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239 Works Cited Alighieri, Dante. La divina commedia. Edited by C. H. Grandgent. Revised by Charles Singleton. Cambridge, Mass.: Harvard University Press, 1972. Andrews, Elmer. The Poetry of Seamus Heaney: All the Realms of Whisper. New York: St. Martin’s Press, 1988. ———. “The Spirit’s Protest.” In Seamus Heaney: A Collection of Critical Essays , ed. Elmer Andrews, 208–32. New York: St. Martin’s Press, 1992. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press, 1973. Boland, Eavan. “Time, Memory and Obsession: Elizabeth Bishop.” PN Review 18, no. 2 (1991): 18–24. Booth, James. “The Turf Cutter and the Nine-to-Five Man: Heaney, Larkin, and ‘The Spiritual Intellect’s Great Work.’” Twentieth-Century Literature 43, no. 4 (1997): 369–92. Buttel, Robert. Seamus Heaney. Lewisburg: Bucknell University Press, 1975. Carson, Ciaran. “Escaped from the Massacre?” Honest Ulsterman 50 (winter 1975): 183–86. Cavanagh, Clare. “From the Republic of Conscience: Seamus Heaney and Eastern European Poetry.” Harvard Review 6 (spring 1994): 105–112. Cavanagh, Michael. “Seamus Heaney’s Dante: Making a Party of Oneself.” Lectura Dantis 12 (spring 1993): 7–15. Collins, Floyd. Seamus Heaney: The Crisis of Identity. Newark: University of Delaware Press, 2003. Corcoran, Neil. A Student’s Guide to Seamus Heaney. London: Faber and Faber, 1986. ———. “Seamus Heaney and the Art of the Exemplary.” Yearbook of English Studies: British Poetry since 1975 17 (1987): 117–27. ———. “Heaney’s Joyce, Eliot’s Yeats.” Agenda 27, no. 1 (1989): 37–47. ———. The Poetry of Seamus Heaney: A Critical Study. London: Faber and Faber, 1998. Cosgrove, Brian. “Inner Freedom and Political Obligation: Seamus Heaney and the Claims of Irish Nationalism.” Studies: An Irish Quarterly Review 79, no. 31 (1990): 268–80. ———. “‘Between Politics and Transcendence’: History and Utopian Possi- 240 works cited bility in the Work of Seamus Heaney.” In Trends in English and American Studies: Essays in Honour of James Lester Hogg, ed. Sabine Coelsch-Foisner et al., 305–18. Lampeter, Dyfed, Wales: Edwin Mellen Press, 1996. Cuda, Anthony. “The Use of Memory: Seamus Heaney, T. S. Eliot, and the Unpublished Epigraph to North.” Journal of Modern Literature 28, no. 4 (2005): 152–75. Curtis, Tony. “A More Social Voice: Field Work.” In The Art of Seamus Heaney, 4th ed., ed. Tony Curtis, 97–127. Bridgend: Seren Books/Poetry Wales Press, 2001. Cusack, George. “A Cold Eye Cast Inward: Seamus Heaney’s Field Work.” New Hibernia Review 6, no. 3 (2002): 53–72. Davie, Donald. Under Briggflatts: A History of Poetry in Great Britain, 1960–1988. Chicago: University of Chicago Press, 1989. Davis, Deanna L. “Feminist Critics and Literary Mothers: Daughters Reading Elizabeth Gaskall.” Signs 17, no. 3 (1992): 507–32. Deane, Seamus. Celtic Revivals. Winston-Salem: Wake Forest University Press, 1987. ———. “Powers of Earth and Visions of Air.” In Seamus Heaney: The Shaping Spirit, ed. Catharine Malloy and Phyllis Carey, 27–33. Newark: University of Delaware Press, 1996. ———. “The Famous Seamus.” New Yorker, March 20, 2000, 54–79. Dunne, Aidan. “A Celtic Art.” Crane Bag 5, no. 2 (1981): 920. Eagleton, Terry. “The Critic Laureate: A Review of The Redress of Poetry.” Oxford Poetry 9, no. 2 (1995): 86–91. Eliot, T. S. To Criticize the Critic and Other Writings. New York: Farrar, Straus and Giroux, 1965. ———. The Complete Poems and Plays, 1909–1950. New York: Harcourt, Brace and World, 1971. ———. Selected Prose of T. S. Eliot. Edited with an introduction by Frank Kermode . New York: Harcourt Brace Jovanovich, 1975. Ellmann, Richard. Four Dubliners. London: Hamish Hamilton, 1987. Erkkila, Betsy. “Dickenson and Rich: Toward a Theory of Female Poetic Influence .” American Lifetime 56, no. 4 (1984): 541–59. Foster, Thomas C. Seamus Heaney. Boston: Twayne Publishers, 1989. Frost, Robert. “Poetry and School.” Atlantic Monthly, June 1951, 31. Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth Century. New Haven: Yale University Press, 1979. Halpern, Daniel, ed. Dante’s Inferno: Translations by Twenty Contemporary Poets. Hopewell, N.J.: Ecco Press, 1993. Hart, Henry. Seamus Heaney: Poet of Contrary Progressions. Syracuse: Syracuse University Press, 1992. ———. “What Is Heaney Seeing in Seeing Things?” Colby Quarterly 30, no. 1 (1994): 33–42. 241 works cited Harty, Patricia. “Seamus Heaney, an Interview: Winner of the Nobel Prize.” Irish America 13, no. 3 (1996): 20–25. Heaney, Seamus. Death of a Naturalist. London: Faber and Faber, 1966. ———. Door into the Dark. London: Faber and Faber, 1969. ———. “Robert Lowell: A Memorial Address.” Agenda 18, no. 3 (1977): 23–28. ———. “Unhappy and at...


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