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American Prose. An unsigned review of The Outlook for American Prose, by Joseph Warren Beach; and S. P. E. Tract No. XXIV, which includes Notes on Relative Clauses, by Otto Jespersen, and American Slang, by Fred Newton Scott
- Johns Hopkins University Press
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The title of Mr. Beach’s book is, we imagine, one which should encourage the sale of the book in America. It reflects faithfully the attitude of a large part of the literary public in America – an attitude of determination and confidence in the future, with an acute consciousness of the shortcomings of the present. But the title is unfair to the book, which contains not only a great deal of valuable criticism of the present in America but some good criticism of the present in England. And this book is interesting, beyond the interest of its subject matter, in its critical method. Mr. Beach will be a useful critic in America, he would be a useful critic here; for he is a critic with an equipment which is rare: that is, an understanding of the principles of grammar and language.
American books, especially American novels, have been received in England in the last few years with a leniency which has sometimes exceeded the limits of critical tolerance or sporting generosity. We are inclined to relax even those mild critical standards which still endure for the writing of English in England. One of the writers who have flourished on this amiability is Mr. Joseph Hergesheimer, and Mr. Hergesheimer is one of those authors upon whom Mr. Beach falls most heavily (with occasional side-blows, which do not fail of their object, at Mr. Walpole and Mr. Swinnerton across the sea).
This suggestion he is forced to discard as inadequate. For Joseph Conrad English was a more alien tongue than for Dreiser or for Hergesheimer. True, Conrad makes mistakes; his English style, as Mr. Beach points out, is by no means so perfect as the conventional praise of Conrad might lead us to suppose; but Conrad’s mistakes are of a different kind, and much more readily pardonable. Conrad did not master all the refinements of the language; Mr. Beach points out his clumsiness in the frequent use of
The movement, the anxiety, she dreaded was arriving, and it found her no freer of doubt than had the other aspects of her own responses.
Yet Mr. Beach...