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Introductory Essay to London: A Poem and The Vanity of Human Wishes by Samuel Johnson
- Johns Hopkins University Press
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There is an essay to be written on the quotations which Sir Walter Scott used for the chapter headings of his novels, to illustrate the wide reading and critical good taste of that novelist. It is a great many years ago – about thirty years ago – that I was struck by a quotation of four lines; I cannot now remember at what chapter of which of Scott’s novels it is placed:
It is as dangerous to generalize about the poetry of the eighteenth century as about that of any other age; for it was, like any other age, an age of transition. We are accustomed to make a rough tripartite division between the poetry of the age of Pope, the poetry of sentimental philosophizing – Thomson, Young, Cowper – and the early Romantic movement. What really happened is that after Pope there was no one who thought and felt nearly enough like Pope to be able to use his language quite successfully; but a good many second-rate writers tried to write something like it, unaware of the fact that the change of sensibility demanded a change of idiom. Sensibility alters from generation to generation in everybody, whether we will or no; but expression is only altered by a man of genius. A great many second-rate poets, in fact, are second rate just for this reason, that they have not the sensitiveness and consciousness to perceive that they feel differently from the preceding generation, and therefore must use words differently. In the eighteenth century there are a good many second-rate
In such a period the poets who are still worth reading may be of two kinds: those who, however imperfectly, attempted innovations in idiom, and those who were just conservative enough in sensibility to be able to devise an interesting variation on the old idiom. The originality of Gray and Collins consists in their adaptation of an Augustan style to an eighteenth-century sensibility.
Certain qualities are to be expected of any type of good verse at any time; we may say the qualities which good verse shares with good prose.