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A review of The Philosophy of Nietzsche, by A. Wolf
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London: Constable, 1915.
Nietzsche is one of those writers whose philosophy evaporates when detached from its literary qualities, and whose literature owes its charm not alone to the personality and wisdom of the man, but to a claim to scientific truth. Such authors have always a peculiar influence over the large semi-philosophical public, who are spared the austere effort of criticism required by either metaphysics or literature, by either Spinoza or Stendhal; who enjoy the luxury of confounding, and avoid the task of combining, different interests.
If Nietzsche is a philosopher of this hybrid kind, it is instructive to view the result when a professional philosopher of the competence of Dr. Wolf attempts an introduction to his philosophy, omitting all detail of Nietzsche’s career, and with little reference to his extra-philosophic interests. In this short series of lectures, interestingly, if rather carelessly written, Dr. Wolf has given us an admirable piece of simplification; in one hundred and sixteen pages he has presented an excellent outline of all that is strictly philosophic in Nietzsche’s writings.
The first twenty-one pages are taken up with a discussion of Nietzsche’s views on war. Dr. Wolf, naturally, is concerned to show that Nietzsche maintained no philosophy of militarism. This contention he easily proves by quotation. What he does not show, and what, from the title of the book, we might call upon him to show, is that Nietzsche had
We leave
In treating Nietzsche’s theory of the universe, Dr. Wolf is more successful. Correctly, we think, he holds Nietzsche’s view of nature to be essentially Schopenhauerian. It is not clear as to how nearly Nietzsche comes to making will (to power) or the various centres of will,
In spite of Dr. Wolf’s sympathetic treatment, one does not receive the impression that Nietzsche held any consistent moral policy in regard to the cosmic flux. Nor does the last chapter (Theory of Conduct) help us very much, though here again we find an excellent summary. The world-will is creative (65) like Bergson’s, but, more sincerely than Bergson’s, is without sense or promise. Sometimes the world appears malleable in the hands of humanity. Sometimes the will is conceived as something...