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    Minstrels and Minstrelsy in Late Medieval England. By Richard Rastall with Andrew Taylor. Boydell, 2023. [xxviii, 445 p. ISBN 9781837650392 (hardback), $160; ISBN 9781837652556 (paperback), $59.95; ISBN 9781800109353 (ebook: EPDF), $39.95; ISBN 9781800109360 (ebook: EPUB), $39.95.] Music examples, illustrations, bibliography, index.There are many myths and misconceptions about minstrels, their life, their music, and their social and artistic standing during the fourteenth and fifteenth centuries in late medieval England. In the preface to this book, Richard Rastall enumerates many of these myths, along with the difficulties of defining what exactly a minstrel was from the documentary sources. Previous research on 
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    The Art of Counterpoint from Du Fay to Josquin. By Jesse Rodin. Cambridge University Press, 2025. [xvii, 372 pp. ISBN 9781107184596 (hardcover), $130; ISBN 9781316886861 (ebook), $130.] Music examples, illustrations, bibliography, discography, indexes.This book, as the title states, concerns contrapuntal music in Western Europe from Guillaume Dufay to Josquin des Prez, that is, from roughly 1425 to 1520. It is not, however, a study of contrapuntal technique during this period, as distinct from the practice of Giovanni Pierluigi da Palestrina and his contemporaries (as interesting as that might have been to many of us); rather, it concerns the artistic and especially the aesthetic differences in the contrapuntal 
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    Edward Elgar and Adrian Boult. By Nigel Simeone. Boydell, 2025. [xxiv, 316 p. ISBN 9781837652204 (hardcover), $85; ISBN 9781805435228 (ebook: EPDF), $19.95; ISBN 9781805435235 (ebook: EPUB), $19.95.] Music examples, illustrations, bibliography, discography, index.Notes readers will be familiar with the work of Nigel Simeone, if not for his own painstakingly detailed reviews of scores in this journal, then for his publications on French music, Leo&amp;#x161; Jan&amp;#xE1;&amp;#x10D;ek, and Leonard Bernstein. Over the last decade or so, Simeone has increasingly turned his attention to British subjects. With the publication of Edward Elgar and Adrian Boult, Simeone continues to explore the deep musical and personal relationships cultivated by the 
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<item rdf:about="https://muse.jhu.edu/article/983513">
  <title>Johann Sebastian Bach's Goldberg Variations Reimagined by Erinn E. Knyt (review)</title>
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    Johann Sebastian Bach&amp;#39;s Goldberg Variations Reimagined. By Erinn E. Knyt. Oxford University Press, 2024. [xiv, 343 p. ISBN 9780197690628 (hardcover), $120; ISBN 9780197690635 (ebook), $87.21]. Music examples, illustrations, bibliography, index.Few single compositions have been subjects of as many books as Johann Sebastian Bach&amp;#39;s Goldberg Variations. But there has never been a book about any composition quite like Erinn E. Knyt&amp;#39;s Johann Sebastian Bach&amp;#39;s &amp;#x22;Gold-berg Variations&amp;#x22; Reimagined. Eschewing the background-and-analysis of conventional treatments, Knyt offers a &amp;#x22;reception history&amp;#x22; (p. 1) by chronicling arrangements, &amp;#x22;multi-composer works,&amp;#x22; dances, films, theatrical adaptations, and other &amp;#x22;reimaginings&amp;#x22; that 
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<item rdf:about="https://muse.jhu.edu/article/983512">
  <title>Thomas Adès Studies ed. by Edward Venn and Philip Stoecker (review)</title>
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    Thomas Ad&amp;#xE8;s Studies. Edited by Edward Venn and Philip Stoecker. Cambridge University Press, 2022. [xxxi, 304 p. ISBN 9781108486651 (hardcover), $106; ISBN 9781108708135 (paperback), $32.99; ISBN 9781108788496 (ebook), $32.99.] Music examples, illustrations, bibliography, index.In retrospect, Thomas Ad&amp;#xE8;s&amp;#39;s meteoric rise, as well as his metamorphosis from the darling child of the British contemporary music establishment into one of its most celebrated grandees, appears to have been inevitable. His music in the 1990s was greeted by a profound sense of excitement within the contemporary music scene. Having been educated at the University of Cambridge at a time when the Cambridge music faculty was entwined with BBC 
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<item rdf:about="https://muse.jhu.edu/article/983511">
  <title>Pierre Boulez's sur Incises and Its World by Peter O'Hagan (review)</title>
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    Pierre Boulez&amp;#39;s sur Incises and Its World. By Peter O&amp;#39;Hagan. (Ashgate Studies in Theory and Analysis of Music After 1900.) Routledge, 2025. [xiii, 270 p. ISBN 9781032507675 (hardcover) , $126; ISBN 9781003435990 (ebook), $45.59.] Music examples, illustrations, bibliography, index.The centenary of the birth of composer and conductor Pierre Boulez (1925&amp;#x2013;2016) has been celebrated in several publications and with prominent performances of his music. Boulez was one of the most outspoken members of the post&amp;#x2013;World War II avant-garde, initially espousing the viewpoint that composers needed to adopt serialism, total organization of music&amp;#39;s constituent elements&amp;#x2014;pitch, rhythm, expression, and even formal planning&amp;#x2014;in order to 
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<item rdf:about="https://muse.jhu.edu/article/983510">
  <title>Music at World's End: Three Exiled Musicians from Nazi Germany and Austria and Their Contributions to Music in Iceland by Árni Heimer Ingólfsson (review)</title>
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    Music at World&amp;#39;s End: Three Exiled Musicians from Nazi Germany and Austria and Their Contributions to Music in Iceland. By &amp;#xC1;rni Heimer Ing&amp;#xF3;lfsson. State University of New York Press, 2025. [xi, 315 p. ISBN 9798855800685 (hardcover), $130; ISBN 9798855800692 (paperback), $37.95; also available as ebook (ISBN and price vary).] Illustrations, bibliography, index.In his important book, Music at World&amp;#39;s End: Three Exiled Musicians from Nazi Germany and Austria and Their Contributions to Music in Iceland, &amp;#xC1;rni Heimer Ing&amp;#xF3;lfsson documents the lives and careers of musicians Victor Urbancic (1903&amp;#x2013;1958), Heinz Edelstein (1902&amp;#x2013;1959), and R&amp;#xF3;bert Abraham Ott&amp;#xF3;sson (1912&amp;#x2013;1974), Austrian and German musicians who emigrated to 
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<item rdf:about="https://muse.jhu.edu/article/983509">
  <title>Made in NuYoRico: Fania Records, Latin Music, and Salsa's Nuyorican Meanings by Marisol Negrón (review)</title>
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<item rdf:about="https://muse.jhu.edu/article/983508">
  <title>Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital by David Browne (review)</title>
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<item rdf:about="https://muse.jhu.edu/article/983507">
  <title>The Cambridge Companion to Women Composers ed. by Matthew Head and Susan Wollenberg (review)</title>
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<item rdf:about="https://muse.jhu.edu/article/983506">
  <title>Blues Mamas and Broadway Belters: Black Women, Voice, and the Musical Stage by Masi Asare (review)</title>
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<item rdf:about="https://muse.jhu.edu/article/983505">
  <title>The Cambridge Companion to West Side Story ed. by Paul R. Laird and Elizabeth A. Wells (review)</title>
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    The Cambridge Companion to West Side Story. Edited by Paul R. Laird and Elizabeth A. Wells. (Cambridge Companions to Music.) Cambridge University Press, 2024. [xxii, 300 p. ISBN 9781108489959 (hardcover), $90; ISBN 9781108747752 (paperback), $29.99; ISBN 9781108800549 (ebook), $29.99.] Music examples, illustrations, bibliography, indexes.Since its Broadway premiere in 1957, West Side Story has remained one of the most culturally significant, academically explored, and revisited Broadway musicals of the past nearly seventy years. Therefore, it is not surprising that The Cambridge Companion to &amp;#x22;West Side Story&amp;#x22; marks the first entry in the series to focus on a single US musical. This collection represents one of the 
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<item rdf:about="https://muse.jhu.edu/article/983504">
  <title>Weep, Shudder, Die: On Opera and Poetry by Dana Gioia (review)</title>
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    Weep, Shudder, Die: On Opera and Poetry. By Dana Gioia. Paul Dry Books, 2024. [xii, 220 p. ISBN 9781589881969 (paperback), $15.96; ISBN 9781589883895 (ebook), $9.99.] Index.&amp;#x22;Weep, shudder, die&amp;#x22; and &amp;#x22;bright, urgent, communicative&amp;#x22; are two intentionally emotive statements about what the operatic art, through the agency of the human voice, must cause and can be. The first is found in a well-known letter that Vincenzo Bellini wrote to his librettist, Count Carlo Pepoli, urging him to understand these are the sensations that the operatic art&amp;#x2014;through singing&amp;#x2014;must provoke in the listener. The second is a famous description of Franco Corelli&amp;#39;s tenor voice made by Alan Rich in a 1966 New York Herald Tribune review. Dana 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983503">
  <title>Dreaming in Ensemble: How Black Artists Transformed American Opera by Lucy Caplan (review)</title>
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    Dreaming in Ensemble: How Black Artists Transformed American Opera. By Lucy Caplan. Harvard University Press, 2025. [324 p. ISBN 9780674268517 (hardcover), $35; ISBN 9780674299528 (ebook), price varies.] Music examples, illustrations, bibliography, index.In Dreaming in Ensemble, Lucy Caplan brings to the forefront many aspects of Black opera that have been relegated to the invisible (and inaudible). Spanning a timeframe that has suffered from a &amp;#x22;presumption of absence&amp;#x22; (p. 3)&amp;#x2014;from H. Lawrence Freeman&amp;#39;s 1893 opera The Martyr to Marian Anderson&amp;#39;s famous 1955 operatic debut&amp;#x2014;Caplan refocuses our attention away from the objectifying gaze of Blackness as representation toward Blackness as subject (p. 3). Caplan brings a 
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<item rdf:about="https://muse.jhu.edu/article/983502">
  <title>Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome, 1550–1750 by Naomi J. Barker (review)</title>
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    Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome, 1550&amp;#x2013;1750. By Naomi J. Barker. (Music in Society and Culture, 12.) Boydell, 2024. [xi, 286 p. ISBN 9781837650651 (hardcover), $130; ISBN 9781805432159 (ebook: EPDF), $24; ISBN 9781805432166 (ebook: EPUB), $24.] Music examples, illustrations, bibliography, index.For anyone interested in early Italian music, there is a peculiarly prominent overlap of musicians with charitable and medical care institutions. These institutions formed a significant part of the infrastructure of various Italian cities, and the presence of music within them came to a head in the sixteenth through eighteenth centuries. The contingent of musicians employed by hospitals 
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<item rdf:about="https://muse.jhu.edu/article/983501">
  <title>Forging Repertories: Cathedral Music in New Spain and Its Performance by Drew Edward Davies (review)</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Forging Repertories: Cathedral Music in New Spain and Its Performance. By Drew Edward Davies. Oxford University Press, 2024. [xvi, 255 p. ISBN 9780199729906 (hardcover), $99; ISBN 9780197759042 (ebook), $88.44.] Music examples, illustrations, bibliography, index.In Forging Repertories, Drew Edward Davies offers a searching account of how cathedral music was produced, adapted, and remembered in colonial Mexico between the sixteenth and early nineteenth centuries. Drawing on over two decades of archival work across institutions in Mexico City, Durango, and Puebla, Davies moves beyond traditional composer biographies or stylistic surveys to focus instead on the labor of cathedral musicians&amp;#x2014;the copyists, singers
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983500">
  <title>Music's Making: The Poetry of Music, the Music of Poetry by Michael Cherlin (review)</title>
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    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983499">
  <title>Embodied Expression in Popular Music: A Theory of Musical Gesture and Agency by Timothy Koozin (review)</title>
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    Embodied Expression in Popular Music: A Theory of Musical Gesture and Agency. By Timothy Koozin. (Oxford Studies in Music Theory.) Oxford University Press, 2024. [ix, 294 p. ISBN 9780197692981 (hardcover), $90; ISBN 9780197693001 (ebook), $53.86.] Music examples, illustrations, bibliography, indexes.Musical topic analysis addresses how music conveys meaning. The discipline has grown from investigating classical-era composers&amp;#39; use of topics&amp;#x2014;subjects for musical discourse, or recognizable, culturally coded signs within music&amp;#x2014;into interrogating almost any repertoire&amp;#39;s topics and how they signify. In Embodied Expression in Popular Music, Timothy Koozin analyzes Western popular music across roughly the last seventy 
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<item rdf:about="https://muse.jhu.edu/article/983498">
  <title>Seeing Voices: Analyzing Sign Language Music by Anabel Maler (review)</title>
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    Seeing Voices: Analyzing Sign Language Music. By Anabel Maler. (Oxford Studies in Music Theory.) Oxford University Press, 2024. [xv, 234 p. ISBN 9780197601976 (hardcover), $132; ISBN 9780197601983 (paperback), $29.99; ISBN 9780197602003 (ebook), $26.99.] Music examples, illustrations, bibliography, index, companion website (https://global.oup.com/us/companion.websites/9780197601983).In Seeing Voices, Anabel Maler challenges hearing-based music-theoretical approaches by centering Deaf musical practices. She analyzes music created in American Sign Language (ASL) with a focus on visual, kinesthetic, and haptic aspects of such music making. Through movement-based frameworks, she rethinks fundamental elements of 
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<item rdf:about="https://muse.jhu.edu/article/983497">
  <title>Music, Subjectivity, and Schumann by Benedict Taylor (review)</title>
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    Music, Subjectivity, and Schumann. By Benedict Taylor. Cambridge University Press, 2022. [xii, 368 p. ISBN 9781009158084 (hardcover), $120; ISBN 9781009158077 (paperback), $36.99; ISBN 9781009178488 (ebook), $36.99.] Music examples, bibliography, index.In this book, Benedict Taylor seeks to more precisely identify ways in which subjectivity may be expressed, heard, and understood in music, particularly in that of Robert Schumann. Schumann has long been associated with subjectivity because of his rich and troubled internal world; his adoption of alter egos; the emphasis on narrative elements in his character pieces for piano and his lieder; the intimate scale and inward style of this music, often emphasizing an 
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<item rdf:about="https://muse.jhu.edu/article/983496">
  <title>Romantic Music Aesthetics: Creating a Politics of Emotion by Matthew Pritchard (review)</title>
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    Romantic Music Aesthetics: Creating a Politics of Emotion. By Mat-thew Pritchard. Cambridge University Press, 2024. [xi, 274 p. ISBN 9781009491648 (hardcover), $120; ISBN 9781009491624 (ebook), $120.] Music examples, illustrations, bibliography, index.There is much that is fresh and brilliant in Matthew Pritchard&amp;#39;s keenly anticipated monograph, as well as a good deal that is deliberately provocative and at times tendentious. Pritchard gamely debunks what could be called the &amp;#x22;Dahlhaus paradigm,&amp;#x22; presented most famously in The Idea of Absolute Music (Carl Dahlhaus, trans. Roger Lustig [University of Chicago Press, 1989]) and its immense influence on a generation of scholars, including Lydia Goehr, Karol Berger, and 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983495">
  <title>Notes for Notes</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    The Music &amp;#x26; Recorded Sound Division of the New York Public Library for the Performing Arts has acquired two remarkable collections.The archive of legendary jazz musician Wayne Shorter. Shorter, who died in 2023 at 89 years old, touched virtually every aspect of jazz, influencing generations of artists in various fields to push the boundaries of music. Shorter&amp;#39;s sound is heard on his famous solo work, in compositions like Black Nile, Yes or No, Infant Eyes, Footprints, and Speak No Evil as well as through collaborations with Art Blakey, Miles Davis, Weather Report, Milton Nascimento, Don Henley, Joni Mitchell, Carlos Santana, and his longtime best friend Herbie Hancock. The collection includes:Two hundred and fifty 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983494">
  <title>Topics in Music Pricing: Implications of AI in Music Collecting</title>
  <link>https://muse.jhu.edu/article/983494</link>
  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    This annual column explores topics related to music pricing and library collections, offering insights related to budgetary trends.Generative artificial intelligence (AI) has become a prevalent topic in library discussions over the past two years resulting in the creation of numerous AI library research guides, working groups and committees, use policies, and conference program themes. Initially, discussions of AI in libraries addressed predictable areas such as digesting articles,1 cataloging and metadata creation,2 text generation,3 and database searching.4 However, the integration of generative AI also has significant implications for library collections&amp;#x2014;affecting what is researched, and what is acquired. 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983493">
  <title>Studies in Sustainability: The Development of Three Long-Term Digital Projects in Music</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    In her article about Digital Scholarship in a recent issue of Notes, Anna Kijas concludes that &amp;#x22;looking to the future of digital scholarship will require that we look back from time to time in order to see what we&amp;#39;ve done, how we did things, what worked, and what didn&amp;#39;t.&amp;#x22;1 I believe this is important not only to the furthering of new digital scholarship, but also the sustainability of current digital resources. With the sunsetting of music notation software, Finale, in August 2025, we know the sustainability of even the most longstanding of digital tools/resources is uncertain.2In Digital Humanities Quarterly, Drew VandeCreek suggests that sustainability is seldom based on one deciding action, but in the string of 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983517">
  <title>The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America by Larry Tye (review)</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America. By Larry Tye. Mariner Books, 2024. [xiii, 393 p. ISBN 9780358380436 (hardcover), $26; ISBN 9780063444860 (paperback), $15.99; ISBN 9780358380429 (ebook), $12.99.] Illustrations, bibliography, index.Larry Tye credits the subjects of his earlier work, Rising from the Rails: Pullman Porters and the Making of the Black Middle Class (Henry Holt, 2004), for suggesting the focus of his 2009 biography of Satchel Paige, Satchel: The Life and Times of an American Legend (Random House), and his latest book, The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America. This triptych constitutes a remarkable view of 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983518">
  <title>Beyond the Bandstand: Paul Whiteman in American Musical Culture ed. by W. Anthony Sheppard (review)</title>
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<item rdf:about="https://muse.jhu.edu/article/983519">
  <title>The Permanent Holdout: Jackson Browne, His Music, His America by Cornel Bonca (review)</title>
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    The Permanent Holdout: Jackson Browne, His Music, His America. By Cornel Bonca. Rowman &amp;#x26; Littlefield, 2025. [xxv, 193 p. ISBN 9781538172872 (hardcover), $22.40; ISBN 9798881864613 (ebook: EPDF), $20.16; ISBN 9781538172889 (ebook: EPUB), $20.16.] Bibliography, index.Over the past several years there have been numerous celebrations marking the fiftieth anniversary of some milestone in rock music&amp;#39;s history. In 2019, there was the rerelease of the Beatles&amp;#39; Abbey Road (1969) and the release of Martin Scorcese&amp;#39;s film Rolling Thunder Review, devoted to Bob Dylan&amp;#39;s famous 1975&amp;#x2013;76 tour. More recently, there have been &amp;#x22;looks back&amp;#x22; at the music of Saturday Night Live, Sly and the Family Stone, Woodstock, and others. A big 
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<item rdf:about="https://muse.jhu.edu/article/983520">
  <title>The Cambridge Companion to the Electric Guitar ed. by Jan-Peter Herbst and Steve Waksman (review)</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    The Cambridge Companion to the Electric Guitar. Edited by Jan-Peter Herbst and Steve Waksman. (Cambridge Companions to Music.) Cambridge University Press, 2024. [xviii, 356 p. ISBN 9781009224406 (hardcover), $90; ISBN 9781009224451 (paperback), $29.99; ISBN 9781009224437 (ebook), $29.99.] Music examples, illustrations, bibliography, index.An internet search on &amp;#x22;electric guitar&amp;#x22; yields a seemingly infinite number of results, but three basic types stand out: those modeled after the Fender Stratocaster, Fender Telecaster, and Gibson Les Paul. Aside from the influence of the Fender and Gibson brands, there is much more to the story, as revealed in The Cambridge Companion to the Electric Guitar. It includes 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983521">
  <title>Music Information Literacy: Inclusion and Advocacy ed. by Kathleen A. Abromeit and Dyani Sabin (review)</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Music Information Literacy: Inclusion and Advocacy. Edited by Kathleen A. Abromeit and Dyani Sabin. Library Juice, 2024. [xii, 228 p. ISBN 9781634001465 (paperback), $60.] Bibliography, index.Music Information Literacy: Inclusion and Advocacy provides the reader with a plethora of perspectives and case studies on how music librarians can conceive of, teach, and advocate for more inclusionary practices of teaching information literacy in the music classroom. The authors invite us all to imagine ways to make our music information literacy more inclusive and equitable. As Ruha Benjamin writes in Imagination: A Manifesto, &amp;#x22;The most effective means to refute the prevailing ideologies is to do so collectively&amp;#x2014;crafting 
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<item rdf:about="https://muse.jhu.edu/article/983522">
  <title>Books Recently Published</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    This column is compiled quarterly from a variety of sources, including publisher and vendor websites and announcements. If you are an author or editor of a recently-published music book and would like to request inclusion in a future column, please send a message to music.library@louisville.edu.Ackfeldt, Anders. Islamic themes in US hip-hop culture. Edinburgh University Press, 2025. 206 p. ISBN 9781399537537.Music and performance in Muslim contextsAdams, Shane. Songwriting breakthroughs: strategies and prompts for writing your next song. Berklee Press, 2025. 80 p. ISBN 9780876392331.Albrecht, Theodore, ed. Beethoven&amp;#39;s conversation books. Volume 5: Nos. 44 to 59 (October 1823 to March 1824). Boydell Press, 2025. 
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<item rdf:about="https://muse.jhu.edu/article/983523">
  <title>New Periodicals</title>
  <link>https://muse.jhu.edu/article/983523</link>
  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    This semiannual column selectively lists new periodicals; describes their objectives, formats, and contents; and provides information about special issues, title and format changes, mergers, and cessations. Ulrich&amp;#39;s Periodical Directory (www.ulrichsweb.com/ulrichsweb) and the Directory of Open Access Journals (http://www.doaj.org) were consulted when assembling this column.Edited by Holly Tessler and Paul Long. Published online and openly accessible. Vol. 1, no. 1 (2022). eISSN 2754-7019. https://liverpooluniversitypress.co.uk/journal/jbs. Published semiannually in association with the University of Liverpool, this title welcomes &amp;#x22;articles of original scholarship &amp;#x2026; performance and exhibition reviews covering 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983524">
  <title>Zanaida by Johann Christian Bach, and: Carattaco by Johann Christian Bach (review)</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Johann Christian Bach. Zanaida. Edited by Paul Corneilson with introduction by Michael Burden. Packard Humanities Institute, 2025. (Operas and dramatic works, v. 5) [1 score (lv, 266 p.) ISBN 9781938325588. $75]Johann Christian Bach. Carattaco. Edited by Jason B. Grant with introduction by Stephen Roe. Packard Humanities Institute, 2025. (Operas and dramatic works, v. 7) [1 score (xliii, 312 p.) ISBN 9781938325601. $75]These are two of fifteen projected volumes that will contain the major secular vocal compositions of Johann Christian Bach. The latter, youngest son of Johann Sebastian Bach, has long been recognized as a major mid-eighteenth-century composer, important especially for his influence on the young 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983525">
  <title>Der Spiegelritter by Franz Schubert (review)</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Franz Schubert. Der Spiegelritter, D. 11. Edited by Felix Loy. B&amp;#xE4;renreiter-Verlag, 2023. (Neue Schubert Ausgabe. Serie II, Band 11). [1 score (xxviii, 221 p.) BA 5582-01. $385]The posthumous fate of composers can be fickle: some die in obscurity and never live to witness their reversal of favor with the public; others enjoy fame in their lifetimes but gradually fade into anonymity. The reputation of Franz Schubert leans more towards the former case. Locally recognized during his lifetime for his songs, Schubert died with unfulfilled aspirations to greater recognition and memorialized as the &amp;#x22;prince of song&amp;#x22; on his tombstone. However, from the mid-nineteenth century to the present, his reputation has undergone a 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/983526">
  <title>Quarterly Scores List</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    This column presents a comprehensive list of new music publications sent recently by publishers and distributors for possible review in Notes. Self-published music is listed when a source of acquisition is provided. The primary aim of this column is to provide brief listings of a broad range of new editions of music, thereby assisting in the selection and ordering for libraries or personal collections. After preparing the listing, the publications are sent selectively to Matthew Ertz, the &amp;#x22;Music Reviews&amp;#x22; column editor. Many thanks to Melvin Nimtz for assistance with this column.Scholarly &amp;#x26; Historical Editions: Primarily volumes of collected editions and monumental series. Extensive critical apparatus is generally 
    ... &#x3C;a href="https://muse.jhu.edu/article/983527"&#x3E;Read More&#x3C;/a&#x3E;
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