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<item rdf:about="https://muse.jhu.edu/article/988762">
  <title>Abbreviations and Citations of Friedrich Nietzsche’s Works</title>
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    The same citation format is used throughout the journal. References to Nietzsche&amp;#x2019;s texts are given in the body of the articles and reviews. References to Nietzsche&amp;#x2019;s unpublished writings are standardized, whenever possible, to refer to the most accessible print editions of Nietzsche&amp;#x2019;s notebooks and publications: Kritische Studienausgabe (ksa), compiled under the general editorship of Giorgio Colli and Mazzino Montinari and based on the complete edition of the Kritische Gesamtausgabe (kgw) (Berlin and New York: Walter de Gruyter, 1967ff) or the electronic version published in the Nietzsche Source collection (http://www.nietzschesource.org/eKGWB) [abbreviated ekgwb]). References to the print editions of letters 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/988763">
  <title>Letter from the Editor</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    With this issue, The Journal of Nietzsche Studies marks the thirty-fifth anniversary of its first publication. In his Editor&amp;#x2019;s Preface for the inaugural volume, &amp;#x201C;Whose Nietzsche?&amp;#x201D; (JNS no. 1 [Spring 1991]), Howard Caygill announced that its appearance had been planned to coincide with the First Annual Conference of what would eventually become the Friedrich Nietzsche Society of Great Britain (FNS). As he observed, &amp;#x201C;In just over a century of reception the claims to Nietzsche have been many and varied,&amp;#x201D; made by the political left and right, by academics from diverse disciplines, and even from outside the academy by artists, poets, and musicians. The issue reflected that diversity as it engaged head-on the question 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/988764">
  <title>Nietzschean Saintliness</title>
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    Of the many things that Nietzsche subjects to unyielding critique, none would seem a clearer target than the ideal signified by &amp;#x201C;the saint.&amp;#x201D; Within Nietzsche&amp;#x2019;s corpus, it is easy to locate attacks on particular figures historically venerated as saints. GS, for instance, subjects St. Paul and St. Augustine to special derision. GS 139 accuses Paul of wishing for the &amp;#x201C;annihilation of the passions&amp;#x201D; out of an &amp;#x201C;idealistic&amp;#x201D; hatred of earthly existence.1 GS 359 describes Augustine as a man honored by the Volk &amp;#x201C;using such names as saint and sage&amp;#x201D; but who truly belongs among the &amp;#x201C;monsters of morality&amp;#x201D; that are driven by &amp;#x201C;fear of the spirit&amp;#x201D; and &amp;#x201C;revenge against the spirit.&amp;#x201D; &amp;#x201C;Saint&amp;#x201D; appears to name a human type for which 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/988765">
  <title>Decadence Contra Nietzsche: Nietzsche and the Decadent Movement</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Nietzsche&amp;#x2019;s focus on decadence during the 1880s coincided with the concept&amp;#x2019;s dominance on the European literary scene. Yet the fact that Europe&amp;#x2019;s leading writers were exploring an alternative vision of a concept central to late Nietzsche is undiscussed in the philosophical, as opposed to literary critical, commentary.1 This absence is evident in recent Anglophone work on Nietzschean decadence.2 The same lacuna exists in the canonical European texts: Neither Heidegger nor Deleuze touches on the matter, and Klossowski does so only fleetingly and disdainfully, separating Nietzsche from &amp;#x201C;a Baudelaire, a Poe, a Flaubert and many others&amp;#x2014;those decadents.&amp;#x201D;3In this article I argue, against such neglect, that the comparison 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/988766">
  <title>Nietzsche on Substantial Character Change</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    At first glance, Nietzsche may appear skeptical about the possibility of a person&amp;#x2019;s character changing. His references to &amp;#x201C;types,&amp;#x201D; to unconscious &amp;#x201C;drives&amp;#x201D; that explain all motivated action, to our spiritual fatum &amp;#x201C;that will not learn&amp;#x201D; (BGE 231),1 for example, may suggest that character is mostly fixed for Nietzsche. Brian Leiter takes this view in his &amp;#x201C;doctrine of types&amp;#x201D; reading. He maintains that, aside from environmental factors, unchangeable type-facts&amp;#x2014;fixed psycho-physical facts about a person&amp;#x2014;are the primary cause of character.2 Other recent interpretations of Nietzsche&amp;#x2019;s views on this topic, by contrast, emphasize the possibilities for development that remain open for individuals.3 However, less has been said 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/988767">
  <title>Chaos and Contradiction: On Nietzsche’s Conception of Nature</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    In The Gay Science &amp;#xA7;109, Nietzsche describes the &amp;#x201C;total character&amp;#x201D; of the world as being &amp;#x201C;for all eternity chaos&amp;#x201D; (GS 109).1 In this article I offer an interpretation of Nietzsche&amp;#x2019;s notion of chaos, specifically, Nietzsche&amp;#x2019;s conception of the world or nature in these terms. GS 109 does not constitute Nietzsche&amp;#x2019;s first or last use of &amp;#x201C;chaos&amp;#x201D; to describe a variety of states of affairs. From describing nature as chaos in contrast to Spinoza&amp;#x2019;s equation of nature with divinity to identifying a creative chaos within the human being, particularly in his unpublished notes throughout the mid-to-late 1880s, Nietzsche repeatedly resorted to chaos to capture a constitutional state that underlies any type of organization. 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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<item rdf:about="https://muse.jhu.edu/article/988768">
  <title>Nietzsche Underground: Katabasis and the Critique of Morality in Daybreak</title>
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  <description>
    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Helpfully, for would-be unriddlers of Daybreak, the first sentence of the preface tells us what we will find in the book: &amp;#x201C;In this book you will discover a &amp;#x2018;subterranean man&amp;#x2019; at work,&amp;#x201D; writes Nietzsche, &amp;#x201C;one who tunnels and mines and undermines&amp;#x201D; (D P:1)1. Of course, things are not that simple. Familiar readers will be wary of taking this philosopher at his word. Whatever our views about Nietzsche&amp;#x2019;s style of writing and to what extent the way he writes might make his self-interpretations less trustworthy, the fact that the preface was written in 1886, five years after the publication of D in 1881, recommends caution. Retrospectives, by their nature, implicate shifts in perspective. Nietzsche had written Z by 1886. 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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  <title>Why Didn’t Nietzsche Get His Act Together? by Elijah Millgram (review)</title>
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    &#x3C;p&#x3E;&#x3C;/p&#x3E;
    Elijah Millgram begins his study of Nietzsche where books of similar scope and ambition more typically conclude: Nietzsche was only ever (and at best) a disunified agent. Sickly, dissolute, and infirm, he presided over an implacable cluster of disorderly instincts, scuffling drives, unruly affects, and brawling personae, which he was able only occasionally (and at great personal expense) to compose into a coherent and structured whole. As his health declined, moreover, he found it increasingly difficult to secure for himself the baseline experience of power and agency that would enable him to hazard a credible affirmation of his miserable existence. As Millgram&amp;#x2019;s provocative title suggests, in short, Nietzsche 
    ... &#x3C;a href="https://muse.jhu.edu/article/988772"&#x3E;Read More&#x3C;/a&#x3E;
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    Nietzsche notoriously said that anyone who could understand six sentences of Z would have risen to a higher level than modern humanity (EH &amp;#x201C;Books&amp;#x201D; Z). Nietzsche scholars have dared to go much further in claiming a grasp of the book&amp;#x2019;s content. When &amp;#x201C;Peter Gast&amp;#x201D; (aka Heinrich K&amp;#xF6;selitz) brought out a new edition of Z in 1893, he contributed a lengthy preface that, he explained, was only a forerunner of the full, line-by-line commentary that was certain to come. Given the work&amp;#x2019;s enormous implications, he added, such a commentary might grow into an entire library. This essay had a short life: A few months later, Elisabeth F&amp;#xF6;rster-Nietzsche took control of Nietzsche&amp;#x2019;s literary estate and withdrew Gast&amp;#x2019;s edition, along 
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