In lieu of an abstract, here is a brief excerpt of the content:

251 index of heaney’s works “Afterwards, An,” 134 “Ash Plant, The,” 152, 177 “Biretta, The,” 150, 176, 178 “Birthplace,” 91 “Bogland,” 124, 206, 223 “Carrickfergus,” 135 “Casting and Gathering,” 98 “Casualty,” 15, 28, 126, 156, 233. See also in General Index Heaney, Rural Proletarians “Churning Day,” 153 “Clearances,” 95–96, 206 “Come to the Bower,” 82 “Constable Calls, The,” 116 Cure at Troy, The (play), 209 Death of a Naturalist, 79n4 “Digging,” 41, 80, 136, 205, 197 “Digging Skeleton, The,” 81–82, 85 “Disappearing Island, The,” 95 District and Circle, 14, 44, 163, 180 “Docker,” 153 Door into the Dark, 79n4 “Drink of Water, A,” 132, 135 “Elegy,” 110, 121 “Exposure,” 51, 103, 215 Field Work, 113–14, 116, 119–21, 124–28, 130–31, 133–34, 136–37, 142, 145, 147– 48, 162–63, 183, 198. See also in General Index Heaney, lightness; Lowell, Robert “Field Work,” 131, 136 “Flight Path, The,” 211 “Follower,” 159 “For the Commander of the ‘Eliza,’” 101 “Fragment, The,” xii, 180, 181n8 “From the Frontier of Writing,” 47, 95 “From the Republic of Conscience,” 68 “Funeral Rites,” 84 “Gaeltacht, The,” 163 “Glanmore Sonnet I,” 127, 131 “Glanmore Sonnet VII,” 130 “Glanmore Sonnet X,” 134 “Grauballe Man, The, 82 “Guttural Muse, The,” 127 “Harvest Bow,” 8, 107n51, 127, 132, 134, 162; and artistic fathers, 121–22 Haw Lantern, The, 15, 233 “Homecomings,” 131 Inferno I–III (translation), 158 “In Gallarus Oratory,” 13–14, 38 “In Iowa,” 190 “In Memoriam Francis Ledwidge,” 127, 132, 135, 156; and influence of Lowell, 114, 121, 136–37 “In Memoriam Sean O’Riada,” 121 “Journey Back, The,” 194, 209, 233, 236. See also in General Index Heaney, return “Kinship,” 82 “Lift, The,” 163 “Lupins,” 163 “Markings,” 170, 176 “Mid-Term Break,” 159–61 “Mossbawn: Sunlight,” 41, 95, 206 “Mycenae Lookout,” 183 Poetry index of heaney’s works prose 252 North, 9, 27, 79–80, 85, 107, 154–55, 174, 191–92, 211, 223, 233; and Heaney’s dark side, 81–85. See also in General Index Eliot, T. S.; Heaney, cultural osmosis “On the Road,” 93–94 Opened Ground, x, 49 “Open Letter,” 102 “Other Side, The,” 122–23, 161. See also in General Index Lowell, Robert “Otter, The,” 127, 131, 198 “Oysters,” 41, 133–34 “Peninsula, The,” 38, 159 “Perch,” 39, 163 “Personal Helicon,” 159 “Poet’s Chair,” 178, 184 “Punishment,” 48, 59; and feminine poetry, 153–54; and influence of T. S. Eliot, 82–84 “Rain Stick, The,” 184 “Requiem for the Croppies,” 27, 101, 197 “St. Francis and the Birds,” 159 “St. Kevin and the Blackbird,” 177 “Schoolbag, The,” 176 Seeing Things, 22, 28, 37, 39–40, 62, 68, 71–72, 88, 90, 93, 97, 102, 113, 150, 160, 163, 166–84, 211–12, 225, 230, 236; and Heaney’s new art, 207–8, 235; and natural supernaturalism, 169–171; as place of multi-influence, 233. See also in General Index Heaney, formal as natural; Heaney, return “Seeing Things,” 169 “Singer’s House, The,” 132 “Singing School,” 101 “Skunk, The,” 27, 41, 122, 132, 137–44 “Sophoclean,” xii, 183–84 Spirit Level, The, 174, 180 “Squarings,” 38, 71–72, 97–98, 117, 150, 167–68, 170, 179–80, 212–13, 231, 234–36; coffers of pastness, 213; everyday aestheticism, 176–77; and notational style, 22, 39 Station Island (collection), 37, 86, 88, 128, 145, 151, 156–57, 162–63, 183, 198, 200, 206, 211, 217, 233; and Life Studies (Lowell ), 116, 147–48 “Station Island” (sequence), 90; “Station Island II,” 156; “Station Island VII,” 145, 155, 164–65; “Station Island XII,” 38, 88, 91, 103, 165, 173. See also in General Index Dante “Strand at Lough Beg, The,” 114, 156, 193 “Strange Fruit,” 82, 154 “Sweeney Astray,” 132–33 “Ten Glosses,” 43 “Tollund Man, The,” 80, 223, 233 “Toome Road, The,” 102, 125, 127, 131, 136 “Triptych,” 126, 135 “Ugolino,” 125 “Underground, The,” 91 “Undine,” 11–12 “Wheels within Wheels,” 168–69, 176 “Wife’s Tale, The,” 153 Wintering Out, 79n4, 101, 198, 233 Prose Beowulf, “Introduction,” 33, 42, 44, 98, 99 Commencement addresses: University of North Carolina, 182; University of Pennsylvania, 33 “Crediting Poetry: The Nobel Lecture” (Opened Ground), 59–60, 67, 70, 74, 174–76, 193, 197, 215, 229, 232 “Envies and Identifications: Dante and the Modern Poet,” x, 1, 18, 86–88, 92–93, 99–101, 146–47, 149, 153, 157 Essential Wordsworth, The, “Introduction ,” 167 Field Day Anthology, The, “Introduction to W. B. Yeats,” 212, 218, 222, 232 Finders Keepers, 30, 91n23...

pdf

Additional Information

ISBN
9780813219189
Related ISBN
9780813218564
MARC Record
OCLC
823578215
Pages
272
Launched on MUSE
2013-02-13
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.