Project MUSE®: The American Indian Quarterly - Latest Articles
https://muse.jhu.edu/journal/2
Project MUSE®: Latest articles in The American Indian Quarterly.daily12026-05-11T00:00:00-05:00text/htmlen-USVol. 24, no. 3 (2000) through current issueLatest Articles: The American Indian QuarterlyTWOProject MUSE®The American Indian Quarterly1534-18280095-182XLatest articles in The American Indian Quarterly. Feed provided by Project MUSE®Colonial Etiology: Globalism and the Debate Between Black and Native American Studies
https://muse.jhu.edu/article/969747
<p></p>
The conversation and debate between Black Studies and Native American Studies in the US academy and globally are about the conflictual and intimate roles played by both communities and their paradigmatic rendering as essential characters and metaphoric figures in a white European and American narrative of life. The discussion explores the genealogy of global colonization, Native Studies’ conceptual distinction between racism and ongoing settler colonialism, Black Studies’ emphasis on the longevity and particularity of African chattel slavery and antiblackness, and the consequences that arise from the emphasis and absences expressed in each disciplines’ account of history and politics. This conversation reflects a
... <a href="https://muse.jhu.edu/article/970193">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-11T00:00:00-05:00https://muse.jhu.edu/journal/2/image/coversmallColonial Etiology: Globalism and the Debate Between Black and Native American Studies2025-09-16text/htmlen-USColonial Etiology: Globalism and the Debate Between Black and Native American Studies2025-09-162025TWOProject MUSE®1588952026-05-11T00:00:00-05:002025-09-16“Indian Girls Prefer Park to Housework”: Native Labor, Runaways, and Carcerality in the Twentieth-Century San Francisco Bay Area
https://muse.jhu.edu/article/969748
<p></p>
In the summer of 1922, the Berkeley Daily Gazette published an article revealing early twentieth-century traces of Native American women’s labor in the San Francisco Bay Area. Notably, it covered the recent absence of said labor and the coercive and enforced nature of their work—four girls ran away from their places of employment. In large capital letters the title declared, “Indian Girls Prefer Park to Housework.” The article employed stereotypical tropes, claiming “[t]he call of the open was stronger than the city home for four Piute [sic] girls.” Allegedly, these young Native women had camped out at Oakland’s Lakeside Park before they were discovered by a police officer and “turned over.” The last words of the
... <a href="https://muse.jhu.edu/article/970193">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-11T00:00:00-05:00https://muse.jhu.edu/journal/2/image/coversmall“Indian Girls Prefer Park to Housework”: Native Labor, Runaways, and Carcerality in the Twentieth-Century San Francisco Bay Area2025-09-16text/htmlen-US“Indian Girls Prefer Park to Housework”: Native Labor, Runaways, and Carcerality in the Twentieth-Century San Francisco Bay Area2025-09-162025TWOProject MUSE®1027852026-05-11T00:00:00-05:002025-09-16Why Was the Red in the Rainbow Faded? American Indian Activists and Multiracial Coalition-Building in the 1968 Poor People’s Campaign
https://muse.jhu.edu/article/969749
<p></p>
Chaos engulfed the National Mall on the morning of June 24, 1968, as police launched tear gas into a massive shantytown occupied by American Indian, African American, Mexican American, and white economic justice activists—named “Resurrection City,” in honor of the recently slain Martin Luther King Jr. For many in Washington, especially to those who considered the presence of poor people as an eye sore, the fall of Resurrection City meant a sigh of relief. To the advocates of the Poor People’s Campaign (PPC), however, it represented what one activist described as “the Little Bighorn of the civil rights movement.”1 Ironically this phrase did not ring entirely true to the American Indian contingent of the campaign. In
... <a href="https://muse.jhu.edu/article/970193">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-11T00:00:00-05:00https://muse.jhu.edu/journal/2/image/coversmallWhy Was the Red in the Rainbow Faded? American Indian Activists and Multiracial Coalition-Building in the 1968 Poor People’s Campaign2025-09-16text/htmlen-USWhy Was the Red in the Rainbow Faded? American Indian Activists and Multiracial Coalition-Building in the 1968 Poor People’s Campaign2025-09-162025TWOProject MUSE®1095592026-05-11T00:00:00-05:002025-09-16Cover Art
https://muse.jhu.edu/article/970193
<p></p>
Dustin Mater is a highly experienced graphic designer and a renowned fine
art artist, with his work featured worldwide. He excels in various mediums,
including illustrations showcased in books, storyboards, graphic novels, T-shirts,
and album cover art. With numerous awards and accolades, his art
has been exhibited in esteemed shows like the Santa Fe Indian Market and
the Smithsonian Museum. Dustin’s work can be found in private collec-
tions, galleries, and represented by notable institutions.Ledger Doodle: “oklhilichi” (Dusk). Illustrated on antique 1925 ledger paper
10 in. x 8 in., ink and
... <a href="https://muse.jhu.edu/article/970193">Read More</a>
Project MUSE®https://muse.jhu.edu/2026-05-11T00:00:00-05:00https://muse.jhu.edu/journal/2/image/coversmallCover Art2025-09-16text/htmlen-USCover Art2025-09-162025TWOProject MUSE®24132026-05-11T00:00:00-05:002025-09-16