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Index Numbers in italics designate images. ABC (network), 178, 197–198, 327, 337 ABC: ¡Qué Vivan los Muertos!, Los 203, 203 ableism, 23 Abu Ghraib, 8, 191; abuse of prisoners , 188–192; photographs from, 189–192, 193, 194, 197, 204n2 Abu Ghraib–My Lai I (Leaños), 189 abuse, sexual, 62–63, 68. See also Catholic Church academic filmmaking, 209–210, 218–219, 220. See also Greer, Aaron Academy of Motion Picture Arts and Sciences: Academy Award, 41, 221n3, 303 ACT UP, 41. See also HIV/AIDS: activism ADA. See Americans with Disabilities Act ADAPT. See Americans Disabled for Attendant Progress Today Adventures of Sharkboy and Lavagirl, The (Rodriguez, 2005), 221n3 A&E (network), 317 affirmative action, 18 AIDS. See HIV/AIDS Albee, Edward, 183 Alexie, Sherman: The Lone Ranger and Tonto Fistfight in Heaven, 248 Alfred, William, 326 Allen, Chad, 51 Allen, Woody, 230 Altman, Robert, 265 Álvarez, Humberto, 151, 156 Alvarez, Robert, 126 Ambulance, The, 295 American Experience, The, 128, 259 American Family, 298 American Film Festival, 135 American Foundation for AIDS Research , 327 American Idol, 318, 320 American Independent Cinema (King), 50 American Playhouse, 128, 135 American Psychiatric Association: on homosexuality, 167 Americans Disabled for Accessible Public Transportation (ADAPT). See Americans Disabled for Attendant Progress Today Americans Disabled for Attendant Progress Today (ADAPT), 19, 39n4 Americans with Disabilities Act (ADA), 19, 39n2 Amor Vegetal: Our Harvest (Caldwell, 1998), 95, 103, 107, 109–110, 109 Anders, Allison, 320 Anderson, Paul Thomas, 310 Anderson, Wes, 310 . . . and the earth did not swallow him (Rivera), 128, 132 Andrade, Ray, 298 T4989.indb 363 T4989.indb 363 2/27/09 6:58:16 AM 2/27/09 6:58:16 AM 364 filming difference Angela Davis Project, The (Griffith), 161, 162, 161n15 Angel Street (Barclay), 326 Anger, Kenneth, 266 Anouilh, Jean: The Rehearsal, 183 anti-semitism, 226–227, 230 Antwone Fisher (Washington, 2002), 212, 221n6 Aon Flux (Kusama, 2005), 10, 263, 264, 266, 267–268, 269–271, 274–279, 281–288; gay characters in, 284; reediting of, 285–286 Apocalypse Now, 124 Appointment, The (Kotz Cornejo), 85–87 Araki, Greg: The Living End, 45 Arau, Alfonso: Like Water for Chocolate , 82 Arbuckle, Fatty, 318 Are You Fit to Marry? (1927), 29, 33, 39n1 Arias, Yancey, 301 Arizona Cardinals, 200 Arness, James, 43 Artenstein, Isaac, 127 Artist’s Television Access, 63, 65 Ascher, Steven: The Filmmaker’s Handbook , 81 As Good as It Gets (Brooks, 1997), 221n3 Asian Americans: women, 67; women, sexuality of, 55–57, 68-69; women, stereotypes of, 7, 60, 60–61. See also Saito, Machiko; Shimizu, Celine Parreñes Aztecs, 109, 204n1 Backstage West, 81 Bacon, Kevin, 338 Badlands (Malick, 1973), 126 Ballad of an Unsung Hero (Espinosa, 1989), 19, 127 Ballad of Gregorio Cortez, The (Young, 1982), 294 Barbershop (Story, 2002), 221n6 Barclay, Paris, 8, 11, 12, 323–325, 324; on African American audience, 324; Angel Street, 326; The Cherokee Kid, 324, 330, 333; City of Angels, 324; Cold Case, 331–332; on commercials, 326–327; on compromise, 333–334; Don’t Be a Menace to Society While Drinking Your Juice in the Hood, 324; on early experiences, 325–326; on entry into television, 326; future projects, 338–339; Hate, 329–330; In Treatment, 324; music videos, 324, 327–329; network expectations, 339–340; One Red Flower, 324; on representing race and gender, 329, 330–333, 335–338. See also individual titles Barton, Toni, 91 Baudrillard, Jean, 117n1 Bedund, Irene, 253 Bending Over Backwards: Disability, Dismodernism, and Other Difficult Positions (Davis), 25 Bergman, Ingrid, 53 Berman, Gale, 281 Bernardi, Daniel, 341 Berney, Bob, 311 Berry, Halle, 215 BET (network), 327, 334 Bewitched, 325 Bienan, Andy, 517 Big Love, 340 Big Momma’s House (Gosnell, 2000), 221n9 Bilingual Foundation of the Arts (BFA), 81 Billy’s Hollywood Screen Kiss (O’Haver), 46, 51 Birthright (Shimizu), 69–71 Björklund, Irina, 163n19 Black and White Television, 327 Black Israeli, 234 Black Stork, The (Haiseldon, 1916), 29, 33–34, 39n1 Blagojevich, Rod, 159n6 Blues for the Sea (Griffith), 161n14 Bochco, Steven, 334 Book on Acting: Improvisation Techniques T4989.indb 364 T4989.indb 364 2/27/09 6:58:17 AM 2/27/09 6:58:17 AM 365 Index for the Professional Actor in Film, Theater , and Television (Book), 241 Book, Stephen: Book on Acting, 241 Border, The (Espinosa, 2000), 119 Border.Line . . . Family Pictures (Griffith), 155 Borges, Jorge Luis, 82 Boys Don’t Cry (Pierce, 1999), 11, 303– 304, 317; financing of, 305–309; and...

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Additional Information

ISBN
9780292793552
Related ISBN
9780292719231
MARC Record
OCLC
429918102
Pages
390
Launched on MUSE
2012-01-01
Language
English
Open Access
No
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