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The Poetic Drama. A review of Cinnamon and Angelica: A Play by John Middleton Murry
- Johns Hopkins University Press
- document
- Additional Information
London: Cobden-Sanderson: 1920. Pp. 111.
The impotence of contemporary drama is a commonplace riddle of cultured pessimism. A convocation of dramatic enthusiasts recently revealed, that on the one hand there are plenty of writers who could compose good plays if anyone would stage them, and that on the other hand there are a dozen producers ready to snap up a good play if they could find one. Poetic dramas are not infrequently printed; we have abandoned the speculation of why they are so dull. But Mr. Murry is an interesting case – interesting enough to revive once more the whole discussion; for he is a writer who might be, or might in a happier age have been (according to our hopeful or pessimistic humours), a poetic dramatist. He has virtues which are his own, and vices which are general. It is therefore a real pleasure, an exceptional pleasure, to have a patient like Mr. Murry extended on the operating table; we need our sharpest instruments, and steadiest nerves, if we are to do him justice.
Two possibilities we may exclude at once. A poetic drama may be simply bad, in which case the cause of its failure will not be worth further examination. Or it may be poetry which should have been cast in some form which is not dramatic. Plays of this sort are written at times when drama is decaying, but when no other form is at hand: Browning wrote dull plays, but invented the dramatic monologue or character.
The composition of a poetic drama is in fact the most difficult, the most exhausting task that a poet can set himself, and – this is the heart of the matter – it is infinitely more difficult for a poet of to-day than it was for a poet of no greater talent three hundred years ago. It is more difficult than it was for Shelley. Nor could Mr. Murry, for instance, content himself to plunge into Tudor literature and produce a
The difficulty is very baldly stated, as it has been stated so many times before, by saying that there is no audience. It will not do, of course, to leave the matter there. There is, “waiting” for poetry on the stage, a quite sufficient number...