occupy a central position in the English primary curriculum and are recommended as books that should be used in literacy lessons because of their perceived value; successive education secretaries have positioned classics as crucial for improving children&amp;#39;s literacy skills and reducing educational inequality (Gove; Morgan). Classics are equally valued by publishers, as children&amp;#39;s departments of British bookshops feature crowded shelves and standalone displays of classics that are populated by different editions of individual texts. The presence, or even 
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  <title>Educational or Entertaining? Topic Preferences in Best-Selling Chinese and British Picture Books</title>
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    Preschool children learn about the wider world through picture book reading (Hunt et al. 11), so analyzing picture book consumption can ascertain the information and messages they receive (Amos and Amos 9). The content of picture books can be clustered and identified as topics and themes such as realistic fiction, fantasy, nonfiction, and other genres (Brenna et al.). Usually, prevailing topics flow and vary between countries and cultures due to diverse social and cultural influences (Patten 476). Themes might also change over time, based on the publisher&amp;#39;s initiative, market response, social policies, or significant cultural or historical events.The UK picture book industry has a rich heritage of picture books 
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  <title>Readers Negotiating Genre: Semantic Space in Children's Literature</title>
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    The inquiry into the nature of literary genre is vast and elusive, lacking definitive answers. As far back as 1938, the Russian philologist Boris Yarkho astutely observed the absence of a systematic approach to genre study, affecting both genre definitions and classifications (50). This observation remains relevant today, as the understanding of literary genres continues to present challenges. In this article, we explore children&amp;#39;s literature genres using computational methods to assess their potential in modeling theoretical genre concepts while acknowledging the absence of definitive resolutions.James Gifford argues that we gain more from fluid definitions than we lose from rigid categorization. Leiderman notes 
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<item rdf:about="https://muse.jhu.edu/article/980318">
  <title>Lynn Johnston's For Better or For Worse at Scale and in the Archives: Distant Viewing, Automated Annotation, and Formal Aesthetics in 10,516 Comic Strips</title>
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    Lynn Johnston&amp;#39;s For Better or For Worse (1979&amp;#x2013;2008) is a long-running comic strip about the lives and tribulations of the Patterson family, who live in a fictional suburb of Toronto, Ontario. Johnston&amp;#39;s strip has been both critically and commercially successful, earning industry awards throughout its forty-year syndicated run in over two thousand newspapers globally, even spawning animated specials and television series in the process. Critical attention has rightly been paid to Johnston&amp;#39;s contributions in regard to key themes, prominent characters within the Patterson family, and significant storylines.1But, with For Better or For Worse completed, there remains an opportunity to consider the strip in its entirety
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  <title>Forum: Digital Resources in Children's Literature</title>
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    One of the barriers to entry into digital humanities (DH) is often the onerous and time-consuming nature of assembling a digital data set. Depending on the size of the corpus and the availability of texts, amassing, cleaning, and preparing data can add years of work to a project. For beginners, this often means stumbling through the process, making costly errors or assumptions which can cause setbacks or an increased workload. Further, assembling a dataset often requires networking and collaborating with others; collaborating with institutions that hold materials can be immensely rewarding but can also add layers of bureaucracy and institutional delays to the process.At the same time, it has become increasingly 
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<item rdf:about="https://muse.jhu.edu/article/980320">
  <title>Digitization of Frankfurt Goethe University's Self-Contained Children's Book Collections</title>
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    The children&amp;#39;s book collections of the JCS University Library&amp;#39;s Digital Collections are a collection of retro-digitized children&amp;#39;s books from four historical, self-contained collections (Benjamin, Hobrecker, R&amp;#xFC;mann, von der Marwitz).Size: Around 2.6 TB. 260,000 pages in around 800 already-published volumes.Period: Late seventeenth century to early twentieth century.Language(s): English, French, German.Format(s): jpeg files or PDFMetadata: Descriptive; for example, primarily bibliographic metadata and structural data are available via IIIF or as METS/MODS (OAI-PMH Interface).Usage rights: The files are published under the Public Domain Mark 1.0 and thus can be used freely.Location: 
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  <title>Japanese Modern Textbook Digital Archive: The Collection Overview from the User's Perspective</title>
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<item rdf:about="https://muse.jhu.edu/article/980326">
  <title>A Child's Garden of Data: Computational Analysis of Children's Literature with the HathiTrust Digital Library and Research Center</title>
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    The resource is a collection of volumes of children&amp;#39;s literature found in the HathiTrust Digital Library that provides access to full-text files for computational analysis along with metadata and &amp;#x22;Extracted Features&amp;#x22; (such as word counts) for all volumes and pages in the collection.Size: The data set includes 936 volumes. The full-text corpus is approximately 150MB, and the &amp;#x22;Extracted Features&amp;#x22; data are approximately 50MB.Period: 1889&amp;#x2013;2020.Language(s): All volumes are in English, though many are translations or retellings of stories from non-English languages and cultures.Format(s): The full-text corpus is available as text files. The &amp;#x22;Extracted Features&amp;#x22; data are available as JSON files.Metadata: Standard 
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<item rdf:about="https://muse.jhu.edu/article/980327">
  <title>Containing Childhood: Space and Identity in Children's Literature Danielle Russell (review)</title>
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    Containing Childhood: Space and Identity in Children&amp;#39;s Literature expands the existing scholarship on the subject by exploring not only the tangible dimensions of space but also its metaphorical implications. The edited collection is comprised of nine chapters divided into three sections, with the child protagonist&amp;#39;s spatial agency and her creation of resistant spaces as the overarching themes explored by the contributors. The volume is commendable for presenting fresh perspectives on space in works of children&amp;#39;s literature with which the book&amp;#39;s intended audience is most likely familiar.In an insightful introduction, Danielle Russell underscores the multilayered significance of space and its physical, cultural
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    The Velveteen Rabbit at 100 provides a rich array of thoughtfully researched and contextualized analyses of Margery Williams&amp;#39;s 1922 children&amp;#39;s book. Its chapters address the book&amp;#39;s illustrations, its adaptations across cultures, and its engagement with concepts of materiality, ontology, and relationality. It also contains innovative essays that incorporate queer studies readings as well as inspiringly disruptive perspectives that critique the oppressive functions and &amp;#x22;traditions&amp;#x22; of Whiteness in this text and other children&amp;#39;s &amp;#x22;classics&amp;#x22; (Hinton 225).Lisa Rowe Fraustino&amp;#39;s substantive introduction to The Velveteen Rabbit at 100 provides a thorough overview of this text&amp;#39;s significance in the cultural imaginations of 
    ... &#x3C;a href="https://muse.jhu.edu/article/980332"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/980329">
  <title>Queer Oz: L. Frank Baum's Trans Tales &amp;amp; Other Astounding Adventures in Sex &amp;amp; Gender by Tison Pugh (review)</title>
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    In his nuanced reading of John Donovan&amp;#39;s 1969 young adult novel I&amp;#39;ll Get There. It Better Be Worth the Trip, Derritt Mason argues for &amp;#x22;a model for creative and potentially subversive reading practices,&amp;#x22; one that acknowledges &amp;#x22;the pleasurable perversions of queer childhood&amp;#x22; (42). Although children&amp;#39;s and young adult literature critics are increasingly turning toward engagements with overtly queer texts&amp;#x2014;books with characters whose sexuality and/or gender are acknowledged on page as not straight or cisgender&amp;#x2014;Mason&amp;#39;s call reminds us that locating queerness in other kinds of textual longings is still a practice that bears fruit(s). This work of locating the queer question mark is taken up by Tison Pugh, whose book Queer 
    ... &#x3C;a href="https://muse.jhu.edu/article/980332"&#x3E;Read More&#x3C;/a&#x3E;
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    Enduring Questions encapsulates, albeit unintentionally, many of the tensions within the field of Jewish Studies in the twenty-first century. The authors organize the book around large philosophical questions such as &amp;#x22;What is Love?&amp;#x22; (Chapter 3) and &amp;#x22;What is Evil?&amp;#x22; (Chapter 6) in service of their argument that Jewish children&amp;#39;s literature can and should be used in classrooms &amp;#x22;as an opportunity for all children, both Jewish and non-Jewish, to be philosophers and engage in dialogue and debate about enduring questions&amp;#x22; (5). The book also leans heavily on an argument about &amp;#x22;Jewish&amp;#x22; as a category of diversity and the need for Jewish children&amp;#39;s books as part of a multicultural education, drawing on the #WeNeedDiverseBooks 
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