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Bibliography Abramovi¢, Marina. ‘‘Body Art.’’ In Marina Abramovi¢. Milan: Charta, 2002. ———. ‘‘Solo Performances 1969–1976.’’ In Artist Body. Milan: Charta, 1998. Acconci, Vito. ‘‘Artist’s Statements.’’ In Vito Acconci: Public Places. Ed. Linda Shearer. New York: Museum of Modern Art, 1988. ———. Avalanche 6 (Fall 1972), special issue on Acconci. ———. ‘‘Body as Place—Moving in on Myself, Performing Myself.’’ Avalanche 6 (Fall 1972). ———. ‘‘Concentration—Container—Assimilation.’’ Avalanche 6 (Fall 1972). ———. Interview with author, 16 April 1997. ———. ‘‘Making Public: The Writing and Reading of Public Space.’’ September 1993, ms. Acconci archive, Brooklyn, New York, np. ———. ‘‘Peopled Space—Performing Myself through Another Agent.’’ Avalanche 6 (Fall 1972). ———. ‘‘Performance after the Fact.’’ New Observations 95 (May–June 1993). ———. ‘‘Power Field—Exchange Points—Transformations.’’ Avalanche 6 (Fall 1972). ———. ‘‘Projections of Home.’’ Artforum 26, 7 (March 1988). ———. ‘‘Public Space in a Private Time.’’ In Art and the Public Sphere. Ed. W. J. T. Mitchell. Chicago: University of Chicago Press, 1992. ———. ‘‘Some Notes on Illegality in Art.’’ Art Journal 50, 3 (Fall 1991). ———. ‘‘Steps into Performance (and Out).’’ In Performance by Artists. Eds. AA Bronson and Peggy Gale. Toronto: Art Metropole, 1979. Agamben, Giorgio. The Coming Community. Trans. Michael Hardt. Minneapolis: Minnesota University Press, 1993. ———. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel HellerRoazen . Stanford: Stanford University Press, 1998. ———. State of Exception. Trans. Kevin Attell. 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Additional Information

ISBN
9781611683363
Related ISBN
9781611683349
MARC Record
OCLC
818733962
Pages
224
Launched on MUSE
2013-01-01
Language
English
Open Access
No
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